My Personal Style Icons

If someone asked me who my most favoured fashion icon was, I would be lost because there is no particular person who influences my style. Despite this, there is several whom of which I receive outfit ideas from on a regular basis. As you read on, it becomes definitively clear that most of these are extremely cliché but that’s the reality and I am not going to fake a point just to seem original, I’ll just give the absolute truth. So here are the five humans who take the greatest superiority over my wardrobe and outfit configuration:

Alexa Chung

Most certainly, she is one of the biggest names in the industry of mode. Model turned TV presenter turned Vogue fashion journalist, Alexa possesses the uttermost desirable life for myself and she dated Alex Turner (it is unknown whether they are together at present day), another stupendous life achievement. Regarding style, hers is so effortless yet so effective, a goal I wish I had the capability of achieving. In addition, it is very masculine which she states by describing it as ‘boyish’ and adding to the idea of her living in my dream life, her wardrobe seems infinite. Literally, she wears different clothing every single day because she must have the majority given to her for free by companies but no matter what garment, Alexa can produce a striking combination. Overall, I believe that Alexa is the first British member to successfully pull off that chic Parisian look.

One of my favourite Alexa Chung outfits was the one she wore to the Chanel Ready to Wear Show in 2011. Sporting a special edition Chanel tote bag looking to be made from straw, she brought quite a childish feeling. The bag in particular was no surprise since she is seen regularly with cube/cuboid shaped bags which I rarely see in high street shops. Furthermore, the add-on of the biker shorts and spotted tights underneath a white blouse and grey tweed blazer (probably Chanel) really make the outfit quite preppy yet still keeping with her ‘boyish’ style, the plain and simple colours result in a lack of vibrancy conveying formality.

 

Twiggy

Twiggy is such a vast contributor to the fashion industry. Many articles have referenced her as being ‘the first supermodel’ with her long twig legs of which she received the name from. Regarding Twiggy’s style, many of the looks is ones used today that come as a reoccurring trend. Shift dresses and polo necks are the fundamental attire of the British icon. And here we are with shifts and polo necks lying on the shelves of almost every store. Another Twiggy trend I absolutely desire to master however has not yet completed is her definitive use of eye make-up. Sharp, thick black lashes as well as bold and audacious eye-liner with a precise line of black eye-shadow outlining her eye lids above that of quite a nude colour of base. To finish off her appearance, there was the classic Twiggy pixie-cut that many try to replicate: Emma Watson, Jennifer Lawrence and Shailene Woodley to name a few. Besides my fascination for the do, I would never get one myself after having a bob during primary years of which I thoroughly despised.

Tavi Gevinson

Now I discovered Tavi Gevinson after reading an article in Teen Vogue where she was interviewed by Alexa Chung. If you haven’t noted Tavi before than basically, she created a fashion blog called ‘Style Rookie’ (Google it) at 12 years old and became remarkably acknowledged in fashion. After having such a high status, Tavi got invited to shows and therefore, continued to be publicised even more. Meeting idols such as Karl Largerfeld and Anna Wintour, Tavi is a massive inspiration for me not only through her style but her success. Moving on to her fashion sense, it started as appearing very erratic however the looks worked. She’d combine a variety of textures she’d combine, one for instance was a wool rose brooch, tweed blazer and satin shirt. Yet, by the age of 18 (at present) Tavi tends to be more matching in her clothing, slightly having a greater use of common attire (denim shorts, converse) largely opposing the purple kimonos worn when she first came onto the scene.

Jenn Im 

I admit to being a YouTube addict likewise to many people my age. Subscribed to mostly the American teenagers channels, the ones who post morning routine videos when literally every single one of them has a house the size of a palace, views yoga as a religion and drinks kale, lettuce and whatever-other-green-vegetable-to-make-it-look-gross-as-hell smoothies. In conjunction with these perfect-lived teens, I also watch fashion channels such as fashionista804 and British Vogue, but above all I love Jenn Im’s (clothesencounters) content. Jenn has an alternative style to other ‘fashiony YouTube channels’. I mean this by the fact that she isn’t cliché. Rather than the teenagers on YouTube and those who go to my school of which they all practically wear the exact garments and the exact outfits, whereas Jenn Im dresses like someone from a street-style gallery- imaginative and à la mode. Plus Jenn always recommends amazing stores that I never knew existed.

Franca Sozzani

Franca is the editor-in-chief of Vogue Italia. Basically she’s the Italian version of Anna Wintour. A constant wearer of maxi coats and dresses, the outfits she creates lack quantity demonstrating the capability of producing a great look without using so many elements. Besides this, the most dominant feature of Franca is her georgous blonde locks that are always shaped into those perfect intertwining waves, a look that myself as well as many others strive for. In my opinion, maxi coats wouldn’t have rose as such as big a trend without Franca whose been wearing them since what seems like birth.

Ponchos Are The New Coat

Ponchos, ponchos, ponchos; the certain cape on the scene right now is that of Burberry’s custom initialled with a sophisticated font. You may not have noticed it but you will have come across it. Olivia Palermo had the ‘o’ and the ‘p’ on hers which she outstandingly paired with some black above-the-knee suede boots whereas Cara Delevigne opted for including her middle name of ‘Jocelyn’ having black lettering reading ‘CJD’. Excuse me before I start rambling on about the others (Suki Waterhouse, Rosie Huntington-Whitely) but where’s Alexa? To be completely honest, I don’t enter the craze of a product until she’s been snapped attiring it. Anyway, all my fellow Vogue readers will most probably be nodding their heads right now knowing how the magazine is just caped in ponchos at the moment. And surely enough we all want to pull one off right?

