Is That Designer Handbag Really What It Says On The Tag?

Since the internet became an intense part of people’s lives, the majority of fashion labels have created online shops where a buyer is able to purchase there desired item with no hassle of attending the shop itself, just a filling in details than clicking once for the order to be sent. As well as their own webpages, designers such as Louis Vuitton and Burberry’s products can be easily found upon Ebay. Obviously, the idea of purchasing an £1,000 handbag from a stranger who lives 15,000 miles away from you usually makes you question whether the apparel is genuine thus we need to be certain that what is stated as the ‘Camubutterfly Valentino Handbag’ is exactly that.

1) Firstly, make a visit to your nearest store that sells designer handbags, in Britain I’d recommend Selfridges or House of Fraser, when you arrive just analyse the fabric of the designer handbags because fakes are generally made out of a coarse fake material which the two can be distinguished without difficulty. Furthermore, the real handbag will feel a lot more comfortable when compared with a fake of which the producer would have most possibly only taken the aesthetics into account.

2) Secondly, take into account the stitching’s appearance on the bag, proper designer goods use quality and faint stitching for their inside labels so that the tag blends in well with the remainder of the product. If the string is blatantly obvious, there is a large possibility that the bag is a fake. Additionally, the stitching is generally completed in a careless manner thus if the string is rather chaotic and rushed there is no doubt that the bag is not by the real designer. 

3) Even -though some fakes have replicated buttons, there are a few who don’t. View the actual handbag online or in the shop taking to mind the buttons. If the buttons are meant to present the name of the designer, then they should. For example, a Chanel handbag is most unlikely to have ‘HK12U’ upon the buttons because it wants the labels name to be mentioned as repetitively as possible to further draw more purchasers of the designers items. 

4) Centred around the Far East and Asia lie boundless amounts of market stalls selling fake designer bags, the most common being Versace, Louis Vuitton and Chanel. Accordingly, it is obviously much safer to order from the evident label’s online store or trusted stores who will have workers that are professionally trained in investigating authentic designer goods.

5) Most commonly, fake dealers use the acronym BNWT (Brand New With Tags) this is an immediate indicator of dishonesty. Could you ever imagine Valentino sticking some tatty tag to one of their £1,300 Rockstud Leather bags reading ‘BNTW’ in permanent marker, no me neither. The tag must be opulent and have a high element regarding that it is a main contributor to encouraging the audience to invest in that piece. Besides, why would Valentino accept some dodgy market worker to legally be a seller of their company’s creations? 

6) Forwarding on, quite a substantial give-away will be the price, the only barrier between yourself and your dream accessory. As mentioned in past points, research the bag and find the price conveyed upon the official designer’s webpage – £1,350. Well her it is being displayed at a worthy cost of £2,000. Everyone wants to save money amongst this day and age so why not accept that it’s a non no and order it from the genuine, 99.9% more trustworthy dealer. 

7) This point directly applies to those viewing online. Read the feedback of the dealers already completed purchasers. Make an instant exit if you see negativity considering that when you’re paying almost £2000 to an outright anonymous, how unsatisfying would it be to have that garment in the post, you open it and it’s the supreme opposite to what you bargained for. 

Despite the on-going worry of being sold counterfeit goods, the number of cases has declined. For instance, 7,800 fake designer products were purchased in 2012, this lead to an overall cost of £87.3 million ($133,000), whereas during 2011 the number was 8, 094 coming in at a total price of £90 million ($142.3 million). Unsurprisingly, the majority of these purchases took place in China where over the course of 12 months, a hefty 697 false designer product’s websites were eradicated. 

Alternatively to China’s vast involvement, Vogue released an article last week regarding a raid of warehouses in Malina, the Philippines where an astounding 14 million pounds worth of counterfeit designer handbags were discovered. More specifically, these handbags included replicas of Hermès, Louis Vuitton, Prada, Salvatore Ferragamo and Micheal Kors. 

Do you have any stories associated with counterfeit designer goods? Make sure to post your perception in the comments, I’d love to hear from you. 

What did Coco do?

Let’s forget Karl for just a second and reminisce about the original, insanely intuitive Gabrielle Chanel or if you prefer – Coco Chanel. Now we all understand that this inspirational designer went beyond others of her time, making women’s fashion that radiated femininity opposing against the strong demand of the common uncomfortable attire, a frequent being that of tight corsets. But how did she do this? What were the specific elements that combined to give Gabrielle such a prodigious reputation in fashion?

Using Jersey

This fabric was viewed as the main for men’s underwear and nothing else. Coco decided that jersey would be suitable for her creations due to its low cost compared to alternative substances that had suddenly risen in price after the war. Daringly, Chanel was the first designer to involve jersey in her creations stating that it had a quality finish and an exceptional drapery. In addition, the fabric suited Chanel’s influence of straightforward and convenient menswear making it a perfect match for her ideas.

