What did Coco do?

Let’s forget Karl for just a second and reminisce about the original, insanely intuitive Gabrielle Chanel or if you prefer – Coco Chanel. Now we all understand that this inspirational designer went beyond others of her time, making women’s fashion that radiated femininity opposing against the strong demand of the common uncomfortable attire, a frequent being that of tight corsets. But how did she do this? What were the specific elements that combined to give Gabrielle such a prodigious reputation in fashion?

Using Jersey

This fabric was viewed as the main for men’s underwear and nothing else. Coco decided that jersey would be suitable for her creations due to its low cost compared to alternative substances that had suddenly risen in price after the war. Daringly, Chanel was the first designer to involve jersey in her creations stating that it had a quality finish and an exceptional drapery. In addition, the fabric suited Chanel’s influence of straightforward and convenient menswear making it a perfect match for her ideas.

Inventing the Little Black Dress

Everyone has one, it’s that noted classic yet do you know that Chanel is the women to thank? Previously, black was the dull, unnoticeable shade viewed as a principle look for only funerals and the grief of widows. Gabrielle discovered the hues secretive aspect and came with the ever valued belief of it being a major contribution for fashion. To be honest, I cannot imagine a world without it. Dominant reds, greens and sharp blues were referenced to making Coco “feel ill” later on she quoted “these Women, I’m bloody well going to dress them in black!” Noticed by Vogue, they first introduced Gabrielle’s time-honoured black masterpiece in a 1926 issue spreading word of the commodity to a larger amount of fashion enthusiasts which is still growing today.

Labelling Perfume

Back then, scents were a mixture of completely natural aspects focused on floral aromas unlike the artificial perks involved nowadays. 1921 was the year Coco released her favoured perfume, possibly the most acknowledged of scents today, Chanel No.5 after the instance of it being the 5th perfume tested. Yes, Paul Poiret recently launched his own scent earlier in the year however there was an absence of his name. Gabrielle was of course intelligent enough to be the first of brands to officially have their name placed on the bottle. By doing this, people recognised the scent and knew it was Chanel no.5. Famously a particular lover was Marilyn Monroe repeatedly noting the scent during interviews “I said Chanel No 5 because it’s the truth.”

Releasing Extravagant Jewellery

Chanel is all about the elegance and high-class of the wearers so it is no surprise that Gabrielle was one of the first to produce costume jewellery in her collections. Likewise to before, Paul Poiret was the first nevertheless Coco’s range constituted of flamboyant white pearls placed besides each other, the reason why you have that treasured pearl necklace in your jewellery box. She adored the idea of exaggerated gems contrasting with her minimalistic and sophisticated apparel. Moreover, the combination of speculating both fake and legitimate in one look.

Having Tanned Skin

Surely, Gabrielle wasn’t the original copy of those orange faced stags you see on a night out; she was the opener of healthy, sun-kissed skin. This greatly rebelled against the standard appearance of pale faced complexions resembling porcelain dolls by the adding of bright blusher and rouge lips. She caught hold of the present man’s thoughts of an idealistic women being as alike to paintings as possible. Coincidently, Coco caught a beautiful tan amid her cruise holiday along the French Riviera. After arriving home, her peers exceedingly desired for the same coloured skin furthermore passing the fascination to other members of public enough to make it a trend all around the world as well as an ongoing accessory for years to come.  Even though the expression is generally viewed as being cheap when by the use of fake tan, formerly it gave out a reputation of prosperity and refinement.

Females Wearing Trousers 

Especially amongst the time of war, women working in factories would usually custom that of a pair of trousers for efficiency and health and safety reasons though not prior to Coco did the forms of attire become a general clothing item to females. It was when Gabrielle became anxious about displaying her figure to men precedent to having to wear a swimsuit that she refused and instead astounded people with walking out in a pair of sailors pants, this occurred at the society beach resort in Deauville (been there, just saying). Similar to how those of us in the Alexa Chung fandom attempt (and tremendously fail) to manipulate her style, Gabrielle’s fans did the same. Despite the women’s wearing of the clothing, she ensued to proclaim “I came up with them by modesty. From this usage to it becoming fashion, having 70% of women wearing trousers at evening dinner is quite sad.” I thoroughly disagree with her.