Taking its design way back to the times of the Paracas, a Peruvian and Pre-Inca Culture amongst the years of 500BC, the design was originally as simple as a blanket cut with a hole for the head and arms. However, several years later in 1850, the ruana (poncho in Columbian and Venezuelan) developed an increased market being worn by U.S military forces upon the Western Plains. These models in particular were produced through a latex-covered, waterproof cloth identified under the name of gutta percha muslin. Eventually, the chamanto (Chilli for poncho) was commonly worn as a form of water-proof apparel as well as a surface sheet for sleeping during the years of the American Civil War.

Let’s start with talking about the reoccurring item I’ve seen two fashion icons pair with the cosy overthrow. Knee-high boots are a tall person’s go-to whereas if you’re in a similar situation to me being 5’3 and below, this is definitely the opposition thus I’d opt for some regular stilettos instead. Anyhow, wearing such protracted garments besides a textured over-sized poncho really helps to cover-up. Another advantage of this look is the fact that due to the poncho and boots enclosing the majority of your body, there is take such time of thought into what you are wearing underneath, all that is needed is a t-shirt and jeans, items that everybody’s closet holds.

On the other hand, the runway takes a very alternative approach to styling ponchos for example Rag and Bone undertook their usual punk twist upon the pullover in of course dull greys that gave a gothic sense. Seen with some knee length socks (replacing the boots) and laced ankle boots, I deem this look to give out a greater feeling of youth rather than middle aged attire because of the socks childish aspect. Additionally, I love the bottom garment being an almost secretive pencil skirt emphasising the ponchos size further emphasising the poncho as a whole.

Another runway collection was Alexandra Wang’s back in the 2011 New York Fashion Week, bringing a more pure vibe rather than paranormal. Consisting of pastel pinks with intricate wool and furry detail the garments resembled angelic beings moreover angels conveying the flow of the poncho. However there were also Alexandra Wang ponchos in entire black that I am not so keen on. Altogether, both forms were of an extremely wide design and cover up a plentiful amount of the body reassuring that snug enclosed aspect you expect from a standard poncho.

Personally, I adore Hunter’s new group of ponchos. Some of which have a white top and coloured bottom corresponding well with their welling ton’s theme of block colour. Being water-proof, the capes are very convenient for those living an outdoor-orientated life who still wants to look stylish; even so, if you live in a rainy location such as Britain for example, this is an efficient pick-me-up for walking to and from places. None the less, there seems to be no hood. This may bring a disadvantage to those desiring one but there always lays Hunter’s moustache bubble umbrellas to keep your hair in-tact. Overall, having this look would appear as exceptionally art-deco as well as combining the classic with the modern because let’s face it, primary colours (blue, yellow and red) will always depict a contemporary essence.

Another poncho I particularly liked was that of Johnstons wool and cashmere-blend poncho. To start with, this design is partially similar to the Burberry form I talked about previously. Why? Because of its delicate cashmere and parallel print. Secondly, by using beige and cream shades, the design has a neutral feeling about it as if weightless. Therefore, during usage, the attire will appear more free-flowing and quite effortless. Similarly to my preceding paragraph, pair with some form of boots meaning dark ankle boots, knee length boots or just regular boots. From then on, it’s your choice. I believe that capes look acceptable with any kind of bottoms but as long as boots are included, everything is fine.

Here are some of my favourite poncho outfits I found on the internet:

Please pop a comment below of feedback regarding this post as I always want to improve to interest my readers more.

Thank-you for reading,

Poppy ~ Largerfeld Enthusiast x

Make sure that you follow me on Instagram just because I’m fabulous –         http://instagram.com/carmamademedoit

What did Coco do?

Let’s forget Karl for just a second and reminisce about the original, insanely intuitive Gabrielle Chanel or if you prefer – Coco Chanel. Now we all understand that this inspirational designer went beyond others of her time, making women’s fashion that radiated femininity opposing against the strong demand of the common uncomfortable attire, a frequent being that of tight corsets. But how did she do this? What were the specific elements that combined to give Gabrielle such a prodigious reputation in fashion?

Using Jersey

This fabric was viewed as the main for men’s underwear and nothing else. Coco decided that jersey would be suitable for her creations due to its low cost compared to alternative substances that had suddenly risen in price after the war. Daringly, Chanel was the first designer to involve jersey in her creations stating that it had a quality finish and an exceptional drapery. In addition, the fabric suited Chanel’s influence of straightforward and convenient menswear making it a perfect match for her ideas.

Inventing the Little Black Dress

Everyone has one, it’s that noted classic yet do you know that Chanel is the women to thank? Previously, black was the dull, unnoticeable shade viewed as a principle look for only funerals and the grief of widows. Gabrielle discovered the hues secretive aspect and came with the ever valued belief of it being a major contribution for fashion. To be honest, I cannot imagine a world without it. Dominant reds, greens and sharp blues were referenced to making Coco “feel ill” later on she quoted “these Women, I’m bloody well going to dress them in black!” Noticed by Vogue, they first introduced Gabrielle’s time-honoured black masterpiece in a 1926 issue spreading word of the commodity to a larger amount of fashion enthusiasts which is still growing today.

Labelling Perfume

Back then, scents were a mixture of completely natural aspects focused on floral aromas unlike the artificial perks involved nowadays. 1921 was the year Coco released her favoured perfume, possibly the most acknowledged of scents today, Chanel No.5 after the instance of it being the 5th perfume tested. Yes, Paul Poiret recently launched his own scent earlier in the year however there was an absence of his name. Gabrielle was of course intelligent enough to be the first of brands to officially have their name placed on the bottle. By doing this, people recognised the scent and knew it was Chanel no.5. Famously a particular lover was Marilyn Monroe repeatedly noting the scent during interviews “I said Chanel No 5 because it’s the truth.”