Inventing the Little Black Dress

Everyone has one, it’s that noted classic yet do you know that Chanel is the women to thank? Previously, black was the dull, unnoticeable shade viewed as a principle look for only funerals and the grief of widows. Gabrielle discovered the hues secretive aspect and came with the ever valued belief of it being a major contribution for fashion. To be honest, I cannot imagine a world without it. Dominant reds, greens and sharp blues were referenced to making Coco “feel ill” later on she quoted “these Women, I’m bloody well going to dress them in black!” Noticed by Vogue, they first introduced Gabrielle’s time-honoured black masterpiece in a 1926 issue spreading word of the commodity to a larger amount of fashion enthusiasts which is still growing today.

Labelling Perfume

Back then, scents were a mixture of completely natural aspects focused on floral aromas unlike the artificial perks involved nowadays. 1921 was the year Coco released her favoured perfume, possibly the most acknowledged of scents today, Chanel No.5 after the instance of it being the 5th perfume tested. Yes, Paul Poiret recently launched his own scent earlier in the year however there was an absence of his name. Gabrielle was of course intelligent enough to be the first of brands to officially have their name placed on the bottle. By doing this, people recognised the scent and knew it was Chanel no.5. Famously a particular lover was Marilyn Monroe repeatedly noting the scent during interviews “I said Chanel No 5 because it’s the truth.”

Releasing Extravagant Jewellery

Chanel is all about the elegance and high-class of the wearers so it is no surprise that Gabrielle was one of the first to produce costume jewellery in her collections. Likewise to before, Paul Poiret was the first nevertheless Coco’s range constituted of flamboyant white pearls placed besides each other, the reason why you have that treasured pearl necklace in your jewellery box. She adored the idea of exaggerated gems contrasting with her minimalistic and sophisticated apparel. Moreover, the combination of speculating both fake and legitimate in one look.

Having Tanned Skin

Surely, Gabrielle wasn’t the original copy of those orange faced stags you see on a night out; she was the opener of healthy, sun-kissed skin. This greatly rebelled against the standard appearance of pale faced complexions resembling porcelain dolls by the adding of bright blusher and rouge lips. She caught hold of the present man’s thoughts of an idealistic women being as alike to paintings as possible. Coincidently, Coco caught a beautiful tan amid her cruise holiday along the French Riviera. After arriving home, her peers exceedingly desired for the same coloured skin furthermore passing the fascination to other members of public enough to make it a trend all around the world as well as an ongoing accessory for years to come.  Even though the expression is generally viewed as being cheap when by the use of fake tan, formerly it gave out a reputation of prosperity and refinement.

Females Wearing Trousers 

Especially amongst the time of war, women working in factories would usually custom that of a pair of trousers for efficiency and health and safety reasons though not prior to Coco did the forms of attire become a general clothing item to females. It was when Gabrielle became anxious about displaying her figure to men precedent to having to wear a swimsuit that she refused and instead astounded people with walking out in a pair of sailors pants, this occurred at the society beach resort in Deauville (been there, just saying). Similar to how those of us in the Alexa Chung fandom attempt (and tremendously fail) to manipulate her style, Gabrielle’s fans did the same. Despite the women’s wearing of the clothing, she ensued to proclaim “I came up with them by modesty. From this usage to it becoming fashion, having 70% of women wearing trousers at evening dinner is quite sad.” I thoroughly disagree with her.

The Fashion-Changing Chanel Suit

The Chanel suit was the pinnacle of Coco’s clothing creations; it was the first of its kind. Recommended by major fashion icons consisting of Audrey Hepburn, Jackie Kennedy (worn on the day of her husband’s assassination) and Grace Kelly, the garment was trimmed with braid, had fitted sleeves, no collar and metallic embellished buttons. Additionally, the boxer jacket was combined with a sophisticated slim-line skirt emphasising that typical aristocratic Chanel women.

Warby Parker’s Limited Edition Corner Capsuel Collection makes Contacts a thing of the Past

Now Warby Parker is a brand whose concept, those of us with an average person’s budget can all thank. They saw the growing possibilities of the sunglasses industry and having experienced a college student budget, created Warby Parker. Both sunglasses and optical wear are available in store and they now have concessions in major American locations such as New York, Los Angeles and Atlanta, their success is expanding by the day. Their other focus is charity work, they have partnerships with non-profit organisations, one being Vision-Spring, which assures them that a less fortunate person in need of optical eye wear will receive a free pair of optical glasses for every pair of Warby Parker glasses that are purchased.

Amidst their limited edition Corner Capsuel Collection, there are 5 new styles for both eyeglasses and sunglasses fitting any wearer’s preference. Uncover your inner Hepburn with the seductive leopard print cat-eyes or reminisce about the seventies with some transparent box lens eyeglasses. What’s more, the label has successfully added two contemporary hues, Rhubarb and Quartz. Incorporated with Parker’s professionally polished eye-wear, the distinctive shades provide sparking up of your standard plain pair of glasses.

I myself was immediately won over by the Teddy 285 Topdown Suns. An Emerald Lens rimmed with exotic leopard print upon quite an obscure style. Yet the elements combined together make a peculiar masterpiece, it isn’t like your typical pair of sunglasses where a designer takes them, uses one fixed colour then adds just one differentiating pattern or shade so they can place the word ‘exciting’ throughout its description. Alternatively, this model goes where others fear and I can assuredly affirm that risk as being an ultimate triumph.

