Death by Handbags: Visiting the Amsterdam Museum of Handbags and Purses

You know that feeling when you have to touch something such as clothes on rails or the fur of an animal. Well the Tassen Museum Hendrikje (Museum of Handbags and Purses) in Amsterdam was exactly that. Being surrounded by exquisite one-of-a-kind hand wear may sound quite a bore but believe me, it was magical. Even one who is not that enthusiastic regarding attire would enjoy this because every single handbag was unique and differed from the rest providing both an historical essence and a feeling of attraction towards the item. Vivienne Westwood, Chanel, Orla Kiely, Bottega Veneta and many more well-known designers ranging from the 1400s to the present day all exhibited in opulent glass shelves.

Placed upon an idealistic Dutch street in Amsterdam, the museum began through an avid handbag collector called Hendrikje Ivo who found her fascination amongst the year of 1820 when she discovered a leather handbag with tortoiseshell capping near Norwich, England, of which she then went on to uncover its history thus did the same for her future handbag purchases. Around 75 years on, the museum currently speculates 4000 handbags that all have compelling disparate origins.

Firstly I came across this beige velvet bag created in 1550-1570 with rose detail that we all know, is still used today. The bag is part of the Rothschild Collection and was used by both women and men which they attached to a belt as there was a lack of pockets during the 1500s. Overall, the hand attire would have been viewed as advanced clothing back then due to its strong iron clasp and variety of hidden locks. Focusing on uses, bags in those days were frequently used for carrying coins, the bible and alternative personal requirements.

Next is this range of coin purses from the 1700s which obviously conveys the century’s allure with embroidery, mainly being flowers alike to the previous handbag. Personally, I adore the draw string locks as they provide dimension rather than a flat surface. Not only were these pouches used for carrying personal belongings but they also acted as an ostentatious carrier of expensive perfumes called ‘sweet bags. These sweet bags would then be reused as pretty carriers of money that would be given as New Year’s gifts towards royalty; moreover the bags would be placed upon attire to maintain a distinct aroma of perfume which was viewed as a high-class action. Alternatively, pouches were used as gaming bags for chips. These specifically consisted of a flat bottom to aid the purses in standing upright. Decorated at the surface was usually a family coat of arms therefore the players could easily distinguish their own pouch. Almost every Dutch woman tended to wear their bags upon harnesses, chatelaines or belts similar to the 1400s. 

Amid the 1800s, craftsmanship progressed greatly starting with the use of silk reticule however ending with the popularity of leather fabric attire. This was mainly a root from the French Industrial Revolution meaning that items were made more efficiently thus larger quantities of each product could be made at a quicker rate. As a result the pinpoint of handbags was made: the reticule. The reticule  was a pouch with either a cord or chain (corresponding to the classic Chanel Chain Bag), of which the term ‘reticule’ originated from the Latin word reticulum defining a miniature women’s mesh bag used during the times of the Romans. Another consequence of the French Industrial Revolution was the increase in transport and wealth generating a brand new market of carrying attire decorated with images of individual locations often bought to bring home to friends and family as a souvenir. Bringing the 1800s to a final was the popularity of leather handbags and purses. Quite peculiarly they were attached to a metal ring and worn upon the wrist to carry purses, diaries and train tickets. Above all, I regard the 1800s as being a major pinnacle in handbag and purse development considering that the base of mode, Paris, went through an Industrial Revolution. 

Forwarding on to the 1900s, this century saw leather handbags change from basic leather to leather with added element using features such as shimmering metallic and textured beads. For example, colours other than beige and black were implemented upon leather. One hand garment at the museum was a sophisticated lilac evening bag with enamelled adornment in gold from France in 1915 conveying the sense that women began to have particular bags for the day and evening, of which day bags were most commonly briefcases and satchels, whereas evening bags involved pouches with a larger amount of decoration rather than one set colour and print. Not only did leather become vastly successful but also glass beads mainly from the Czechoslovakia, Germany, France, Italy and Austria. These beads would be organised to display flowers, landscapes and historical scenes in a theme of art deco and orient. Furthermore, I saw a synthetic lucite bag which resembled that of glass. With a mahogany shade and structured design, it was one of my favourites contained in the exhibition for the reason that despite the formal shade, the gloss of the product made it appealing thus I believe the designer (which was not stated) to have been very intelligent and creative. Moreover, hand garments corresponding to this bag of that age all came together to inspire box bags seen today, for instance the plastic Chanel clutch and the cube shaped handbags Alexa Chung constantly wears. 

Finally arriving in the 21st century, the time we all know too well. Here was an array of designer names that dominantly made their mark on the external of the handbag. Think the Louis Vuitton ‘LV’ print and Vivienne Westwood’s signature crown jewels logo centring the product in an opulent pre-eminence of gold. Besides these, the one I found most preferable and surprisingly my mum too, was the Chanel Lego Bag in pastel blue. Why do all my posts turn into an advertisement for Chanel? Anyway, this bag is timeless even though it has only been available for at most ten years, the Chanel Lego Bag is the first item I would purchase if I was in possession of 10,000 pounds, it is what I define as perfect. Of course the clutch was shown exactly at the midpoint of its case just to give you that urgent need to grab it and run. Anyway, this bag is and will forever be my uttermost need of handbags. 

To conclude, the Museum of Handbags and Purses was for me, a once in a lifetime experience. There was no need to travel to various different designer shops just to see their offerings of handbags, everything was grouped into one and I constantly got won over by one handbag and then another and then another. Additionally, it is very surprising that there is so much information and in-depth origin in the field of hand garments as they are such a necessity in everybody’s lives today and provide such an impact to getting around. To be honest, my entire knowledge of fashion was pleading for some extra notes in the bag field and without a doubt these notes are now covered. 