The Fashion-Changing Chanel Suit

The Chanel suit was the pinnacle of Coco’s clothing creations; it was the first of its kind. Recommended by major fashion icons consisting of Audrey Hepburn, Jackie Kennedy (worn on the day of her husband’s assassination) and Grace Kelly, the garment was trimmed with braid, had fitted sleeves, no collar and metallic embellished buttons. Additionally, the boxer jacket was combined with a sophisticated slim-line skirt emphasising that typical aristocratic Chanel women.

Warby Parker’s Limited Edition Corner Capsuel Collection makes Contacts a thing of the Past

Now Warby Parker is a brand whose concept, those of us with an average person’s budget can all thank. They saw the growing possibilities of the sunglasses industry and having experienced a college student budget, created Warby Parker. Both sunglasses and optical wear are available in store and they now have concessions in major American locations such as New York, Los Angeles and Atlanta, their success is expanding by the day. Their other focus is charity work, they have partnerships with non-profit organisations, one being Vision-Spring, which assures them that a less fortunate person in need of optical eye wear will receive a free pair of optical glasses for every pair of Warby Parker glasses that are purchased.

Amidst their limited edition Corner Capsuel Collection, there are 5 new styles for both eyeglasses and sunglasses fitting any wearer’s preference. Uncover your inner Hepburn with the seductive leopard print cat-eyes or reminisce about the seventies with some transparent box lens eyeglasses. What’s more, the label has successfully added two contemporary hues, Rhubarb and Quartz. Incorporated with Parker’s professionally polished eye-wear, the distinctive shades provide sparking up of your standard plain pair of glasses.

I myself was immediately won over by the Teddy 285 Topdown Suns. An Emerald Lens rimmed with exotic leopard print upon quite an obscure style. Yet the elements combined together make a peculiar masterpiece, it isn’t like your typical pair of sunglasses where a designer takes them, uses one fixed colour then adds just one differentiating pattern or shade so they can place the word ‘exciting’ throughout its description. Alternatively, this model goes where others fear and I can assuredly affirm that risk as being an ultimate triumph.

Another positive feature is the collection’s reoccurring theme of British styles. To start with, some have that mahogany look; a style one would most commonly associate with a man carrying a satchel in chinos. It’s that business sense, moreover sophistication. You are able to wear these to work without appearing as overdone however they still act as a stylish accessory. Forget those only-child-with-glasses days and finally be satisfied with that identification. Who needs contact lenses when we have Warby Parker? There is no doubt that the attire will be noticed amongst a crowd.

Forwarding on to pairings, cat eyes look great with suits because you’re mixing both the masculinity of a blazer and trousers with the femininity of the all-important point upon the glasses. Never the less, use modernistic colours such as solid blues, blacks, whites and silvers to amplify the contrast between Hollywood vintage and the 21st century, for this look use the Warby Parker Goodney 100 Angel Suns. Secondly, let’s discuss the Hutton Topdowns for men. Appearing as a narrower though protracted form, these are suited for those with oval shaped faces who desire for them to look a meagre amount larger. By the small, square shaped rims, this style will sharpen the eyes whilst elongating the face providing a more muscular presence which is a goal most men strive for.

Alternatively to the Hutton Topdowns, the collection includes a quirky pair called Topper Topdowns. This has a combination of the classic almond brown with sparks of white that emphasise the glass’ tremendous glow. These glasses correspond to that of Ray Ban’s tortoise shell acetate products however they are a lot cheaper, giving out that they look remarkably prodigious over other models without a lack of sensibility.