Another positive feature is the collection’s reoccurring theme of British styles. To start with, some have that mahogany look; a style one would most commonly associate with a man carrying a satchel in chinos. It’s that business sense, moreover sophistication. You are able to wear these to work without appearing as overdone however they still act as a stylish accessory. Forget those only-child-with-glasses days and finally be satisfied with that identification. Who needs contact lenses when we have Warby Parker? There is no doubt that the attire will be noticed amongst a crowd.

Forwarding on to pairings, cat eyes look great with suits because you’re mixing both the masculinity of a blazer and trousers with the femininity of the all-important point upon the glasses. Never the less, use modernistic colours such as solid blues, blacks, whites and silvers to amplify the contrast between Hollywood vintage and the 21st century, for this look use the Warby Parker Goodney 100 Angel Suns. Secondly, let’s discuss the Hutton Topdowns for men. Appearing as a narrower though protracted form, these are suited for those with oval shaped faces who desire for them to look a meagre amount larger. By the small, square shaped rims, this style will sharpen the eyes whilst elongating the face providing a more muscular presence which is a goal most men strive for.

Alternatively to the Hutton Topdowns, the collection includes a quirky pair called Topper Topdowns. This has a combination of the classic almond brown with sparks of white that emphasise the glass’ tremendous glow. These glasses correspond to that of Ray Ban’s tortoise shell acetate products however they are a lot cheaper, giving out that they look remarkably prodigious over other models without a lack of sensibility.

‘The Corner Collection gets its name from our seasonal preoccupation with silhouettes and angles. This time around, we’re experimenting with traditional shapes; think crisp keyhole bridges, sloping brow lines, sharp temples, and straight-edged brow bars in a handsome mix of horn-inspired acetate and stainless steel.’

The New Corner Capsuel Collection matches Warby Parker’s creation process combining the unique inspiration of global features with hand designed quality pair of glasses. In addition, their material is always the best quality ranging from premium Japanese titanium to custom single-sheet cellulose acetate all manufactured its own family-run factory.

Overall this Corner Capsule Collection bravely explores like no other brand. It captures new trends, combining patterns and shades in a group of exclusive eye-wear that is the answer to all our prayers. Their limited edition collection would make the perfect photo base for Instagram, they are the styles you see on a popular fashion blogger’s feed, and thus they are a clear portrayal of futuristic trends with a touch of the trendy vintage past.

Be sure to comment your favourite pair from the collection.

Warby Parker’s Online Store – https://www.warbyparker.com/

Warby Parker on Twitter – https://twitter.com/WarbyParker

Warby Parker on Facebook – https://www.facebook.com/warbyparker

Warby Parker on Instagram – http://instagram.com/warbyparker

What did Coco do?

Let’s forget Karl for just a second and reminisce about the original, insanely intuitive Gabrielle Chanel or if you prefer – Coco Chanel. Now we all understand that this inspirational designer went beyond others of her time, making women’s fashion that radiated femininity opposing against the strong demand of the common uncomfortable attire, a frequent being that of tight corsets. But how did she do this? What were the specific elements that combined to give Gabrielle such a prodigious reputation in fashion?

Using Jersey

This fabric was viewed as the main for men’s underwear and nothing else. Coco decided that jersey would be suitable for her creations due to its low cost compared to alternative substances that had suddenly risen in price after the war. Daringly, Chanel was the first designer to involve jersey in her creations stating that it had a quality finish and an exceptional drapery. In addition, the fabric suited Chanel’s influence of straightforward and convenient menswear making it a perfect match for her ideas.

Inventing the Little Black Dress

Everyone has one, it’s that noted classic yet do you know that Chanel is the women to thank? Previously, black was the dull, unnoticeable shade viewed as a principle look for only funerals and the grief of widows. Gabrielle discovered the hues secretive aspect and came with the ever valued belief of it being a major contribution for fashion. To be honest, I cannot imagine a world without it. Dominant reds, greens and sharp blues were referenced to making Coco “feel ill” later on she quoted “these Women, I’m bloody well going to dress them in black!” Noticed by Vogue, they first introduced Gabrielle’s time-honoured black masterpiece in a 1926 issue spreading word of the commodity to a larger amount of fashion enthusiasts which is still growing today.

Labelling Perfume

Back then, scents were a mixture of completely natural aspects focused on floral aromas unlike the artificial perks involved nowadays. 1921 was the year Coco released her favoured perfume, possibly the most acknowledged of scents today, Chanel No.5 after the instance of it being the 5th perfume tested. Yes, Paul Poiret recently launched his own scent earlier in the year however there was an absence of his name. Gabrielle was of course intelligent enough to be the first of brands to officially have their name placed on the bottle. By doing this, people recognised the scent and knew it was Chanel no.5. Famously a particular lover was Marilyn Monroe repeatedly noting the scent during interviews “I said Chanel No 5 because it’s the truth.”