Releasing Extravagant Jewellery

Chanel is all about the elegance and high-class of the wearers so it is no surprise that Gabrielle was one of the first to produce costume jewellery in her collections. Likewise to before, Paul Poiret was the first nevertheless Coco’s range constituted of flamboyant white pearls placed besides each other, the reason why you have that treasured pearl necklace in your jewellery box. She adored the idea of exaggerated gems contrasting with her minimalistic and sophisticated apparel. Moreover, the combination of speculating both fake and legitimate in one look.

Having Tanned Skin

Surely, Gabrielle wasn’t the original copy of those orange faced stags you see on a night out; she was the opener of healthy, sun-kissed skin. This greatly rebelled against the standard appearance of pale faced complexions resembling porcelain dolls by the adding of bright blusher and rouge lips. She caught hold of the present man’s thoughts of an idealistic women being as alike to paintings as possible. Coincidently, Coco caught a beautiful tan amid her cruise holiday along the French Riviera. After arriving home, her peers exceedingly desired for the same coloured skin furthermore passing the fascination to other members of public enough to make it a trend all around the world as well as an ongoing accessory for years to come.  Even though the expression is generally viewed as being cheap when by the use of fake tan, formerly it gave out a reputation of prosperity and refinement.

Females Wearing Trousers 

Especially amongst the time of war, women working in factories would usually custom that of a pair of trousers for efficiency and health and safety reasons though not prior to Coco did the forms of attire become a general clothing item to females. It was when Gabrielle became anxious about displaying her figure to men precedent to having to wear a swimsuit that she refused and instead astounded people with walking out in a pair of sailors pants, this occurred at the society beach resort in Deauville (been there, just saying). Similar to how those of us in the Alexa Chung fandom attempt (and tremendously fail) to manipulate her style, Gabrielle’s fans did the same. Despite the women’s wearing of the clothing, she ensued to proclaim “I came up with them by modesty. From this usage to it becoming fashion, having 70% of women wearing trousers at evening dinner is quite sad.” I thoroughly disagree with her.

The Fashion-Changing Chanel Suit

The Chanel suit was the pinnacle of Coco’s clothing creations; it was the first of its kind. Recommended by major fashion icons consisting of Audrey Hepburn, Jackie Kennedy (worn on the day of her husband’s assassination) and Grace Kelly, the garment was trimmed with braid, had fitted sleeves, no collar and metallic embellished buttons. Additionally, the boxer jacket was combined with a sophisticated slim-line skirt emphasising that typical aristocratic Chanel women.

Warby Parker’s Limited Edition Corner Capsuel Collection makes Contacts a thing of the Past

Now Warby Parker is a brand whose concept, those of us with an average person’s budget can all thank. They saw the growing possibilities of the sunglasses industry and having experienced a college student budget, created Warby Parker. Both sunglasses and optical wear are available in store and they now have concessions in major American locations such as New York, Los Angeles and Atlanta, their success is expanding by the day. Their other focus is charity work, they have partnerships with non-profit organisations, one being Vision-Spring, which assures them that a less fortunate person in need of optical eye wear will receive a free pair of optical glasses for every pair of Warby Parker glasses that are purchased.

Amidst their limited edition Corner Capsuel Collection, there are 5 new styles for both eyeglasses and sunglasses fitting any wearer’s preference. Uncover your inner Hepburn with the seductive leopard print cat-eyes or reminisce about the seventies with some transparent box lens eyeglasses. What’s more, the label has successfully added two contemporary hues, Rhubarb and Quartz. Incorporated with Parker’s professionally polished eye-wear, the distinctive shades provide sparking up of your standard plain pair of glasses.

I myself was immediately won over by the Teddy 285 Topdown Suns. An Emerald Lens rimmed with exotic leopard print upon quite an obscure style. Yet the elements combined together make a peculiar masterpiece, it isn’t like your typical pair of sunglasses where a designer takes them, uses one fixed colour then adds just one differentiating pattern or shade so they can place the word ‘exciting’ throughout its description. Alternatively, this model goes where others fear and I can assuredly affirm that risk as being an ultimate triumph.

Another positive feature is the collection’s reoccurring theme of British styles. To start with, some have that mahogany look; a style one would most commonly associate with a man carrying a satchel in chinos. It’s that business sense, moreover sophistication. You are able to wear these to work without appearing as overdone however they still act as a stylish accessory. Forget those only-child-with-glasses days and finally be satisfied with that identification. Who needs contact lenses when we have Warby Parker? There is no doubt that the attire will be noticed amongst a crowd.

Forwarding on to pairings, cat eyes look great with suits because you’re mixing both the masculinity of a blazer and trousers with the femininity of the all-important point upon the glasses. Never the less, use modernistic colours such as solid blues, blacks, whites and silvers to amplify the contrast between Hollywood vintage and the 21st century, for this look use the Warby Parker Goodney 100 Angel Suns. Secondly, let’s discuss the Hutton Topdowns for men. Appearing as a narrower though protracted form, these are suited for those with oval shaped faces who desire for them to look a meagre amount larger. By the small, square shaped rims, this style will sharpen the eyes whilst elongating the face providing a more muscular presence which is a goal most men strive for.

Alternatively to the Hutton Topdowns, the collection includes a quirky pair called Topper Topdowns. This has a combination of the classic almond brown with sparks of white that emphasise the glass’ tremendous glow. These glasses correspond to that of Ray Ban’s tortoise shell acetate products however they are a lot cheaper, giving out that they look remarkably prodigious over other models without a lack of sensibility.