Please pop a comment below of feedback regarding this post and make sure you view the gallery linked to get lost in a multitude of handbags from the early 1400s to the present day all taken at the Amsterdam Museum of Handbags and Purses.

Thank-you for reading,

Poppy ~ Largerfeld Enthusiast x

Make sure that you follow me on Instagram just because I’m fabulous –         http://instagram.com/carmamademedoit

Is That Designer Handbag Really What It Says On The Tag?

Since the internet became an intense part of people’s lives, the majority of fashion labels have created online shops where a buyer is able to purchase there desired item with no hassle of attending the shop itself, just a filling in details than clicking once for the order to be sent. As well as their own webpages, designers such as Louis Vuitton and Burberry’s products can be easily found upon Ebay. Obviously, the idea of purchasing an £1,000 handbag from a stranger who lives 15,000 miles away from you usually makes you question whether the apparel is genuine thus we need to be certain that what is stated as the ‘Camubutterfly Valentino Handbag’ is exactly that.

1) Firstly, make a visit to your nearest store that sells designer handbags, in Britain I’d recommend Selfridges or House of Fraser, when you arrive just analyse the fabric of the designer handbags because fakes are generally made out of a coarse fake material which the two can be distinguished without difficulty. Furthermore, the real handbag will feel a lot more comfortable when compared with a fake of which the producer would have most possibly only taken the aesthetics into account.

2) Secondly, take into account the stitching’s appearance on the bag, proper designer goods use quality and faint stitching for their inside labels so that the tag blends in well with the remainder of the product. If the string is blatantly obvious, there is a large possibility that the bag is a fake. Additionally, the stitching is generally completed in a careless manner thus if the string is rather chaotic and rushed there is no doubt that the bag is not by the real designer. 

3) Even -though some fakes have replicated buttons, there are a few who don’t. View the actual handbag online or in the shop taking to mind the buttons. If the buttons are meant to present the name of the designer, then they should. For example, a Chanel handbag is most unlikely to have ‘HK12U’ upon the buttons because it wants the labels name to be mentioned as repetitively as possible to further draw more purchasers of the designers items. 

4) Centred around the Far East and Asia lie boundless amounts of market stalls selling fake designer bags, the most common being Versace, Louis Vuitton and Chanel. Accordingly, it is obviously much safer to order from the evident label’s online store or trusted stores who will have workers that are professionally trained in investigating authentic designer goods.

5) Most commonly, fake dealers use the acronym BNWT (Brand New With Tags) this is an immediate indicator of dishonesty. Could you ever imagine Valentino sticking some tatty tag to one of their £1,300 Rockstud Leather bags reading ‘BNTW’ in permanent marker, no me neither. The tag must be opulent and have a high element regarding that it is a main contributor to encouraging the audience to invest in that piece. Besides, why would Valentino accept some dodgy market worker to legally be a seller of their company’s creations? 

6) Forwarding on, quite a substantial give-away will be the price, the only barrier between yourself and your dream accessory. As mentioned in past points, research the bag and find the price conveyed upon the official designer’s webpage – £1,350. Well her it is being displayed at a worthy cost of £2,000. Everyone wants to save money amongst this day and age so why not accept that it’s a non no and order it from the genuine, 99.9% more trustworthy dealer. 

7) This point directly applies to those viewing online. Read the feedback of the dealers already completed purchasers. Make an instant exit if you see negativity considering that when you’re paying almost £2000 to an outright anonymous, how unsatisfying would it be to have that garment in the post, you open it and it’s the supreme opposite to what you bargained for. 

Despite the on-going worry of being sold counterfeit goods, the number of cases has declined. For instance, 7,800 fake designer products were purchased in 2012, this lead to an overall cost of £87.3 million ($133,000), whereas during 2011 the number was 8, 094 coming in at a total price of £90 million ($142.3 million). Unsurprisingly, the majority of these purchases took place in China where over the course of 12 months, a hefty 697 false designer product’s websites were eradicated. 

Alternatively to China’s vast involvement, Vogue released an article last week regarding a raid of warehouses in Malina, the Philippines where an astounding 14 million pounds worth of counterfeit designer handbags were discovered. More specifically, these handbags included replicas of Hermès, Louis Vuitton, Prada, Salvatore Ferragamo and Micheal Kors. 

Do you have any stories associated with counterfeit designer goods? Make sure to post your perception in the comments, I’d love to hear from you. 

What did Coco do?

Let’s forget Karl for just a second and reminisce about the original, insanely intuitive Gabrielle Chanel or if you prefer – Coco Chanel. Now we all understand that this inspirational designer went beyond others of her time, making women’s fashion that radiated femininity opposing against the strong demand of the common uncomfortable attire, a frequent being that of tight corsets. But how did she do this? What were the specific elements that combined to give Gabrielle such a prodigious reputation in fashion?

Using Jersey

This fabric was viewed as the main for men’s underwear and nothing else. Coco decided that jersey would be suitable for her creations due to its low cost compared to alternative substances that had suddenly risen in price after the war. Daringly, Chanel was the first designer to involve jersey in her creations stating that it had a quality finish and an exceptional drapery. In addition, the fabric suited Chanel’s influence of straightforward and convenient menswear making it a perfect match for her ideas.

Inventing the Little Black Dress

Everyone has one, it’s that noted classic yet do you know that Chanel is the women to thank? Previously, black was the dull, unnoticeable shade viewed as a principle look for only funerals and the grief of widows. Gabrielle discovered the hues secretive aspect and came with the ever valued belief of it being a major contribution for fashion. To be honest, I cannot imagine a world without it. Dominant reds, greens and sharp blues were referenced to making Coco “feel ill” later on she quoted “these Women, I’m bloody well going to dress them in black!” Noticed by Vogue, they first introduced Gabrielle’s time-honoured black masterpiece in a 1926 issue spreading word of the commodity to a larger amount of fashion enthusiasts which is still growing today.