Releasing Extravagant Jewellery

Chanel is all about the elegance and high-class of the wearers so it is no surprise that Gabrielle was one of the first to produce costume jewellery in her collections. Likewise to before, Paul Poiret was the first nevertheless Coco’s range constituted of flamboyant white pearls placed besides each other, the reason why you have that treasured pearl necklace in your jewellery box. She adored the idea of exaggerated gems contrasting with her minimalistic and sophisticated apparel. Moreover, the combination of speculating both fake and legitimate in one look.

Having Tanned Skin

Surely, Gabrielle wasn’t the original copy of those orange faced stags you see on a night out; she was the opener of healthy, sun-kissed skin. This greatly rebelled against the standard appearance of pale faced complexions resembling porcelain dolls by the adding of bright blusher and rouge lips. She caught hold of the present man’s thoughts of an idealistic women being as alike to paintings as possible. Coincidently, Coco caught a beautiful tan amid her cruise holiday along the French Riviera. After arriving home, her peers exceedingly desired for the same coloured skin furthermore passing the fascination to other members of public enough to make it a trend all around the world as well as an ongoing accessory for years to come.  Even though the expression is generally viewed as being cheap when by the use of fake tan, formerly it gave out a reputation of prosperity and refinement.

Females Wearing Trousers 

Especially amongst the time of war, women working in factories would usually custom that of a pair of trousers for efficiency and health and safety reasons though not prior to Coco did the forms of attire become a general clothing item to females. It was when Gabrielle became anxious about displaying her figure to men precedent to having to wear a swimsuit that she refused and instead astounded people with walking out in a pair of sailors pants, this occurred at the society beach resort in Deauville (been there, just saying). Similar to how those of us in the Alexa Chung fandom attempt (and tremendously fail) to manipulate her style, Gabrielle’s fans did the same. Despite the women’s wearing of the clothing, she ensued to proclaim “I came up with them by modesty. From this usage to it becoming fashion, having 70% of women wearing trousers at evening dinner is quite sad.” I thoroughly disagree with her.

Creating the Chanel Suit

The Chanel suit was the pinnacle of Coco’s clothing creations; it was the first of its kind. Recommended by major fashion icons consisting of Audrey Hepburn, Jackie Kennedy (worn on the day of her husband’s assassination) and Grace Kelly, the garment was trimmed with braid, had fitted sleeves, no collar and metallic embellished buttons. Additionally, the boxer jacket was combined with a sophisticated slim-line skirt emphasising that typical aristocratic Chanel women.

Gown; an essential

Everyone needs that one special gown that was a complete one off, a garment that they hesitantly “umed” and “ahed” about thoroughly previous to finally giving in and handing over the ‘one off’ sum of change. It’s that piece that provides such a depth of satisfaction when you delicately place it on. The apparel that makes you constantly glance over at your reflection whenever a mirror is passed or a shop window is seen. Despite an evening dress’ overwhelming elegance only some designers dare to include it in their collections, particularly during this season it included that of Emilia Wickstead, Oscar De La Renta and Christopher Kane. But of whom ended in a success and of who ended in the idea that it should not be taken any further? Amidst this post, I will pick out my most favoured attempts yet also the ones I greatly oppose.

Alberta Feretti produces quite bohemian style pieces in nature related colour for instance: camel beige, subtle nudes and patent whites. Overall, its gowns are exceedingly angelic and in my opinion, would make the perfect prom dress catalogue. Specifically, I adore her undertaking of lace which being saintly itself is embroidered to create ethereal attire that when developing a-line skirts can sneakily cause a 1 foot increase in any ones height. Throughout presenting lace clothes, the label uses dominantly ginger haired models further emphasising the sense of outdoor environment as well as an indication to religion due to the fact that Eve herself (stated in the bible to be one of the first people God placed on planet earth along with Adam) had red hair. Moreover, we can all continue to note infinite connotations of spirituality but if I did we would be here all day. Anyway, I love the patterns symmetry upon the dress, Victorian style floral mixed with the sudden full block of white located at the bottom hem. Unlike other designers output of the lace material, Alberta Feretti makes sure that the piece isn’t overwhelming (dissimilar to approaches by designers such as Valentino and Roberto Cavalli), instead it can be worn by everyday people without looking out of place.

On the other hand I am not a fan of Prada’s new collection of gowns exhibited at Milan Fashion Week mainly due to the thorough overuse of pattern and colour. Although the shades involved in each gown tend to be paired with each other often, at this specific occurrence, the concept has clearly not worked. Furthermore, I believe that this point has caused the dresses to appear behind time. Yes, vintage is the new contemporary but this example is grandma vintage which only grandmas can wear. However, if you disagree with my opinion which is possible since everyone has a different taste, you’d best be placing an intensely patterned gown with that of some plain garments. In this case, ditch the socks and wear flat gladiator sandals as well as a sun-hat because it is extremely rare to see one in a single layer during winter.