‘The Corner Collection gets its name from our seasonal preoccupation with silhouettes and angles. This time around, we’re experimenting with traditional shapes; think crisp keyhole bridges, sloping brow lines, sharp temples, and straight-edged brow bars in a handsome mix of horn-inspired acetate and stainless steel.’

The New Corner Capsuel Collection matches Warby Parker’s creation process combining the unique inspiration of global features with hand designed quality pair of glasses. In addition, their material is always the best quality ranging from premium Japanese titanium to custom single-sheet cellulose acetate all manufactured its own family-run factory.

Overall this Corner Capsule Collection bravely explores like no other brand. It captures new trends, combining patterns and shades in a group of exclusive eye-wear that is the answer to all our prayers. Their limited edition collection would make the perfect photo base for Instagram, they are the styles you see on a popular fashion blogger’s feed, and thus they are a clear portrayal of futuristic trends with a touch of the trendy vintage past.

Be sure to comment your favourite pair from the collection.

Warby Parker’s Online Store – https://www.warbyparker.com/

Warby Parker on Twitter – https://twitter.com/WarbyParker

Warby Parker on Facebook – https://www.facebook.com/warbyparker

Warby Parker on Instagram – http://instagram.com/warbyparker

What did Coco do?

Let’s forget Karl for just a second and reminisce about the original, insanely intuitive Gabrielle Chanel or if you prefer – Coco Chanel. Now we all understand that this inspirational designer went beyond others of her time, making women’s fashion that radiated femininity opposing against the strong demand of the common uncomfortable attire, a frequent being that of tight corsets. But how did she do this? What were the specific elements that combined to give Gabrielle such a prodigious reputation in fashion?

Using Jersey

This fabric was viewed as the main for men’s underwear and nothing else. Coco decided that jersey would be suitable for her creations due to its low cost compared to alternative substances that had suddenly risen in price after the war. Daringly, Chanel was the first designer to involve jersey in her creations stating that it had a quality finish and an exceptional drapery. In addition, the fabric suited Chanel’s influence of straightforward and convenient menswear making it a perfect match for her ideas.

Inventing the Little Black Dress

Everyone has one, it’s that noted classic yet do you know that Chanel is the women to thank? Previously, black was the dull, unnoticeable shade viewed as a principle look for only funerals and the grief of widows. Gabrielle discovered the hues secretive aspect and came with the ever valued belief of it being a major contribution for fashion. To be honest, I cannot imagine a world without it. Dominant reds, greens and sharp blues were referenced to making Coco “feel ill” later on she quoted “these Women, I’m bloody well going to dress them in black!” Noticed by Vogue, they first introduced Gabrielle’s time-honoured black masterpiece in a 1926 issue spreading word of the commodity to a larger amount of fashion enthusiasts which is still growing today.

Labelling Perfume

Back then, scents were a mixture of completely natural aspects focused on floral aromas unlike the artificial perks involved nowadays. 1921 was the year Coco released her favoured perfume, possibly the most acknowledged of scents today, Chanel No.5 after the instance of it being the 5th perfume tested. Yes, Paul Poiret recently launched his own scent earlier in the year however there was an absence of his name. Gabrielle was of course intelligent enough to be the first of brands to officially have their name placed on the bottle. By doing this, people recognised the scent and knew it was Chanel no.5. Famously a particular lover was Marilyn Monroe repeatedly noting the scent during interviews “I said Chanel No 5 because it’s the truth.”

Releasing Extravagant Jewellery

Chanel is all about the elegance and high-class of the wearers so it is no surprise that Gabrielle was one of the first to produce costume jewellery in her collections. Likewise to before, Paul Poiret was the first nevertheless Coco’s range constituted of flamboyant white pearls placed besides each other, the reason why you have that treasured pearl necklace in your jewellery box. She adored the idea of exaggerated gems contrasting with her minimalistic and sophisticated apparel. Moreover, the combination of speculating both fake and legitimate in one look.