Labelling Perfume

Back then, scents were a mixture of completely natural aspects focused on floral aromas unlike the artificial perks involved nowadays. 1921 was the year Coco released her favoured perfume, possibly the most acknowledged of scents today, Chanel No.5 after the instance of it being the 5th perfume tested. Yes, Paul Poiret recently launched his own scent earlier in the year however there was an absence of his name. Gabrielle was of course intelligent enough to be the first of brands to officially have their name placed on the bottle. By doing this, people recognised the scent and knew it was Chanel no.5. Famously a particular lover was Marilyn Monroe repeatedly noting the scent during interviews “I said Chanel No 5 because it’s the truth.”

Releasing Extravagant Jewellery

Chanel is all about the elegance and high-class of the wearers so it is no surprise that Gabrielle was one of the first to produce costume jewellery in her collections. Likewise to before, Paul Poiret was the first nevertheless Coco’s range constituted of flamboyant white pearls placed besides each other, the reason why you have that treasured pearl necklace in your jewellery box. She adored the idea of exaggerated gems contrasting with her minimalistic and sophisticated apparel. Moreover, the combination of speculating both fake and legitimate in one look.

Having Tanned Skin

Surely, Gabrielle wasn’t the original copy of those orange faced stags you see on a night out; she was the opener of healthy, sun-kissed skin. This greatly rebelled against the standard appearance of pale faced complexions resembling porcelain dolls by the adding of bright blusher and rouge lips. She caught hold of the present man’s thoughts of an idealistic women being as alike to paintings as possible. Coincidently, Coco caught a beautiful tan amid her cruise holiday along the French Riviera. After arriving home, her peers exceedingly desired for the same coloured skin furthermore passing the fascination to other members of public enough to make it a trend all around the world as well as an ongoing accessory for years to come.  Even though the expression is generally viewed as being cheap when by the use of fake tan, formerly it gave out a reputation of prosperity and refinement.

Females Wearing Trousers 

Especially amongst the time of war, women working in factories would usually custom that of a pair of trousers for efficiency and health and safety reasons though not prior to Coco did the forms of attire become a general clothing item to females. It was when Gabrielle became anxious about displaying her figure to men precedent to having to wear a swimsuit that she refused and instead astounded people with walking out in a pair of sailors pants, this occurred at the society beach resort in Deauville (been there, just saying). Similar to how those of us in the Alexa Chung fandom attempt (and tremendously fail) to manipulate her style, Gabrielle’s fans did the same. Despite the women’s wearing of the clothing, she ensued to proclaim “I came up with them by modesty. From this usage to it becoming fashion, having 70% of women wearing trousers at evening dinner is quite sad.” I thoroughly disagree with her.

The Fashion-Changing Chanel Suit

The Chanel suit was the pinnacle of Coco’s clothing creations; it was the first of its kind. Recommended by major fashion icons consisting of Audrey Hepburn, Jackie Kennedy (worn on the day of her husband’s assassination) and Grace Kelly, the garment was trimmed with braid, had fitted sleeves, no collar and metallic embellished buttons. Additionally, the boxer jacket was combined with a sophisticated slim-line skirt emphasising that typical aristocratic Chanel women.

Warby Parker’s Limited Edition Corner Capsuel Collection makes Contacts a thing of the Past

Now Warby Parker is a brand whose concept, those of us with an average person’s budget can all thank. They saw the growing possibilities of the sunglasses industry and having experienced a college student budget, created Warby Parker. Both sunglasses and optical wear are available in store and they now have concessions in major American locations such as New York, Los Angeles and Atlanta, their success is expanding by the day. Their other focus is charity work, they have partnerships with non-profit organisations, one being Vision-Spring, which assures them that a less fortunate person in need of optical eye wear will receive a free pair of optical glasses for every pair of Warby Parker glasses that are purchased.

Amidst their limited edition Corner Capsuel Collection, there are 5 new styles for both eyeglasses and sunglasses fitting any wearer’s preference. Uncover your inner Hepburn with the seductive leopard print cat-eyes or reminisce about the seventies with some transparent box lens eyeglasses. What’s more, the label has successfully added two contemporary hues, Rhubarb and Quartz. Incorporated with Parker’s professionally polished eye-wear, the distinctive shades provide sparking up of your standard plain pair of glasses.

I myself was immediately won over by the Teddy 285 Topdown Suns. An Emerald Lens rimmed with exotic leopard print upon quite an obscure style. Yet the elements combined together make a peculiar masterpiece, it isn’t like your typical pair of sunglasses where a designer takes them, uses one fixed colour then adds just one differentiating pattern or shade so they can place the word ‘exciting’ throughout its description. Alternatively, this model goes where others fear and I can assuredly affirm that risk as being an ultimate triumph.

Another positive feature is the collection’s reoccurring theme of British styles. To start with, some have that mahogany look; a style one would most commonly associate with a man carrying a satchel in chinos. It’s that business sense, moreover sophistication. You are able to wear these to work without appearing as overdone however they still act as a stylish accessory. Forget those only-child-with-glasses days and finally be satisfied with that identification. Who needs contact lenses when we have Warby Parker? There is no doubt that the attire will be noticed amongst a crowd.

Forwarding on to pairings, cat eyes look great with suits because you’re mixing both the masculinity of a blazer and trousers with the femininity of the all-important point upon the glasses. Never the less, use modernistic colours such as solid blues, blacks, whites and silvers to amplify the contrast between Hollywood vintage and the 21st century, for this look use the Warby Parker Goodney 100 Angel Suns. Secondly, let’s discuss the Hutton Topdowns for men. Appearing as a narrower though protracted form, these are suited for those with oval shaped faces who desire for them to look a meagre amount larger. By the small, square shaped rims, this style will sharpen the eyes whilst elongating the face providing a more muscular presence which is a goal most men strive for.