Next, as well as discovering a new collection of dresses, I discovered a new designer called Matthew Williamson. Some may be wondering where I’ve been all my life but it turns out that he is a big label. For instance, he has had models such as Kate Moss and Cara Delevigne speculate his creations which include a fascinating group of gowns. In particular, I chose a kind of hallucination style of dress with the dominance of a black rose bunch as a belt. To be honest, I am not completely sure about the material types however I suspect it to be tweed. Tweed is an incredible material due to the versatility as well as the texture it provides to apparel, not only to the fabric but the colours it placed with. As a result, I believe that this dress wouldn’t be as enhancing to the eye without its focus on the material. To pair this piece or something similar comes as a remarkably simple task; just add heels, a clutch and your good to go.

Another dress I absolutely loved however found 2 years ago and have remembered well was the dress Emma Stone wore to the Met Gala in 2012. Covered infinite, what look to be plastic transparent poppies, this is possibly my favourite red-carpet outfit in history and being honest, I was never a fan of red until this came up on my We Heart It feed. She looks so beautiful and dainty; I would do anything to be in the ownership of that gown. By Lanvin, the dresses opulence came as no surprise also I am in total guilt for staying up till 3am by endlessly browsing the Lanvin web-store. Unfortunately, this dress is so uniquely magnificent that I was unable to find similar high-street attire. Anyway, I am forever dreaming.

Returning back to my dislikes, the Funlayo Deri Celestine Evening Gown is a definite no-no. Firstly, the placement of the satin ribbon puts me off considering it being under the bust which possibly can disfigure body shapes making them look less appealing than in reality. Secondly, I personally believe that the satin segments of the skirt resemble that of the curtain in your living room and I originally hated thigh cut outs being what this style corresponds to (just replacing the thigh outline with the material). Overall, the gown is tremendously random and clashes greatly. Moreover, it has the capability of highlighting the places most women try to avoid signifying throughout all their attire. I was unable to place a picture of this dress so if you wish to view it here’s the link – https://www.wolfandbadger.com/celestine-evening-gown/?mid=36620&siteID=Hy3bqNL2jtQ-DzJhhvUMgAUlvPJ67ixO9w .

A Review of Chanel’s Spring/Summer 2015 Show – Chanel Boulevard, Grand Palais, Paris

So Karl Largerfeld isn’t a stranger to conveying real life society in his fascinating Chanel catwalks and the recent s/s 15 show was no exception. Take a look at the major feminist protests on the news, now convert the women into models and place a complacent black and white figure in the lead under the name of Karl Otto Largerfeld. Only he could be the designer to take on such a contradictory topic. Fortunately, there was no police involved just the enthusiastic appraise of a style filled crowd including Alexa Chung (yes I always mention her) and Poppy Delevigne.

Despite the usual chaotic atmosphere of a protest, Chanel consisted of a much greater elegance. Models consisting of Cara Delevigne, Kendall Jenner, Gisele Bundchen, Edie Campbell and Georgia May Jagger partly sauntered along the Chanel Boulevard in the Grand Palais, backs as far back as possible and faces as expressionless as possible, then for the finale, followed Karl along the catwalk carrying cardboard signs reading ‘Make fashion not war’, ‘Sans femmes plus d’hommes’ (Without women more men), ‘Tweed is better than Tweet’, ‘Be your own stylist’, ‘Free freedom’ and ‘Ladies First’ meanwhile Karl had Cara Delevigne and Gisele Bundchen shouting “What do we want? When do we want it” through the most trendy megaphones around (they were quilted underneath the Chanel logo). But let us not forget the advantage of receiving Alexa’s views on feminism after Grazia Magazine raised the question, her response being ‘a no-brainier that every women is a feminist and men should be them too’, she says this whilst two women appear behind looking star struck as hell to see her in reality (forever jealous). Moreover, Karl was also filmed capturing a selfie however the mouth stayed shut and the glasses remained covering the eyes. Not even a French tourist repeating “tout le fait” could give him the slightest bit of remark. 

 

Focusing on the important features, the collection started off with vibrant colours including the themes of art deco and floral however the garments turned to the classic Chanel look; monochrome and gold through lace, metallic leather and delicate silk. Each look fit the specific model perfectly as some convincingly strode on in pairs or threes chatting to each other on a street that if real, would be an exceedingly opulent location in the world. Besides the fabrics mentioned, tweed made a continual presence throughout attire from the rim of maxi-coats to the sleeves of crop tops, as well as this, two looks deemed to be very hipster based depicting the finale of protest. One was made up of a khaki shoulder bag with the double Cs placed right in the middle of it, as if the Chanel logo is the new peace sign (I am so for this). Whereas the alternative hipster reference combined a distressed shirt dress with a bag bursting with rouge and rose embroidery yet what was most unique was the handle being leather and resembling that of the random school craft box material segment you use to stick on your collage back in primary school (elementary school). 

What appealed the most were the accessories. I would die for every single one of them; chunky gold belts, petite bags reading ‘females first’ and those 70’s square glasses only nerds would wear… but in white. And let’s not forget the fact that Chanel can now be associated with maths after presenting a bag reading ‘5 x 5 = *Chanel Logo*. This leads me on to my next point, In the midst of the show there was quite a school vibe (i must say that if Chanel was a school it would get an ‘outstanding’ report from Ofsted as well as be private without a doubt). I believe this because of the white blouses and frilly collars likewise to the school girls in an anime film. Moreover, there was an exceeding amount of stripes both vertically and horizontally also demonstrating a sailor vibe, nonetheless the unimaginably expensive diamond Chanel logos, glossy brogues and childish buttons turned it into a kind of Gabrielle Chanel style mass. 