Having Tanned Skin

Surely, Gabrielle wasn’t the original copy of those orange faced stags you see on a night out; she was the opener of healthy, sun-kissed skin. This greatly rebelled against the standard appearance of pale faced complexions resembling porcelain dolls by the adding of bright blusher and rouge lips. She caught hold of the present man’s thoughts of an idealistic women being as alike to paintings as possible. Coincidently, Coco caught a beautiful tan amid her cruise holiday along the French Riviera. After arriving home, her peers exceedingly desired for the same coloured skin furthermore passing the fascination to other members of public enough to make it a trend all around the world as well as an ongoing accessory for years to come.  Even though the expression is generally viewed as being cheap when by the use of fake tan, formerly it gave out a reputation of prosperity and refinement.

Females Wearing Trousers 

Especially amongst the time of war, women working in factories would usually custom that of a pair of trousers for efficiency and health and safety reasons though not prior to Coco did the forms of attire become a general clothing item to females. It was when Gabrielle became anxious about displaying her figure to men precedent to having to wear a swimsuit that she refused and instead astounded people with walking out in a pair of sailors pants, this occurred at the society beach resort in Deauville (been there, just saying). Similar to how those of us in the Alexa Chung fandom attempt (and tremendously fail) to manipulate her style, Gabrielle’s fans did the same. Despite the women’s wearing of the clothing, she ensued to proclaim “I came up with them by modesty. From this usage to it becoming fashion, having 70% of women wearing trousers at evening dinner is quite sad.” I thoroughly disagree with her.

Creating the Chanel Suit

The Chanel suit was the pinnacle of Coco’s clothing creations; it was the first of its kind. Recommended by major fashion icons consisting of Audrey Hepburn, Jackie Kennedy (worn on the day of her husband’s assassination) and Grace Kelly, the garment was trimmed with braid, had fitted sleeves, no collar and metallic embellished buttons. Additionally, the boxer jacket was combined with a sophisticated slim-line skirt emphasising that typical aristocratic Chanel women.

Gown; an essential

Everyone needs that one special gown that was a complete one off, a garment that they hesitantly “umed” and “ahed” about thoroughly previous to finally giving in and handing over the ‘one off’ sum of change. It’s that piece that provides such a depth of satisfaction when you delicately place it on. The apparel that makes you constantly glance over at your reflection whenever a mirror is passed or a shop window is seen. Despite an evening dress’ overwhelming elegance only some designers dare to include it in their collections, particularly during this season it included that of Emilia Wickstead, Oscar De La Renta and Christopher Kane. But of whom ended in a success and of who ended in the idea that it should not be taken any further? Amidst this post, I will pick out my most favoured attempts yet also the ones I greatly oppose.

Alberta Feretti produces quite bohemian style pieces in nature related colour for instance: camel beige, subtle nudes and patent whites. Overall, its gowns are exceedingly angelic and in my opinion, would make the perfect prom dress catalogue. Specifically, I adore her undertaking of lace which being saintly itself is embroidered to create ethereal attire that when developing a-line skirts can sneakily cause a 1 foot increase in any ones height. Throughout presenting lace clothes, the label uses dominantly ginger haired models further emphasising the sense of outdoor environment as well as an indication to religion due to the fact that Eve herself (stated in the bible to be one of the first people God placed on planet earth along with Adam) had red hair. Moreover, we can all continue to note infinite connotations of spirituality but if I did we would be here all day. Anyway, I love the patterns symmetry upon the dress, Victorian style floral mixed with the sudden full block of white located at the bottom hem. Unlike other designers output of the lace material, Alberta Feretti makes sure that the piece isn’t overwhelming (dissimilar to approaches by designers such as Valentino and Roberto Cavalli), instead it can be worn by everyday people without looking out of place.