Alternatively to the Hutton Topdowns, the collection includes a quirky pair called Topper Topdowns. This has a combination of the classic almond brown with sparks of white that emphasise the glass’ tremendous glow. These glasses correspond to that of Ray Ban’s tortoise shell acetate products however they are a lot cheaper, giving out that they look remarkably prodigious over other models without a lack of sensibility.

‘The Corner Collection gets its name from our seasonal preoccupation with silhouettes and angles. This time around, we’re experimenting with traditional shapes; think crisp keyhole bridges, sloping brow lines, sharp temples, and straight-edged brow bars in a handsome mix of horn-inspired acetate and stainless steel.’

The New Corner Capsuel Collection matches Warby Parker’s creation process combining the unique inspiration of global features with hand designed quality pair of glasses. In addition, their material is always the best quality ranging from premium Japanese titanium to custom single-sheet cellulose acetate all manufactured its own family-run factory.

Overall this Corner Capsule Collection bravely explores like no other brand. It captures new trends, combining patterns and shades in a group of exclusive eye-wear that is the answer to all our prayers. Their limited edition collection would make the perfect photo base for Instagram, they are the styles you see on a popular fashion blogger’s feed, and thus they are a clear portrayal of futuristic trends with a touch of the trendy vintage past.

Be sure to comment your favourite pair from the collection.

Warby Parker’s Online Store – https://www.warbyparker.com/

Warby Parker on Twitter – https://twitter.com/WarbyParker

Warby Parker on Facebook – https://www.facebook.com/warbyparker

Warby Parker on Instagram – http://instagram.com/warbyparker

What did Coco do?

Let’s forget Karl for just a second and reminisce about the original, insanely intuitive Gabrielle Chanel or if you prefer – Coco Chanel. Now we all understand that this inspirational designer went beyond others of her time, making women’s fashion that radiated femininity opposing against the strong demand of the common uncomfortable attire, a frequent being that of tight corsets. But how did she do this? What were the specific elements that combined to give Gabrielle such a prodigious reputation in fashion?

Using Jersey

This fabric was viewed as the main for men’s underwear and nothing else. Coco decided that jersey would be suitable for her creations due to its low cost compared to alternative substances that had suddenly risen in price after the war. Daringly, Chanel was the first designer to involve jersey in her creations stating that it had a quality finish and an exceptional drapery. In addition, the fabric suited Chanel’s influence of straightforward and convenient menswear making it a perfect match for her ideas.

Inventing the Little Black Dress

Everyone has one, it’s that noted classic yet do you know that Chanel is the women to thank? Previously, black was the dull, unnoticeable shade viewed as a principle look for only funerals and the grief of widows. Gabrielle discovered the hues secretive aspect and came with the ever valued belief of it being a major contribution for fashion. To be honest, I cannot imagine a world without it. Dominant reds, greens and sharp blues were referenced to making Coco “feel ill” later on she quoted “these Women, I’m bloody well going to dress them in black!” Noticed by Vogue, they first introduced Gabrielle’s time-honoured black masterpiece in a 1926 issue spreading word of the commodity to a larger amount of fashion enthusiasts which is still growing today.

Labelling Perfume

Back then, scents were a mixture of completely natural aspects focused on floral aromas unlike the artificial perks involved nowadays. 1921 was the year Coco released her favoured perfume, possibly the most acknowledged of scents today, Chanel No.5 after the instance of it being the 5th perfume tested. Yes, Paul Poiret recently launched his own scent earlier in the year however there was an absence of his name. Gabrielle was of course intelligent enough to be the first of brands to officially have their name placed on the bottle. By doing this, people recognised the scent and knew it was Chanel no.5. Famously a particular lover was Marilyn Monroe repeatedly noting the scent during interviews “I said Chanel No 5 because it’s the truth.”

Releasing Extravagant Jewellery

Chanel is all about the elegance and high-class of the wearers so it is no surprise that Gabrielle was one of the first to produce costume jewellery in her collections. Likewise to before, Paul Poiret was the first nevertheless Coco’s range constituted of flamboyant white pearls placed besides each other, the reason why you have that treasured pearl necklace in your jewellery box. She adored the idea of exaggerated gems contrasting with her minimalistic and sophisticated apparel. Moreover, the combination of speculating both fake and legitimate in one look.

Having Tanned Skin

Surely, Gabrielle wasn’t the original copy of those orange faced stags you see on a night out; she was the opener of healthy, sun-kissed skin. This greatly rebelled against the standard appearance of pale faced complexions resembling porcelain dolls by the adding of bright blusher and rouge lips. She caught hold of the present man’s thoughts of an idealistic women being as alike to paintings as possible. Coincidently, Coco caught a beautiful tan amid her cruise holiday along the French Riviera. After arriving home, her peers exceedingly desired for the same coloured skin furthermore passing the fascination to other members of public enough to make it a trend all around the world as well as an ongoing accessory for years to come.  Even though the expression is generally viewed as being cheap when by the use of fake tan, formerly it gave out a reputation of prosperity and refinement.

Females Wearing Trousers 

Especially amongst the time of war, women working in factories would usually custom that of a pair of trousers for efficiency and health and safety reasons though not prior to Coco did the forms of attire become a general clothing item to females. It was when Gabrielle became anxious about displaying her figure to men precedent to having to wear a swimsuit that she refused and instead astounded people with walking out in a pair of sailors pants, this occurred at the society beach resort in Deauville (been there, just saying). Similar to how those of us in the Alexa Chung fandom attempt (and tremendously fail) to manipulate her style, Gabrielle’s fans did the same. Despite the women’s wearing of the clothing, she ensued to proclaim “I came up with them by modesty. From this usage to it becoming fashion, having 70% of women wearing trousers at evening dinner is quite sad.” I thoroughly disagree with her.