Overall, my favourite look was Marie Antoinette pale white dress complimented by a chin cross-body bag, thick gold belt, what looks to be shiny brogues combined with sandals, some gold jewellery but most of all, glittery tights. Now I’m not usually taken by coloured tights, blacks as far as I’ll get but these look beautiful. Similarly futuristic due to their astronomical aesthetic, plus the skin colour of the leg is not completely coloured, there is neither too much nor too little of that sparkle of Chanel. What’s more, you would usually expect gold tights to appear as rather tacky and reasonably cheap though this form doesn’t relate to not either of the two mentioned points, it just has Chanel written all over it.

Next, a tweed red and blue twin set over a thin polyester pink shirt. What instantly comes to mind is an utterly negative clash, still the wonders of Chanel managed to pull it off as one would expect. An exceptional example of the idea that each model wore the outfit that fit them was through this Scottish attire and tie-dye blouse (complete opposites) considering this already existing clash added to the bleached long hair of a model, this was beyond clashing. Beyond Clashing so much that it worked. This set fits your school P.E teacher (sports teacher) perfectly having a mature, non-movement outfit withal a quirky little silver whistle to justify their occupation. And when you thought that Chanel actually exhibited an outfit without some high-class bling, there was the essential Chanel Logo upon the key-ring of the set’s clutch (but no chain?). 

 Everything in the show screamed glamour and delicacy which was extraordinarily emphasised by the idealistic street setting. It was corresponding to that of a street style location covered in Chanel. Karl risked some new looks for instance: grunge, school girl preppy and tie-dye (not generally seen on the designer catwalks) while he also stuck with the same standard Chanel sense of sophistication and a major amount of feminist intensity in the manner Gabrielle Chanel did back after World War I when she revolutionised women’s fashion from the influence of men.

 Thanks for reading,

Poppy x

(Follow me on Instagram, I will be more than happy to follow anyone back who asks – http://instagram.com/carmamademedoit )

Back to the Future as New Reoccurring Trends are being Created

New York, London, Milan and finally PARIS: the city where inhabitants are said to be born with a natural flare for fashion, a place where love is only a foot-step away and a place where the fashion week season is concluded. Being the centre of mode and the anticipated ending, Paris is the location where all the big labels will speculate there Spring/Summer 2015 Collections. Comme des Garcons, Vivienne Westwood, Jean Paul Gaultier and many more; a budding designers biggest opportunity would be for their collection to be showcased at this particular event, forget London, Milan and New York, Paris is the pin-point of fashion success.

Throughout Paris fashion week, we see the new collections yet there is always a different theme each year. This year that theme was futuristic. Alexandra McQueen had models wearing sleek black sun visors with faux fur garments, a mix of natural and contemporary, it was like having a female ‘men in black’. I believed the show to feel very astronomical due to the supernaturalism of alien resemblances. Just when I thought the show was creepy enough, all the models had closed mouths and a lacking facial expression. Overall ‘back to the future’ would be the perfect title. This idea of time was definitely conveyed through the group of hourglass dresses (faux fur of course) finished with a metallic sword shaped belt, resembling the costume your mum made you for fancy dress parties. Specifically designed by creative director, Sarah Burton, the women who famously curated the scheme of Kate Middleton’s angelic wedding dress, this collection of apparel emphasised the fluffy trend massively, mixing 60’s faux fur with 21st century metallic.

 

Another designer that took us above and beyond the current times was Jean Paul Gaultier. The audience witnessed multiple selfies being taken as the models posed at the end holding up IPhones with over enthusiastic faces. Some pretended to call contacts with popular girl gestures as if it was a scene from Clueless just 20 years later. Gaultier was able to create garments that complimented picture taking. Dramatic is what the labels known for, also having stereo-typical wags, eighties Madonnas and even heroic wrestlers. Basically, the show was completely random still it appeared as being complete. To end, Jean Paul came on in a black suit overlaid with a pageant banner for his circus extravaganza.

Besides the different approaches to futuristic collections, there was one re-occurrence that wasn’t just seen on the catwalk, smart phones, it is impossible to find a show of this season without the infinite rows of smart phones poised high primed and ready to post the latest looks to social media. We are in times when promotion by the brand is not a major need because there are always the wealthy and successful bloggers, journalists and celebrities whom the majority of which have over a hundred thousand followers on their social media accounts. These members of society can have a single photo taken of themselves in a hot pink leather Moschino skirt and instantly, this particular garment becomes the new quilted Chanel chain bag. On the other hand, one of these people could mention how the Dries Van Noten ankle boots were a complete waste of money and in an instant, 50,000 people are put of purchasing the apparel.