‘The Corner Collection gets its name from our seasonal preoccupation with silhouettes and angles. This time around, we’re experimenting with traditional shapes; think crisp keyhole bridges, sloping brow lines, sharp temples, and straight-edged brow bars in a handsome mix of horn-inspired acetate and stainless steel.’

The New Corner Capsuel Collection matches Warby Parker’s creation process combining the unique inspiration of global features with hand designed quality pair of glasses. In addition, their material is always the best quality ranging from premium Japanese titanium to custom single-sheet cellulose acetate all manufactured its own family-run factory.

Overall this Corner Capsule Collection bravely explores like no other brand. It captures new trends, combining patterns and shades in a group of exclusive eye-wear that is the answer to all our prayers. Their limited edition collection would make the perfect photo base for Instagram, they are the styles you see on a popular fashion blogger’s feed, and thus they are a clear portrayal of futuristic trends with a touch of the trendy vintage past.

Be sure to comment your favourite pair from the collection.

Warby Parker’s Online Store – https://www.warbyparker.com/

Warby Parker on Twitter – https://twitter.com/WarbyParker

Warby Parker on Facebook – https://www.facebook.com/warbyparker

Warby Parker on Instagram – http://instagram.com/warbyparker

What did Coco do?

Let’s forget Karl for just a second and reminisce about the original, insanely intuitive Gabrielle Chanel or if you prefer – Coco Chanel. Now we all understand that this inspirational designer went beyond others of her time, making women’s fashion that radiated femininity opposing against the strong demand of the common uncomfortable attire, a frequent being that of tight corsets. But how did she do this? What were the specific elements that combined to give Gabrielle such a prodigious reputation in fashion?

Using Jersey

This fabric was viewed as the main for men’s underwear and nothing else. Coco decided that jersey would be suitable for her creations due to its low cost compared to alternative substances that had suddenly risen in price after the war. Daringly, Chanel was the first designer to involve jersey in her creations stating that it had a quality finish and an exceptional drapery. In addition, the fabric suited Chanel’s influence of straightforward and convenient menswear making it a perfect match for her ideas.

Inventing the Little Black Dress

Everyone has one, it’s that noted classic yet do you know that Chanel is the women to thank? Previously, black was the dull, unnoticeable shade viewed as a principle look for only funerals and the grief of widows. Gabrielle discovered the hues secretive aspect and came with the ever valued belief of it being a major contribution for fashion. To be honest, I cannot imagine a world without it. Dominant reds, greens and sharp blues were referenced to making Coco “feel ill” later on she quoted “these Women, I’m bloody well going to dress them in black!” Noticed by Vogue, they first introduced Gabrielle’s time-honoured black masterpiece in a 1926 issue spreading word of the commodity to a larger amount of fashion enthusiasts which is still growing today.

Labelling Perfume

Back then, scents were a mixture of completely natural aspects focused on floral aromas unlike the artificial perks involved nowadays. 1921 was the year Coco released her favoured perfume, possibly the most acknowledged of scents today, Chanel No.5 after the instance of it being the 5th perfume tested. Yes, Paul Poiret recently launched his own scent earlier in the year however there was an absence of his name. Gabrielle was of course intelligent enough to be the first of brands to officially have their name placed on the bottle. By doing this, people recognised the scent and knew it was Chanel no.5. Famously a particular lover was Marilyn Monroe repeatedly noting the scent during interviews “I said Chanel No 5 because it’s the truth.”

Releasing Extravagant Jewellery

Chanel is all about the elegance and high-class of the wearers so it is no surprise that Gabrielle was one of the first to produce costume jewellery in her collections. Likewise to before, Paul Poiret was the first nevertheless Coco’s range constituted of flamboyant white pearls placed besides each other, the reason why you have that treasured pearl necklace in your jewellery box. She adored the idea of exaggerated gems contrasting with her minimalistic and sophisticated apparel. Moreover, the combination of speculating both fake and legitimate in one look.

Having Tanned Skin

Surely, Gabrielle wasn’t the original copy of those orange faced stags you see on a night out; she was the opener of healthy, sun-kissed skin. This greatly rebelled against the standard appearance of pale faced complexions resembling porcelain dolls by the adding of bright blusher and rouge lips. She caught hold of the present man’s thoughts of an idealistic women being as alike to paintings as possible. Coincidently, Coco caught a beautiful tan amid her cruise holiday along the French Riviera. After arriving home, her peers exceedingly desired for the same coloured skin furthermore passing the fascination to other members of public enough to make it a trend all around the world as well as an ongoing accessory for years to come.  Even though the expression is generally viewed as being cheap when by the use of fake tan, formerly it gave out a reputation of prosperity and refinement.

Females Wearing Trousers 

Especially amongst the time of war, women working in factories would usually custom that of a pair of trousers for efficiency and health and safety reasons though not prior to Coco did the forms of attire become a general clothing item to females. It was when Gabrielle became anxious about displaying her figure to men precedent to having to wear a swimsuit that she refused and instead astounded people with walking out in a pair of sailors pants, this occurred at the society beach resort in Deauville (been there, just saying). Similar to how those of us in the Alexa Chung fandom attempt (and tremendously fail) to manipulate her style, Gabrielle’s fans did the same. Despite the women’s wearing of the clothing, she ensued to proclaim “I came up with them by modesty. From this usage to it becoming fashion, having 70% of women wearing trousers at evening dinner is quite sad.” I thoroughly disagree with her.