Creating the Chanel Suit

The Chanel suit was the pinnacle of Coco’s clothing creations; it was the first of its kind. Recommended by major fashion icons consisting of Audrey Hepburn, Jackie Kennedy (worn on the day of her husband’s assassination) and Grace Kelly, the garment was trimmed with braid, had fitted sleeves, no collar and metallic embellished buttons. Additionally, the boxer jacket was combined with a sophisticated slim-line skirt emphasising that typical aristocratic Chanel women.

Gown; an essential

Everyone needs that one special gown that was a complete one off, a garment that they hesitantly “umed” and “ahed” about thoroughly previous to finally giving in and handing over the ‘one off’ sum of change. It’s that piece that provides such a depth of satisfaction when you delicately place it on. The apparel that makes you constantly glance over at your reflection whenever a mirror is passed or a shop window is seen. Despite an evening dress’ overwhelming elegance only some designers dare to include it in their collections, particularly during this season it included that of Emilia Wickstead, Oscar De La Renta and Christopher Kane. But of whom ended in a success and of who ended in the idea that it should not be taken any further? Amidst this post, I will pick out my most favoured attempts yet also the ones I greatly oppose.

Alberta Feretti produces quite bohemian style pieces in nature related colour for instance: camel beige, subtle nudes and patent whites. Overall, its gowns are exceedingly angelic and in my opinion, would make the perfect prom dress catalogue. Specifically, I adore her undertaking of lace which being saintly itself is embroidered to create ethereal attire that when developing a-line skirts can sneakily cause a 1 foot increase in any ones height. Throughout presenting lace clothes, the label uses dominantly ginger haired models further emphasising the sense of outdoor environment as well as an indication to religion due to the fact that Eve herself (stated in the bible to be one of the first people God placed on planet earth along with Adam) had red hair. Moreover, we can all continue to note infinite connotations of spirituality but if I did we would be here all day. Anyway, I love the patterns symmetry upon the dress, Victorian style floral mixed with the sudden full block of white located at the bottom hem. Unlike other designers output of the lace material, Alberta Feretti makes sure that the piece isn’t overwhelming (dissimilar to approaches by designers such as Valentino and Roberto Cavalli), instead it can be worn by everyday people without looking out of place.

On the other hand I am not a fan of Prada’s new collection of gowns exhibited at Milan Fashion Week mainly due to the thorough overuse of pattern and colour. Although the shades involved in each gown tend to be paired with each other often, at this specific occurrence, the concept has clearly not worked. Furthermore, I believe that this point has caused the dresses to appear behind time. Yes, vintage is the new contemporary but this example is grandma vintage which only grandmas can wear. However, if you disagree with my opinion which is possible since everyone has a different taste, you’d best be placing an intensely patterned gown with that of some plain garments. In this case, ditch the socks and wear flat gladiator sandals as well as a sun-hat because it is extremely rare to see one in a single layer during winter.

Next, as well as discovering a new collection of dresses, I discovered a new designer called Matthew Williamson. Some may be wondering where I’ve been all my life but it turns out that he is a big label. For instance, he has had models such as Kate Moss and Cara Delevigne speculate his creations which include a fascinating group of gowns. In particular, I chose a kind of hallucination style of dress with the dominance of a black rose bunch as a belt. To be honest, I am not completely sure about the material types however I suspect it to be tweed. Tweed is an incredible material due to the versatility as well as the texture it provides to apparel, not only to the fabric but the colours it placed with. As a result, I believe that this dress wouldn’t be as enhancing to the eye without its focus on the material. To pair this piece or something similar comes as a remarkably simple task; just add heels, a clutch and your good to go.

Another dress I absolutely loved however found 2 years ago and have remembered well was the dress Emma Stone wore to the Met Gala in 2012. Covered infinite, what look to be plastic transparent poppies, this is possibly my favourite red-carpet outfit in history and being honest, I was never a fan of red until this came up on my We Heart It feed. She looks so beautiful and dainty; I would do anything to be in the ownership of that gown. By Lanvin, the dresses opulence came as no surprise also I am in total guilt for staying up till 3am by endlessly browsing the Lanvin web-store. Unfortunately, this dress is so uniquely magnificent that I was unable to find similar high-street attire. Anyway, I am forever dreaming.

Returning back to my dislikes, the Funlayo Deri Celestine Evening Gown is a definite no-no. Firstly, the placement of the satin ribbon puts me off considering it being under the bust which possibly can disfigure body shapes making them look less appealing than in reality. Secondly, I personally believe that the satin segments of the skirt resemble that of the curtain in your living room and I originally hated thigh cut outs being what this style corresponds to (just replacing the thigh outline with the material). Overall, the gown is tremendously random and clashes greatly. Moreover, it has the capability of highlighting the places most women try to avoid signifying throughout all their attire. I was unable to place a picture of this dress so if you wish to view it here’s the link – https://www.wolfandbadger.com/celestine-evening-gown/?mid=36620&siteID=Hy3bqNL2jtQ-DzJhhvUMgAUlvPJ67ixO9w .

A Review of Chanel’s Spring/Summer 2015 Show – Chanel Boulevard, Grand Palais, Paris

So Karl Largerfeld isn’t a stranger to conveying real life society in his fascinating Chanel catwalks and the recent s/s 15 show was no exception. Take a look at the major feminist protests on the news, now convert the women into models and place a complacent black and white figure in the lead under the name of Karl Otto Largerfeld. Only he could be the designer to take on such a contradictory topic. Fortunately, there was no police involved just the enthusiastic appraise of a style filled crowd including Alexa Chung (yes I always mention her) and Poppy Delevigne.