Furthermore, the catwalks are no longer just a place of presenting clothes but IPhone cases too. Moschino gave out his signature unique and quirky collection involving Barbie mirror phone cases, a new addition to its previous ice cream case. Other brands such as Marc by Marc Jacobs and Valentino have released pouches for phones. Valentino in particular offers a red gold-studded case for £190 however there is hope as a Marc by Marc Jacobs Bunny Hop case comes in at £35, well worth it if you regard the considerable amount of times your phone is shown in public daily. My favorite case is doubtlessly that of Moschino’s, being very present-day anyway with the use of a Mcdonald’s fries design, Barbie doll mirror and ice cream, the pouches combined with modern day technology just reflects the contemporary subject greatly.

Evidently, glossy shades are the standard colour of the future, metallics to be precise. Metallics have hit this season hard, Givenchy has released shoes in dominant metallics for evening wear. Even some consisted of Butterfly prints, not one for me to be honest. Isabel Marant produced the a portable disco with its becka metallic leather tapered pants in gold which following on from the craze for leather pants, would love great with a maxi coat and shoulder bag (placed across the shoulder). Furthermore, the high street has also undertaken this space based look, Topshop triumphs overall providing items from those box shaped bags Alexa Chung always wears to old-school scrunchies (and we all know that scrunchies will never leave fashion).

Feels for Flats whilst Heels Jog on

I can guarantee that this won’t have been the first time you’ll have heard about how flats are superbly dominating heels right now. From Chanel’s tweed sneakers to Valentino’s quirky rock-runners, this is a craze everyone knows about. And it isn’t just trainers, but sandals, ankle-boots and many more; finally we can walk around without getting blisters yet still looking stylish. What more I hear you say? Well these flats aren’t all £900 Chanel, we can actually purchase them from the common in-your-local-shopping-centre brands making everything just that £800 cheaper.

  

First let’s talk about the ugly wedge flats. Being a regular appearance at this year’s fashion weeks, the category includes that of a sandal that can be worn both in the winter and the summer as well as the industry promoting its new turn-around of being absolutely acceptable as a pairing of socks. Of course Anna Wintour still detests the socks and sandals look, moreover, she is a keen opposition of the all black look yet we still continue to see all black everywhere. Likewise to sandals, creepers are another flat that has been reigning the schemes of shoes for as long as I can remember (you can read my blog post about creepers here – https://largerfeldentusiast.wordpress.com/2014/07/17/who-would-have-thought-that-creepers-originate-from-the-army). Mostly viewed as a youthy gothic attire, Prada produced chunky creeper brogues amidst there runway show way back in spring 2011 however, I believe that we’ve got a long time to wait until they become an attire of the past. Another fact is that creepers are definitely 110 times better than heels just because, they’re not heels.

 

Flats have become the new heels mainly due to convenience, who wants to be running around the city whilst balancing on a 3 inch stick? Exactly. As the human population’s percentage of city inhabitancy has increased so has the need for functional footwear that works with the busy lives of working people. Additionally, gender rights have improved dramatically therefore women now require just as much efficiency in the things they wear just as much as men do when attending work. Plus, women travel at a fair greater amount (hence those idealistic Instagram accounts, for instance the ones who live in Paris and drink green smoothies religiously), another reason behind the sudden rise of even-soled shoes.

Secondly, the majority of people in the fashion industry are stereo-typed under being over 6 foot yet having a 22 inch or less waist and we all know how awkward it can be for a 6 foot friend to wear heels besides there average-height-of-5’4 friends due to the fact that they look like a giant rather than a tall person. In my opinion, it looks good on the runway when the models are joined with 100 other 6 foot-or-higher humans yet it doesn’t when you’re in reality. For example, I recently read Naomi Campbell’s – Back in Brixton article for British Vogue where she is photographed in 5 inch heels standing beside her 5 foot mother (Naomi is 6 foot!). Yep, not the best image regarding composition. Associated to the idea of expanded female employment, women have started to take a more masculine approach to fashion through garments such as sophisticated blazers and boyfriend shirts/jeans. Take a look at Cara Delevigne’s numerous blazer and trouser suit-combos. Evidently men aren’t known to take on a heel larger than 1.5 inches so bringing back flats is just another cause of female fashion’s manly take-over.

One flat we all can’t live without is ballet flats. Seen constantly on British Vogue editor, Alexa Chung, there is a ballet for any outfit, all you have to do is find the colour that matches and bam fashion crisis solved. Other well-known people who aren’t a stranger to ballet flats include Taylor Swift. Red, yellow, black, you name it, Taylor has worn it. As part of her typical sailor style, Taylor combines the footwear style with printed shirts (most commonly stripes) as well as plain skater skirts. This is such an effortless set yet the outcome is incredible. In relation to Alexa, she has done the same by placing the shoes with a long sleeve striped shirt however besides some vintage denim shorts. Moreover, Alexa most frequently pairs ballet flats with just a single dress thus far she still manages to look flawless against the simplicity.

Furthermore, there are the classic trainers or sneakers if you prefer. This category is definitely the most relatable to my point in reference to how women need helpful footwear. Especially this season we have seen a mass wearing of trainers everywhere yet mainly upon the feet of city livers. Brands such as New Balance, Superga and Nike are the current superiors, in my opinion, this scheme of shoes has now exceedingly overtaken the classic All Stars Converse, which was once thought to be impossible.