Creating the Chanel Suit

The Chanel suit was the pinnacle of Coco’s clothing creations; it was the first of its kind. Recommended by major fashion icons consisting of Audrey Hepburn, Jackie Kennedy (worn on the day of her husband’s assassination) and Grace Kelly, the garment was trimmed with braid, had fitted sleeves, no collar and metallic embellished buttons. Additionally, the boxer jacket was combined with a sophisticated slim-line skirt emphasising that typical aristocratic Chanel women.

Gown; an essential

Everyone needs that one special gown that was a complete one off, a garment that they hesitantly “umed” and “ahed” about thoroughly previous to finally giving in and handing over the ‘one off’ sum of change. It’s that piece that provides such a depth of satisfaction when you delicately place it on. The apparel that makes you constantly glance over at your reflection whenever a mirror is passed or a shop window is seen. Despite an evening dress’ overwhelming elegance only some designers dare to include it in their collections, particularly during this season it included that of Emilia Wickstead, Oscar De La Renta and Christopher Kane. But of whom ended in a success and of who ended in the idea that it should not be taken any further? Amidst this post, I will pick out my most favoured attempts yet also the ones I greatly oppose.

Alberta Feretti produces quite bohemian style pieces in nature related colour for instance: camel beige, subtle nudes and patent whites. Overall, its gowns are exceedingly angelic and in my opinion, would make the perfect prom dress catalogue. Specifically, I adore her undertaking of lace which being saintly itself is embroidered to create ethereal attire that when developing a-line skirts can sneakily cause a 1 foot increase in any ones height. Throughout presenting lace clothes, the label uses dominantly ginger haired models further emphasising the sense of outdoor environment as well as an indication to religion due to the fact that Eve herself (stated in the bible to be one of the first people God placed on planet earth along with Adam) had red hair. Moreover, we can all continue to note infinite connotations of spirituality but if I did we would be here all day. Anyway, I love the patterns symmetry upon the dress, Victorian style floral mixed with the sudden full block of white located at the bottom hem. Unlike other designers output of the lace material, Alberta Feretti makes sure that the piece isn’t overwhelming (dissimilar to approaches by designers such as Valentino and Roberto Cavalli), instead it can be worn by everyday people without looking out of place.

On the other hand I am not a fan of Prada’s new collection of gowns exhibited at Milan Fashion Week mainly due to the thorough overuse of pattern and colour. Although the shades involved in each gown tend to be paired with each other often, at this specific occurrence, the concept has clearly not worked. Furthermore, I believe that this point has caused the dresses to appear behind time. Yes, vintage is the new contemporary but this example is grandma vintage which only grandmas can wear. However, if you disagree with my opinion which is possible since everyone has a different taste, you’d best be placing an intensely patterned gown with that of some plain garments. In this case, ditch the socks and wear flat gladiator sandals as well as a sun-hat because it is extremely rare to see one in a single layer during winter.

Next, as well as discovering a new collection of dresses, I discovered a new designer called Matthew Williamson. Some may be wondering where I’ve been all my life but it turns out that he is a big label. For instance, he has had models such as Kate Moss and Cara Delevigne speculate his creations which include a fascinating group of gowns. In particular, I chose a kind of hallucination style of dress with the dominance of a black rose bunch as a belt. To be honest, I am not completely sure about the material types however I suspect it to be tweed. Tweed is an incredible material due to the versatility as well as the texture it provides to apparel, not only to the fabric but the colours it placed with. As a result, I believe that this dress wouldn’t be as enhancing to the eye without its focus on the material. To pair this piece or something similar comes as a remarkably simple task; just add heels, a clutch and your good to go.

Another dress I absolutely loved however found 2 years ago and have remembered well was the dress Emma Stone wore to the Met Gala in 2012. Covered infinite, what look to be plastic transparent poppies, this is possibly my favourite red-carpet outfit in history and being honest, I was never a fan of red until this came up on my We Heart It feed. She looks so beautiful and dainty; I would do anything to be in the ownership of that gown. By Lanvin, the dresses opulence came as no surprise also I am in total guilt for staying up till 3am by endlessly browsing the Lanvin web-store. Unfortunately, this dress is so uniquely magnificent that I was unable to find similar high-street attire. Anyway, I am forever dreaming.

Returning back to my dislikes, the Funlayo Deri Celestine Evening Gown is a definite no-no. Firstly, the placement of the satin ribbon puts me off considering it being under the bust which possibly can disfigure body shapes making them look less appealing than in reality. Secondly, I personally believe that the satin segments of the skirt resemble that of the curtain in your living room and I originally hated thigh cut outs being what this style corresponds to (just replacing the thigh outline with the material). Overall, the gown is tremendously random and clashes greatly. Moreover, it has the capability of highlighting the places most women try to avoid signifying throughout all their attire. I was unable to place a picture of this dress so if you wish to view it here’s the link – https://www.wolfandbadger.com/celestine-evening-gown/?mid=36620&siteID=Hy3bqNL2jtQ-DzJhhvUMgAUlvPJ67ixO9w .

A Review of Chanel’s Spring/Summer 2015 Show – Chanel Boulevard, Grand Palais, Paris

So Karl Largerfeld isn’t a stranger to conveying real life society in his fascinating Chanel catwalks and the recent s/s 15 show was no exception. Take a look at the major feminist protests on the news, now convert the women into models and place a complacent black and white figure in the lead under the name of Karl Otto Largerfeld. Only he could be the designer to take on such a contradictory topic. Fortunately, there was no police involved just the enthusiastic appraise of a style filled crowd including Alexa Chung (yes I always mention her) and Poppy Delevigne.