On the other hand I am not a fan of Prada’s new collection of gowns exhibited at Milan Fashion Week mainly due to the thorough overuse of pattern and colour. Although the shades involved in each gown tend to be paired with each other often, at this specific occurrence, the concept has clearly not worked. Furthermore, I believe that this point has caused the dresses to appear behind time. Yes, vintage is the new contemporary but this example is grandma vintage which only grandmas can wear. However, if you disagree with my opinion which is possible since everyone has a different taste, you’d best be placing an intensely patterned gown with that of some plain garments. In this case, ditch the socks and wear flat gladiator sandals as well as a sun-hat because it is extremely rare to see one in a single layer during winter.

Next, as well as discovering a new collection of dresses, I discovered a new designer called Matthew Williamson. Some may be wondering where I’ve been all my life but it turns out that he is a big label. For instance, he has had models such as Kate Moss and Cara Delevigne speculate his creations which include a fascinating group of gowns. In particular, I chose a kind of hallucination style of dress with the dominance of a black rose bunch as a belt. To be honest, I am not completely sure about the material types however I suspect it to be tweed. Tweed is an incredible material due to the versatility as well as the texture it provides to apparel, not only to the fabric but the colours it placed with. As a result, I believe that this dress wouldn’t be as enhancing to the eye without its focus on the material. To pair this piece or something similar comes as a remarkably simple task; just add heels, a clutch and your good to go.

Another dress I absolutely loved however found 2 years ago and have remembered well was the dress Emma Stone wore to the Met Gala in 2012. Covered infinite, what look to be plastic transparent poppies, this is possibly my favourite red-carpet outfit in history and being honest, I was never a fan of red until this came up on my We Heart It feed. She looks so beautiful and dainty; I would do anything to be in the ownership of that gown. By Lanvin, the dresses opulence came as no surprise also I am in total guilt for staying up till 3am by endlessly browsing the Lanvin web-store. Unfortunately, this dress is so uniquely magnificent that I was unable to find similar high-street attire. Anyway, I am forever dreaming.

Returning back to my dislikes, the Funlayo Deri Celestine Evening Gown is a definite no-no. Firstly, the placement of the satin ribbon puts me off considering it being under the bust which possibly can disfigure body shapes making them look less appealing than in reality. Secondly, I personally believe that the satin segments of the skirt resemble that of the curtain in your living room and I originally hated thigh cut outs being what this style corresponds to (just replacing the thigh outline with the material). Overall, the gown is tremendously random and clashes greatly. Moreover, it has the capability of highlighting the places most women try to avoid signifying throughout all their attire. I was unable to place a picture of this dress so if you wish to view it here’s the link – https://www.wolfandbadger.com/celestine-evening-gown/?mid=36620&siteID=Hy3bqNL2jtQ-DzJhhvUMgAUlvPJ67ixO9w .

Happy 22nd Birthday Cara

For as much as her thoroughly congruous receiving of Model of the Year 2012, British blonde Cara Delevigne has unequivocally played a tremendously archetypal captivation in her precipitous approach towards the world of fashion. In reference to traipsing adjacent to the dynamic Chanel deli counter in the dominance of a Persian rose pink queerly shredded track-suit during Karl’s Chanel haute couture supermarché extravaganza, to resolutely grinning parallel to the considerable mode icon of Suki Waterhouse amid Cara’s recent prepossessing Burberry campaign. Despite not only these unprecedented but improbable executions, the exquisite model celebrated her exceedingly anticipated 22nd birthday yesterday posting an ardent image upon prominent photography social-networking app, Instagram speculating Cara beside the intensely lively faces of her cherished friends including that of fellow super-models: Suki Waterhouse and Clara Paget. Set in Ibiza, the rhapsodic classification appeared abreast of a proponent slate silver 22 inflatable balloon whilst they grinned with overwhelming ecstasy primed to inaugurate their superlative extortionate birthday holiday.

Regarding Cara’s numerous campaign appearances, there is abated predicament in identifying a few without the need for a source of reference. As a result, I have come to the pronouncement of designating some of these fascinating campaign presentations that proceed to influence incipient models and provide guidance towards those proposing to make it in the fashion industry, not only this but the campaigns have tremendous emphasis upon their products all fundamentally by virtue of Cara, therefore Cara executes her occupation perfectly through expanding the designer’s sales. 