Despite the usual chaotic atmosphere of a protest, Chanel consisted of a much greater elegance. Models consisting of Cara Delevigne, Kendall Jenner, Gisele Bundchen, Edie Campbell and Georgia May Jagger partly sauntered along the Chanel Boulevard in the Grand Palais, backs as far back as possible and faces as expressionless as possible, then for the finale, followed Karl along the catwalk carrying cardboard signs reading ‘Make fashion not war’, ‘Sans femmes plus d’hommes’ (Without women more men), ‘Tweed is better than Tweet’, ‘Be your own stylist’, ‘Free freedom’ and ‘Ladies First’ meanwhile Karl had Cara Delevigne and Gisele Bundchen shouting “What do we want? When do we want it” through the most trendy megaphones around (they were quilted underneath the Chanel logo). But let us not forget the advantage of receiving Alexa’s views on feminism after Grazia Magazine raised the question, her response being ‘a no-brainier that every women is a feminist and men should be them too’, she says this whilst two women appear behind looking star struck as hell to see her in reality (forever jealous). Moreover, Karl was also filmed capturing a selfie however the mouth stayed shut and the glasses remained covering the eyes. Not even a French tourist repeating “tout le fait” could give him the slightest bit of remark. 

 

Focusing on the important features, the collection started off with vibrant colours including the themes of art deco and floral however the garments turned to the classic Chanel look; monochrome and gold through lace, metallic leather and delicate silk. Each look fit the specific model perfectly as some convincingly strode on in pairs or threes chatting to each other on a street that if real, would be an exceedingly opulent location in the world. Besides the fabrics mentioned, tweed made a continual presence throughout attire from the rim of maxi-coats to the sleeves of crop tops, as well as this, two looks deemed to be very hipster based depicting the finale of protest. One was made up of a khaki shoulder bag with the double Cs placed right in the middle of it, as if the Chanel logo is the new peace sign (I am so for this). Whereas the alternative hipster reference combined a distressed shirt dress with a bag bursting with rouge and rose embroidery yet what was most unique was the handle being leather and resembling that of the random school craft box material segment you use to stick on your collage back in primary school (elementary school). 

What appealed the most were the accessories. I would die for every single one of them; chunky gold belts, petite bags reading ‘females first’ and those 70’s square glasses only nerds would wear… but in white. And let’s not forget the fact that Chanel can now be associated with maths after presenting a bag reading ‘5 x 5 = *Chanel Logo*. This leads me on to my next point, In the midst of the show there was quite a school vibe (i must say that if Chanel was a school it would get an ‘outstanding’ report from Ofsted as well as be private without a doubt). I believe this because of the white blouses and frilly collars likewise to the school girls in an anime film. Moreover, there was an exceeding amount of stripes both vertically and horizontally also demonstrating a sailor vibe, nonetheless the unimaginably expensive diamond Chanel logos, glossy brogues and childish buttons turned it into a kind of Gabrielle Chanel style mass. 

Overall, my favourite look was Marie Antoinette pale white dress complimented by a chin cross-body bag, thick gold belt, what looks to be shiny brogues combined with sandals, some gold jewellery but most of all, glittery tights. Now I’m not usually taken by coloured tights, blacks as far as I’ll get but these look beautiful. Similarly futuristic due to their astronomical aesthetic, plus the skin colour of the leg is not completely coloured, there is neither too much nor too little of that sparkle of Chanel. What’s more, you would usually expect gold tights to appear as rather tacky and reasonably cheap though this form doesn’t relate to not either of the two mentioned points, it just has Chanel written all over it.

Next, a tweed red and blue twin set over a thin polyester pink shirt. What instantly comes to mind is an utterly negative clash, still the wonders of Chanel managed to pull it off as one would expect. An exceptional example of the idea that each model wore the outfit that fit them was through this Scottish attire and tie-dye blouse (complete opposites) considering this already existing clash added to the bleached long hair of a model, this was beyond clashing. Beyond Clashing so much that it worked. This set fits your school P.E teacher (sports teacher) perfectly having a mature, non-movement outfit withal a quirky little silver whistle to justify their occupation. And when you thought that Chanel actually exhibited an outfit without some high-class bling, there was the essential Chanel Logo upon the key-ring of the set’s clutch (but no chain?). 

 Everything in the show screamed glamour and delicacy which was extraordinarily emphasised by the idealistic street setting. It was corresponding to that of a street style location covered in Chanel. Karl risked some new looks for instance: grunge, school girl preppy and tie-dye (not generally seen on the designer catwalks) while he also stuck with the same standard Chanel sense of sophistication and a major amount of feminist intensity in the manner Gabrielle Chanel did back after World War I when she revolutionised women’s fashion from the influence of men.

 Thanks for reading,

Poppy x

(Follow me on Instagram, I will be more than happy to follow anyone back who asks – http://instagram.com/carmamademedoit )

Everything Looks Better in Black

Whenever your in crisis regarding an outfit, just turn to black. Not only is it a shade of perfect simplicity but it is also created from a combination of all the primary colours: yellow, red and blue (all the most vital). These prevailing appearances are mixed together to produce the ultimate superiority of black.

It just goes with everything and has the most widened variety of annotations. In Western and European countries, the shade presents sexuality and sophistication however it also has the possibility of conveying anonymity and a thing of an evil nature. People who have it as a favourite colour are generally said to be in possession of numerous conflicting attitudes meaning a confused state of maturity as well as a side that is completely awkward yet deliberate and conservative.