Despite the usual chaotic atmosphere of a protest, Chanel consisted of a much greater elegance. Models consisting of Cara Delevigne, Kendall Jenner, Gisele Bundchen, Edie Campbell and Georgia May Jagger partly sauntered along the Chanel Boulevard in the Grand Palais, backs as far back as possible and faces as expressionless as possible, then for the finale, followed Karl along the catwalk carrying cardboard signs reading ‘Make fashion not war’, ‘Sans femmes plus d’hommes’ (Without women more men), ‘Tweed is better than Tweet’, ‘Be your own stylist’, ‘Free freedom’ and ‘Ladies First’ meanwhile Karl had Cara Delevigne and Gisele Bundchen shouting “What do we want? When do we want it” through the most trendy megaphones around (they were quilted underneath the Chanel logo). But let us not forget the advantage of receiving Alexa’s views on feminism after Grazia Magazine raised the question, her response being ‘a no-brainier that every women is a feminist and men should be them too’, she says this whilst two women appear behind looking star struck as hell to see her in reality (forever jealous). Moreover, Karl was also filmed capturing a selfie however the mouth stayed shut and the glasses remained covering the eyes. Not even a French tourist repeating “tout le fait” could give him the slightest bit of remark. 

 

Focusing on the important features, the collection started off with vibrant colours including the themes of art deco and floral however the garments turned to the classic Chanel look; monochrome and gold through lace, metallic leather and delicate silk. Each look fit the specific model perfectly as some convincingly strode on in pairs or threes chatting to each other on a street that if real, would be an exceedingly opulent location in the world. Besides the fabrics mentioned, tweed made a continual presence throughout attire from the rim of maxi-coats to the sleeves of crop tops, as well as this, two looks deemed to be very hipster based depicting the finale of protest. One was made up of a khaki shoulder bag with the double Cs placed right in the middle of it, as if the Chanel logo is the new peace sign (I am so for this). Whereas the alternative hipster reference combined a distressed shirt dress with a bag bursting with rouge and rose embroidery yet what was most unique was the handle being leather and resembling that of the random school craft box material segment you use to stick on your collage back in primary school (elementary school). 

What appealed the most were the accessories. I would die for every single one of them; chunky gold belts, petite bags reading ‘females first’ and those 70’s square glasses only nerds would wear… but in white. And let’s not forget the fact that Chanel can now be associated with maths after presenting a bag reading ‘5 x 5 = *Chanel Logo*. This leads me on to my next point, In the midst of the show there was quite a school vibe (i must say that if Chanel was a school it would get an ‘outstanding’ report from Ofsted as well as be private without a doubt). I believe this because of the white blouses and frilly collars likewise to the school girls in an anime film. Moreover, there was an exceeding amount of stripes both vertically and horizontally also demonstrating a sailor vibe, nonetheless the unimaginably expensive diamond Chanel logos, glossy brogues and childish buttons turned it into a kind of Gabrielle Chanel style mass. 

Overall, my favourite look was Marie Antoinette pale white dress complimented by a chin cross-body bag, thick gold belt, what looks to be shiny brogues combined with sandals, some gold jewellery but most of all, glittery tights. Now I’m not usually taken by coloured tights, blacks as far as I’ll get but these look beautiful. Similarly futuristic due to their astronomical aesthetic, plus the skin colour of the leg is not completely coloured, there is neither too much nor too little of that sparkle of Chanel. What’s more, you would usually expect gold tights to appear as rather tacky and reasonably cheap though this form doesn’t relate to not either of the two mentioned points, it just has Chanel written all over it.

Next, a tweed red and blue twin set over a thin polyester pink shirt. What instantly comes to mind is an utterly negative clash, still the wonders of Chanel managed to pull it off as one would expect. An exceptional example of the idea that each model wore the outfit that fit them was through this Scottish attire and tie-dye blouse (complete opposites) considering this already existing clash added to the bleached long hair of a model, this was beyond clashing. Beyond Clashing so much that it worked. This set fits your school P.E teacher (sports teacher) perfectly having a mature, non-movement outfit withal a quirky little silver whistle to justify their occupation. And when you thought that Chanel actually exhibited an outfit without some high-class bling, there was the essential Chanel Logo upon the key-ring of the set’s clutch (but no chain?). 

 Everything in the show screamed glamour and delicacy which was extraordinarily emphasised by the idealistic street setting. It was corresponding to that of a street style location covered in Chanel. Karl risked some new looks for instance: grunge, school girl preppy and tie-dye (not generally seen on the designer catwalks) while he also stuck with the same standard Chanel sense of sophistication and a major amount of feminist intensity in the manner Gabrielle Chanel did back after World War I when she revolutionised women’s fashion from the influence of men.

 Thanks for reading,

Poppy x

(Follow me on Instagram, I will be more than happy to follow anyone back who asks – http://instagram.com/carmamademedoit )

Back to the Future as New Reoccurring Trends are being Created

New York, London, Milan and finally PARIS: the city where inhabitants are said to be born with a natural flare for fashion, a place where love is only a foot-step away and a place where the fashion week season is concluded. Being the centre of mode and the anticipated ending, Paris is the location where all the big labels will speculate there Spring/Summer 2015 Collections. Comme des Garcons, Vivienne Westwood, Jean Paul Gaultier and many more; a budding designers biggest opportunity would be for their collection to be showcased at this particular event, forget London, Milan and New York, Paris is the pin-point of fashion success.