At the inception of 2014, Vogue released their January 2014 issue with Cara attiring that of some ravenous red leather jeans, a sophisticated cropped wool tuxedo jacket and an intense leopard-printed silk chiffon blouse somehow presenting an established facial expression that caused me to sense a feeling of ample intimidation however a negligible hint of innocence. As Accomplice with Cara’s immense achievement in her career, she is able to generate diverse responses from one single image depending on her embedded facial interpretation. This capability assiduously arrays the classic statement of ‘a picture can say a thousand words. Additionally, as a consequence the campaign can be related with many a diverse range of target markets. Furthermore, for the duration of this photo-shoot, Cara appears to be presenting genuinely contemporary forms of posture and greatly exuberant statements in order to anticipate the forecasting year of 2014, one being that of Cara capturing a comical selfie, winking with bounding tenacity. In particular, I found the courage in Cara throughout this shoot principally inspiring thus I desire for myself to be in possession of that level of depreciated anxiety.

Conceivably the utmost reputable of Cara’s campaigns has to be that of her opulent shoot for countryside themed designer Mulberry. Cara was displayed as acting as a surface for a pearl cockatoo in extension; Cara also implanted company for a charming Parson’s Jack Russel and a judicious Great Dane, the profound beak of a pelican, a lackadaisical tortoise and that of an elegant British pony. Primarily, the campaign predetermined that of an emblematic British tea-party overcrowded with excessively illustrious strawberries and a legitimate Victoria sponge in conjunction with staggeringly beautiful and delicate china pieces. Another grand aspect of this campaign was its magnificent setting, a palatial English country house which in my opinion is a reminder of the endowed Victorian aristocracy novel, Pride and Prejudice. What most astounded me amidst this compelling photo-shoot was Cara’s competence to be remarkably versatile likewise to the controversial British model of Kate Moss. Substituting versatility in models is a major stipulation in the interest of the fact that it depicts a competence of being able to adapt into the company’s brand and motif as well as the company’s theme of clothing collection that the conscript model is notably promoting.

Ultimately most observed in one of the monotonous advertisements inside Vogue, Cara has strikingly executed an appropriately playful yet relatively convenient range of attire for DKNY. Throughout the images, Cara is benevolently delineated as striding across the preserving avenue’s of the astounding big apple in the overlays of audacious athletic melodic functional garments conveying formidable amenity whilst admitting a generous reputation of prevailing style and predominant prosperity. Individually, the internal of this assortment of images transmit Cara’s mediocre idiosyncrasy, as if she can metamorphose into an ordinary member of public. For instance, she is shown likewise to operating procedures people of deteriorated popularity undertake: expeditiously checking her emails whilst she imbibes the stamina of a reassuring espresso and lingering for the arrival of a luminous yellow taxi cab.

Ever since I began to concede an enchantment for the immeasurably exhilarating commerce of fashion, the model that I endorsed at the most stupendous endevour was doubtlessly Cara Delevigne. Never will I loose interest in her enormously impressive facilitys in addition to her impliccable ambidexterity that as I previously mentioned, can become a great subsidy for anyone wishing to venture into the dubious occupation of modelling. Supposedly I believe that Cara will immoderately advance on yet still prohibitively attain the equivalent reputation that of radically prestiged models such as Kate Moss have conserved. Overall, have a surpassingly momentous 22nd birthday Cara. 

 

An Eminent Photographer to Both Fashion and Royalty

 Lord Snowdon is behind the considerable logic of why noble yet fascinating photographs endure of the most immense icons in fashion, from presenting the reality of an apprehensive Christian Dior to showing the opulence that of John Galliano possesses as he is seen lounging across cream fabric of course including that of his dominant americane moustache as if hand-drawn. You name it, Snowdon’s done it. Stating “I hate the word portraits”, Snowdon majority of captures have the components of adequate frames and show the spectacle of reality of people’s nature causing controversy against society’s speculation of opinion. 