Black is one of the pin-points of vintage photography before the revolution of contemporary media and tremendously advanced technology. Take a look at Karl Largerfeld, he certainly adores black, that and white are the only colours he touches. Furthermore, black is the colour of the night, when the world is mostly silent and finally a place where over-population is forgotten. What else is naturally black? Not much really. This is another aspect that makes black such a unique matter. For example, the world can sometimes feel like it has too much colour, as if everything is happening all at once and no control is being implemented. At these points I recommend that you take a step back and make your way to an area of black. A place where tranquillity is present, likewise constant.

“Women think of all colours except the absence of colour. I have said that black has it all. White too. Their beauty is absolute. It is the perfect harmony” ~ Coco Chanel

Get Wardrobe Ready for Upcoming Trends of Autumn/Winter 2014-15

We are all placed in a frequent situation against the considerably dynamic world of fashion and trends, one minute you’re wearing the finest Chanel parka, next minute, it is a tedious and basic coat at most. In order to provide an extensive amount of aid in this upcoming crisis, I have devised a clear list stating some of the upcoming trends according to this month’s issue of British Vogue with hope that it will decrease the exasperating stress and amount of intermittent occurrences where you’re Louis Vuitton gown is no longer a contemporary piece that the whole party tremendously desires to be in possession of. 

The Adequate Knitted Trouser

Firstly is quite a controversial form of attire… knitted trousers? Especially amidst the duration of bitter and ashen winter days, these complacent bottoms give convenience yet to some may have a reputation of appearing as old-fashioned, not good old vintage, just bad vintage, In other words similar to a piece which has the possibility of lying in your grandma’s wardrobe. Despite this adverse statement, the trousers can be found in various patterns taking away the ancient-aspect. For instance, Roberto Cavalli offers a pair at £447.06 presenting that of a monochrome snake print which in my opinion, is print in which has a lack of difficulty when deciding on a separate garment to go with. One being a knitted jumper in the same dull shade, additionally, if the weather is a fragment lower, maybe add that of a shirt underneath the broad sweater. As well as adding warmth and amenity, we now have a section of texture and dimension to the set.

Roberto Cavalli Knitted Snake-Print Trousers

 

 

The Ebullience of the Geometric Print

Next we have the persistent staple of geometric, seen through Chanel’s paintbrush stroked gown upon British delicacy, Cara Delevigne amidst the craze of Paris Fashion Week; this is definitely arriving once anew. Vibrant primary colours grab necessary attention leading even the most confined of people to depart from there open-ended shells. Extended from the dominance of this statement, the print provides emphasis of appreciable artistry and renowned authenticity. Even if it is as meagre as a diagonal bulging yellow line combined with the contrast of a prussian blue, the piece demands pronounced significance yet discernible innocence. What to pair this obscure form of garment with? Doubtless this should be that of the relief of a plain piece corresponding with one of the colours upon the geometric pattern. Apart from a situation of an existing geometric clothing set, never the differentiating patterns of a geometric and a geometric be united because if so this has a vast possibility of being visualised as negatively disparate and erroneously ambiguous. 

Comme des Garçons Geometric Print Blouse

 

The Practicality of the Maxi-Coat

As far as my immediate thoughts are concerned, Maxi-Coats administer reminiscence of the exceptional British countryside. The attire cooperates to give a sense of naturalism into preserving and extravagant urban locations. Unequivocally, this is a compelling reason behind its propriety regarding the drizzly and harsh atmosphere that usually materializes throughout the months of September to February. Mainly popularized by British brand Burberry, it implements an almost exhaustive cover-up yet still places your stylish characteristic idiosyncratic show. Favourably, Audrey Hepburn was seen an exceptionally upscale figure perched upon a window ledge pairing the protracted coat with a substantially chic vintage house-wife approach of an eerie cumulous cream headscarf. If aiming for an immense entrance, pair this comprehensive scheme of garment with leather knee high boots as this attire has the intention to be worn as a thoroughly mysterious however noticeably sophisticated look. Moreover, a movement of horse-rider themed approaches is predicted for this imminent season. For instance: greatly towering knee-high boots, textured tweed and canvas material based clothing and appropriately mature blazers.

Burberry Yellow Shearling Maxi-Coat

Valentino Leather Riding Boots

 

The Enthusiasm of Sequins

Known for late nights of entertaining celebration and rhapsodic abundance, glitter can have an impact of tremendous shine and an immediate expectation of large prosperity. Principally noted by Marc Jacobs which he then proceeded to present amongst last year’s Autumn/Winter collection through seductive Old Monterey Grey hot-pants to the professionalism of a Peter Pan collared glitz blazer, these garments exhibited the spectacles of traditional dedication and lucubration implanted upon every single delicacy belonging to the association of haute couture clothing items. Exceptionally, glitter tends to be easily combined with other glitter as the result of the sight being associated with populous parties and vibrant festivity. My recommendation would be some notoriously sparkly stilettos and staggeringly lustrous forms of accessories; doing so contributes a lack of ample negligence and grants abounding eagerness and teeming ardour.

Givenchy Sequin-Print Sweatshirt

 

In the process of these eventual markedly cordial and somewhat shimmering summer days, remember to never obliterate the aspect of fashion in distinction to your already-combusted mind possibly teeming with the recent hipster enthusiasm or even the lassie floral frenzy. Whereas, it is only an abbreviated amount of time until you will be expected to hide away those conceded crop tops and adolescent denim shorts but instead bring out flaring glittered tops and dimensional knitwear. Overall, my one and exclusive consultation for you in advance of then is to stay cool visually before the briskness of autumn comes where staying cool will have to be taken into consideration both visually and physically. 