Throughout Paris fashion week, we see the new collections yet there is always a different theme each year. This year that theme was futuristic. Alexandra McQueen had models wearing sleek black sun visors with faux fur garments, a mix of natural and contemporary, it was like having a female ‘men in black’. I believed the show to feel very astronomical due to the supernaturalism of alien resemblances. Just when I thought the show was creepy enough, all the models had closed mouths and a lacking facial expression. Overall ‘back to the future’ would be the perfect title. This idea of time was definitely conveyed through the group of hourglass dresses (faux fur of course) finished with a metallic sword shaped belt, resembling the costume your mum made you for fancy dress parties. Specifically designed by creative director, Sarah Burton, the women who famously curated the scheme of Kate Middleton’s angelic wedding dress, this collection of apparel emphasised the fluffy trend massively, mixing 60’s faux fur with 21st century metallic.

 

Another designer that took us above and beyond the current times was Jean Paul Gaultier. The audience witnessed multiple selfies being taken as the models posed at the end holding up IPhones with over enthusiastic faces. Some pretended to call contacts with popular girl gestures as if it was a scene from Clueless just 20 years later. Gaultier was able to create garments that complimented picture taking. Dramatic is what the labels known for, also having stereo-typical wags, eighties Madonnas and even heroic wrestlers. Basically, the show was completely random still it appeared as being complete. To end, Jean Paul came on in a black suit overlaid with a pageant banner for his circus extravaganza.

Besides the different approaches to futuristic collections, there was one re-occurrence that wasn’t just seen on the catwalk, smart phones, it is impossible to find a show of this season without the infinite rows of smart phones poised high primed and ready to post the latest looks to social media. We are in times when promotion by the brand is not a major need because there are always the wealthy and successful bloggers, journalists and celebrities whom the majority of which have over a hundred thousand followers on their social media accounts. These members of society can have a single photo taken of themselves in a hot pink leather Moschino skirt and instantly, this particular garment becomes the new quilted Chanel chain bag. On the other hand, one of these people could mention how the Dries Van Noten ankle boots were a complete waste of money and in an instant, 50,000 people are put of purchasing the apparel.

Furthermore, the catwalks are no longer just a place of presenting clothes but IPhone cases too. Moschino gave out his signature unique and quirky collection involving Barbie mirror phone cases, a new addition to its previous ice cream case. Other brands such as Marc by Marc Jacobs and Valentino have released pouches for phones. Valentino in particular offers a red gold-studded case for £190 however there is hope as a Marc by Marc Jacobs Bunny Hop case comes in at £35, well worth it if you regard the considerable amount of times your phone is shown in public daily. My favorite case is doubtlessly that of Moschino’s, being very present-day anyway with the use of a Mcdonald’s fries design, Barbie doll mirror and ice cream, the pouches combined with modern day technology just reflects the contemporary subject greatly.

Evidently, glossy shades are the standard colour of the future, metallics to be precise. Metallics have hit this season hard, Givenchy has released shoes in dominant metallics for evening wear. Even some consisted of Butterfly prints, not one for me to be honest. Isabel Marant produced the a portable disco with its becka metallic leather tapered pants in gold which following on from the craze for leather pants, would love great with a maxi coat and shoulder bag (placed across the shoulder). Furthermore, the high street has also undertaken this space based look, Topshop triumphs overall providing items from those box shaped bags Alexa Chung always wears to old-school scrunchies (and we all know that scrunchies will never leave fashion).

New York Fashion Week – What I Thought

As usual, New York Fashion Week passed in no time similar to how the present and imminent London, Berlin, Milan and Paris ones will. There was the most spectacular of attire whereas there were also some weaknesses, in my opinion this was Miley Cyrus’ collaboration with Jeremy Scott. Jeremy said “Miley and I have something very exciting we’re brewing for the future,” which I agree he was right about “exciting” but not in a good way. After Scott took on the influential occupation of creative director at Mosichino in October 2013, the brand has obviously become more centred on cartoon graphics and modern day influence. Despite this the way Miley described the line as a representation of her ‘Dirty Hippy’ art continues to perplex me, I thought hipsters were bohemian protesters who purchase clothes from thrift and vintage stores, not the toy section in Tesco.

 

On the other hand, I have discovered various new designers whose line I absolutely adored. Jena. Theo was one with the blow-out structure of her dresses in addition to the flared sleeves that really add element to a piece, particularly, the metallic pastel pink shirt column dress. Being a lover of preppy, I thought this garment appeared quite sophisticated yet considerably youthful in addition to this, the Peter Pan collar provides maturity through its pointed edges. Paired with some white super-gas would make a superb outfit for commuting whereas paired with black wedges would create an ideal set for a controlled celebratory event. As well as this charming apparel, I was intrigued by the Jena. Theo white frill dress. I believe that this specific gown has the capability of being pulled off as quite an obscure wedding dress or if not, a bridesmaid dress. Overall, the garment has definite dimension as of the substantial frills that start it off, moreover the striped embroidery detail which has been distressed at the helm of the skirt. Unlike the other dress mentioned, this could not be worn as a casual outfit. Personally, I would place it with some stilettos and a clutch, alike to that of Emma Watson’s outfit for attending Christian Dior’s Autumn/Winter Couture Show.

 

Furthermore, Marc Jacobs make-up look for his catwalk was no make-up! It may be extremely difficult to believe but during New York Fashion Week a group of models strode across the runway completely bare-faced. Nars being the chief make-up company of New York Fashion Week quoted “only moisturising lotion and that’s it.” Amongst some of the all-natural startled models were none other than Kendall Jenner, Joan Smalls, Adriana Lima and Jessica Stam. Apparently Jacobs’ demand for bare-faced models was in the objective to have a model army however Palau told Fashionista that “…he likes to depersonalise the girls.” In the end, the girls were sent out wearing black bob wigs with striking fringes and pale faces. Besides this idea, Nars commented saying that the models all had perfect skin anyway and it they were a fan of having a face involving no vibrant colours whatsoever. Using no-make-up was certainly peculiar for Marc Jacobs considering that he only just released his make-up line this year yet only included that of the Limited Edition Marc Jacobs nail lacquer in deep burgundy in possibly one of the most acknowledged catwalks he will hold amidst 2014.