MFW more like MFM

  Marni recently launched a new collection involving a few feminine and floral printed garments contrasting to the alternative plain apparel that it was released with. Despite this, we saw the Marni’s fluorescent apparel on their s/s 15 catwalk when dominant Victorian prints were presented with tribal-like exotic layers of matching necklaces. The Marni Flower Market was definitely expected. Bundles of herbs arranged in leather Marni bag whilst the violet and pale roses provided that bit of colour needed. 

Everyone knows that Milan Fashion Week isn’t just about catwalks and perfect street style images but it’s also about the designers promoting themselves through other forms. On Saturday, the Rotonda della Besana was the lucky location to host the pop-up Marni flower stall showing groups of appealing produce and enticing blossoms. Marni wanted to convey their true Italian heritage through the limited edition Marni vases, aprons and pots holding the contents, however the pin-point of the occasion was its alluring aromas depicting Marni’s blossomy perfumes. 

Carolina Castiglioni, Marni’s creative director arranged the event. Seen keeping with the theme, she attired a dress emblazoned with patterned leafs that was included in the preceding Marni catwalk. Later on, Carolina proudly directed friends and family around the netted paradise informing them about the sweet blossoms and delicate crops. Never mind the aprons, vases and pots, some of us would be pleased with a piece of the kale coloured Marni paper that enclosed some products as if they were some greasy takeaway chips cloaked in The Daily Mail’s pages. The Marni goddess told the press that she enjoys filling her home’s courtyard and terrace with plants and herbs; I’d share the same view if I had my own mansion as-well. Additionally, Carolina stated her hope to provide the cities children with a unique experience as well as mentioning the inspiration coming from that of her own passion for growing produce.

Aesthetics were certainly a significant feature having energetic coil dragonflies and insects hanging from the ceiling attracted to the scene as much as the spectators were. One cursory Italian pronounced in a strong accent “you’re a legend” to Carolina as she swiftly purchased numerous blooms grinning like a child in a sweet shop. A benefit of this wonder is the towering sculptures of wired mannequins perked with rainbow skirts hand-crafted by Columbian artisans of which a majority of the proceedings are given to children’s charities, an example being that of the charity Vimala. 

Every part of the show was considerably lively just a typical local florist. Supermodel Coco Brandolini d’Adda casually pulled outside on her bike escorting her two children in meanwhile alternative model, Shala Monroque concentrated on crafting hued necklaces of recycled materials based around the brand’s own wacky jewellery. Unfortunately, the herds of travellers were disappointed when they realised they couldn’t take home the intended amount of merchandise due to their limiting baggage allowances. 

Likewise to Marni, Burberry has surprised catwalk attendants with their latest spring/summer 2015 catwalk with a completely different theme of colour than usual. Pastel pinks and dominant yellows along with denim jackets. A stark contrast when compared to the brand’s statement masculine tartans and tedious beige, whites and blacks. No need to worry though because they ensued with the country theme throughout the compelling maxi-coats imprinted with elegant images of nature, for instance bees, the specific coat Suki Waterhouse wore upon the runway show. 

Let’s not all try and convince ourselves into believing that floral is one of the major trends this summer because it is not at all. Times when floral came in was back in 2011, the year when Rodarte gave models angelic dresses overlaid with roses not so long after the women’s faces had been covered in talcum powder like they had just taken part in that game where you search for the sweet in a heap of self-rising flour. Other designers that year incorporated blossoms into their runways: Vivienne Westwood, Paul and Joe and Rochas. 

I apologize for the short post readers as I am currently staring at an infinite stack of homework since moving into my last 2 years of high-school. As a result I may not be able to post as often so please don’t unfollow me due to the lack of consistency. 

Everything Looks Better in Black

Whenever your in crisis regarding an outfit, just turn to black. Not only is it a shade of perfect simplicity but it is also created from a combination of all the primary colours: yellow, red and blue (all the most vital). These prevailing appearances are mixed together to produce the ultimate superiority of black.

It just goes with everything and has the most widened variety of annotations. In Western and European countries, the shade presents sexuality and sophistication however it also has the possibility of conveying anonymity and a thing of an evil nature. People who have it as a favourite colour are generally said to be in possession of numerous conflicting attitudes meaning a confused state of maturity as well as a side that is completely awkward yet deliberate and conservative.

Black is one of the pin-points of vintage photography before the revolution of contemporary media and tremendously advanced technology. Take a look at Karl Largerfeld, he certainly adores black, that and white are the only colours he touches. Furthermore, black is the colour of the night, when the world is mostly silent and finally a place where over-population is forgotten. What else is naturally black? Not much really. This is another aspect that makes black such a unique matter. For example, the world can sometimes feel like it has too much colour, as if everything is happening all at once and no control is being implemented. At these points I recommend that you take a step back and make your way to an area of black. A place where tranquillity is present, likewise constant.

“Women think of all colours except the absence of colour. I have said that black has it all. White too. Their beauty is absolute. It is the perfect harmony” ~ Coco Chanel