 

 

An Eminent Photographer to Both Fashion and Royalty

 Lord Snowdon is behind the considerable logic of why noble yet fascinating photographs endure of the most immense icons in fashion, from presenting the reality of an apprehensive Christian Dior to showing the opulence that of John Galliano possesses as he is seen lounging across cream fabric of course including that of his dominant americane moustache as if hand-drawn. You name it, Snowdon’s done it. Stating “I hate the word portraits”, Snowdon majority of captures have the components of adequate frames and show the spectacle of reality of people’s nature causing controversy against society’s speculation of opinion. 

Born in the hustling city of London, England, Snowdon was first influenced by his art focused great-grandfather, Edward Linley Sandborn being that of a mordant photographer and cartoonist. Not only does it run from his sardonic great-grand-father, but also Oliver Messel, Snowdon’s uncle having the prolific career of a theatre, ballet and opera designer.  Furthermore, in 1943, Snowdon was enrolled to the well regarded Eton College alike to his barrister father, Antony Charles Robert Armstrong-Jones. Here was where Snowdon took a profound intrigue in the significant topics of Science and Engineering however this was soon overpowered by his interest in photography therefore he effectively came to the decision of invigorating the lacking Eton Photographic Society .

A deplorable incident occurred during Snowdon’s period of a 16 year old; he was contracted with the lamentable disease of polio bringing great distress and trauma to him-self and his family. Meanwhile, as an act of condolence and to less an the feeling of durability in hospital, Snowdon’s mother, Anne Messel permitted Snowdon with a camera with the acknowledgement that it would envision her son’s successful prospects. 6 months later, Snowdon was not entirely recovered still holding the devastating impact of a withered left leg, marginally briefer than that of his right leg.

Subsequently, Snowdon’s intellect in the field of Science brought him to the obvious conclusion of studying the resourceful subject during his University years at Jesus College, Cambridge. Despite Snowdon’s dedication to Science, he soon discovered that his yearning of photography was at a much greater level, with gratitude to his theatrical productions working uncle as inspiration, Snowdon then converted to studying architecture which includes photography regarding buildings. As a result, Snowdon purchased his first extensive form of camera, a second hand Thornton Pickard. Quoting – “I used to stay with him (uncle) in Venice and we would walk all night. Most people look down. He taught me to look up. You miss so much not looking up.”, hardly any time passed before Snowdon was capturing portrait schemes of photography. 

Significantly, Snowdon’s first profitably published photograph was that in Tatler, a British associative magazine considering the outset of his apprentice alongside London humanity photographer Baron. Additionally, 3 years passed and it was 1954 when Snowdon photographed that of the opening of Terence Rattigan’s Separate Tables, two one act plays of whom Rattigan achieved the pride of a CBE for writing such a phenomenal piece of literature. This capture of such a superlative spectacle provided Snowdan with tremendous promotion over the theatre industry as well as his intense superiority in the field of society photography. This stride in Snowdon’s already-enormous popularity gave him numerous opportunities such as photographing for the favoured fashion and life-style magazines: Vogue, Tatler and even Harper’s Bazaar.

An example of Snowdan’s legendary work includes that of US Vogue’s issue cover in April 1971 presenting British American glamour actress, Elizabeth Taylor giving the convincing stare emphasising her consciousness and opulence. Snowdan’s choice of a cougar blue definitely contrasts exceptionally with that of Taylor’s nude based make up. Not only contrast but the maya blue eye’s Taylor acquires corresponds to the enigmatic backdrop adding mystery and an eerie sense. Moreover this can be related to the prestige theme involved in that of Taylor’s endeavours. Another evidently conferred feature is the way in which Snowdon is able to create effect, in this specific image being the excessive neutrality of Taylor’s profound facial expression, this conveys how placid clients felt working beside Snowdon.

Secondly, after a multitude of perpetual research, I finally came across this vintage and exceedingly elegant Snowdon capture of Jean Quick. Although thorough inquiry by myself was undertaken, I was unable to uncover any kind of information about this women categorically thus I can only case my perspective on the image itself without reference to reality. To start with, this photograph appears to have been set in that of an ornate cafe/restaurant depicted from the luxurious cloth and expensive-looking attire. Coincidently, Quick gives me the impression that likewise to the aspect of Taylor, she is a remarkably enigmatic woman, perhaps a person who goes unnoticed, inexorably the standard of person with a preference to being in their own presence rather than others hence the inadequacy of information around the internet. Something more, the idea that the background is blurred evidently is intended for us to focus on quick, stating a matter of the women looking mediocre externally nonetheless being the holder of something substantial internally. Quick causes my feelings to recalibrate into intimidation as if the image is reticently applying an act of coercion. 

Comprehensive of all of Snowdon’s pieces, the most iconic ultimate is the many captured of Princess Margaret, Snowdon’s authoritative wife from 1960 till 1978. For instance, the primed portrait photograph of the princess is shown attiring extravagant and extensive earrings that justify the momentous women’s affluence and fascinating prosperity. On the other hand, what is the most appealing about this photograph is the ceaseless shadow amongst her face that separates in addition to giving dominance to a sentiment of two sides. When it comes to a dark and light colour, this sentiment distinctly represents the concept of good and bad, angel and devil, and yin and yang. Undoubtedly a royal in the spotlight of fashion must demand an element of her life and soul that is private which this idea could be a rumination of.

Overall, my reaction to Snowdon is quite controversial. Although being able to constitute the most awe-provoking photographs, I still do not utterly believe in the entire concept of each after the meticulous depictions I have approximately analysed. Decidedly, every Snowdon photo I have seen so far illustrates a genuine secrecy that other images do not, just showing the notion that everything is not what you see it as and everybody has a concealed enigma corresponding to his 2008 biography’s confession to unconstitutionally fathering a child briefly preceding on from his divorce with the beautiful Princess Margaret.