On to the prevailing catwalk attenders, Olivia Palermo made her way to the event in a black frilled mini skirt corresponding with that of a dull fringe tote. In addition to this, she wore some strapped stilettos and a white sweatshirt consisting of the only hint of pattern throughout its sleeves. In reference to accessories, she didn’t waste a last chance for attiring sunglasses and placed a silver cuff bracelet on one wrist then a slim black leather watch on the other. Even though wearing a bracelet on both wrist can often appear as quite obscure, Olivia managed to make it look satisfying as she does with every form of attire. My favourite part of the set was decidedly the sweater. This is mainly a result of its dainty detailing, the triangle-shaped cut located at the front gives out an effortless vibe nonetheless laced detail upon the sleeves convert it into an outfit of a more pre-eminent superiority. Most of all, this genuine Palermo set should be noted with no questioning as it exceedingly fits the group of outfits that can be re-made with lack of difficulty without thousands of pounds spent on designer clothing. Just grab any sweater and place it with a skater skirt or over a thin-fabric dress for supplementary warmth. After, accompany with some coordinating stilettos (laced is best) along with the significance of bracelets on both wrists. I’d miss out the sunglasses if you live at the depths of the southern or northern hemispheres.

Shrimps – My Favourite Supplier of the Furry Line Coat

Subsequent to purchasing British Vogue in February, I took a read only to come to the considerable discovery of a new clothing brand featured called ‘Shrimps’. Now one may have noticed the consistency of faux fur coats renovated with the essence of two horizontal lines in a disparate colour, but this was the first situation in which I witnessed the quirky form of jacket. At first, I found the line terribly obscure and as if I had seen that of a fancy dress costume. As if the jacket was another one of those experimental fashion trends that had hit a major crisis. However the days went on and so did my speculating of fashion blogs and magazine articles. Anna Wintour, Laura Bailey, the coat was a constant feature in the media so much so that I have come to thoroughly adore the once negatively but now positively eccentric outerwear.

Firstly let us discuss faux fur, it’s similar to Marmite, you either love it or you hate it. Me personally, I’m a self-confessed convert, when I disagreed with the material, it was extremely tacky and appeared cheap whereas now, being a lover, I believe that since the popularity of ugly wedged sandals have been proven to provide edge to an exceedingly pretty outfit, faux can do the same. It’s the texture. Who wants the meagre width of a straight forward maxi-skirt and crop combo when you can amp-it-up with a fuzzy overthrow, faux fur gives you the opportunity of attiring a reassuring blanket but out of bed. In addition, the frizzier, the better! Not your hair, the fur meaning that despite the many uses you get out of the garment, no bother is included when it begins to develop, this material is beyond robust!

Regarding catwalk labels, Fendi has recently launched a new line consisting of non-other than a set of charms named ‘Bag Bugs’. Spruced with fox, mink and rabbit fur, dainty eyes and a leather tag, the pieces are undeniably a newcomer to fashion. And who knows? Maybe a larger amount of successful designers will release similar products. Though, there is evidently an adverse disadvantage that using real animal fur brings which alternatively creates extra customers for the faux-fur clothing and accessories Shrimps holds. Being one on the higher-end of the scale, a shrimps coat typically costs £595, this may sound practically unaffordable but it doesn’t reach the mammoth Moncler Gamme Rouge type at £1000. One of the most appealing features of this label is the fact that it is one of those shops that offers couture-like clothing to the public at relatively half the price. 

Shrimps are another aid of founding incredible new designers to come out of there shell and develop into well-known names. In this case, the label’s designer is Hannah Weiland, set in London; she attended the well-renowned London College of Fashion leaving with a diploma in textile design. Furthermore Hannah became intrigued by 60’s fashion and wanted to in-corporate this into her creations, quoting that the clothing aimed to be “sweet, fun and welcoming.” This was clearly achieved by the loud statement colours used within the collection. Moreover inspiration is said to have mainly come from contemporary art and childish shades, textures and prints. Explaining the peculiar outlook my fascination for Shrimps began with. 

 

These coats use lively colours that emphasise primary school days, shades that are an endless enjoyment juxtaposing that of the usual British brand’s uses of bright reds, dull navy and basic white, practically an ocean of assortment suited to fit every personality and character. Forwarding on, Shrimp’s offers a line of plush key-rings similar to that of Fendi’s set but with the superior advantage of being animal friendly. So could shabby be the new pricey? With numerous loads of long-haired apparel expecting to be included in couture shows, this idea is at a high possibility. On top of this, we too have the current New York, Paris, Milan, Berlin and London fashion weeks occurring carrying assumptions of the immediately prior winter trends that must contain the feature of observing warmth. 

When topic is on British designers, Vivienne Westwood can occasionally come as a bore to teenagers my age and Burberry only uses quite tedious colours that give out an impression of Britain being stationed around country-life. Withal, when I identified Shrimp, my entire view on British fashion came to a halt. Above all, the colours are unlike other British labels, not revolved around the national flag alike to that of Cath Kidston or not joker-style certain to Alexandra Mcqueen. The lines specifics of vintage pastel pink colours, the muggy combination of orange and black, the ambiguous placement of shapes, it all comes down to an extensive diversity of perspectives meaning that no matter what the person, Shrimps has a coat for them.

Visit Shrimp’s online store at – http://www.shrimps.co.uk/shop

(I am in no way being paid to write this, everything is my own personal opinion.)