Born in the hustling city of London, England, Snowdon was first influenced by his art focused great-grandfather, Edward Linley Sandborn being that of a mordant photographer and cartoonist. Not only does it run from his sardonic great-grand-father, but also Oliver Messel, Snowdon’s uncle having the prolific career of a theatre, ballet and opera designer.  Furthermore, in 1943, Snowdon was enrolled to the well regarded Eton College alike to his barrister father, Antony Charles Robert Armstrong-Jones. Here was where Snowdon took a profound intrigue in the significant topics of Science and Engineering however this was soon overpowered by his interest in photography therefore he effectively came to the decision of invigorating the lacking Eton Photographic Society .

A deplorable incident occurred during Snowdon’s period of a 16 year old; he was contracted with the lamentable disease of polio bringing great distress and trauma to him-self and his family. Meanwhile, as an act of condolence and to less an the feeling of durability in hospital, Snowdon’s mother, Anne Messel permitted Snowdon with a camera with the acknowledgement that it would envision her son’s successful prospects. 6 months later, Snowdon was not entirely recovered still holding the devastating impact of a withered left leg, marginally briefer than that of his right leg.

Subsequently, Snowdon’s intellect in the field of Science brought him to the obvious conclusion of studying the resourceful subject during his University years at Jesus College, Cambridge. Despite Snowdon’s dedication to Science, he soon discovered that his yearning of photography was at a much greater level, with gratitude to his theatrical productions working uncle as inspiration, Snowdon then converted to studying architecture which includes photography regarding buildings. As a result, Snowdon purchased his first extensive form of camera, a second hand Thornton Pickard. Quoting – “I used to stay with him (uncle) in Venice and we would walk all night. Most people look down. He taught me to look up. You miss so much not looking up.”, hardly any time passed before Snowdon was capturing portrait schemes of photography. 

Significantly, Snowdon’s first profitably published photograph was that in Tatler, a British associative magazine considering the outset of his apprentice alongside London humanity photographer Baron. Additionally, 3 years passed and it was 1954 when Snowdon photographed that of the opening of Terence Rattigan’s Separate Tables, two one act plays of whom Rattigan achieved the pride of a CBE for writing such a phenomenal piece of literature. This capture of such a superlative spectacle provided Snowdan with tremendous promotion over the theatre industry as well as his intense superiority in the field of society photography. This stride in Snowdon’s already-enormous popularity gave him numerous opportunities such as photographing for the favoured fashion and life-style magazines: Vogue, Tatler and even Harper’s Bazaar.

An example of Snowdan’s legendary work includes that of US Vogue’s issue cover in April 1971 presenting British American glamour actress, Elizabeth Taylor giving the convincing stare emphasising her consciousness and opulence. Snowdan’s choice of a cougar blue definitely contrasts exceptionally with that of Taylor’s nude based make up. Not only contrast but the maya blue eye’s Taylor acquires corresponds to the enigmatic backdrop adding mystery and an eerie sense. Moreover this can be related to the prestige theme involved in that of Taylor’s endeavours. Another evidently conferred feature is the way in which Snowdon is able to create effect, in this specific image being the excessive neutrality of Taylor’s profound facial expression, this conveys how placid clients felt working beside Snowdon.

Secondly, after a multitude of perpetual research, I finally came across this vintage and exceedingly elegant Snowdon capture of Jean Quick. Although thorough inquiry by myself was undertaken, I was unable to uncover any kind of information about this women categorically thus I can only case my perspective on the image itself without reference to reality. To start with, this photograph appears to have been set in that of an ornate cafe/restaurant depicted from the luxurious cloth and expensive-looking attire. Coincidently, Quick gives me the impression that likewise to the aspect of Taylor, she is a remarkably enigmatic woman, perhaps a person who goes unnoticed, inexorably the standard of person with a preference to being in their own presence rather than others hence the inadequacy of information around the internet. Something more, the idea that the background is blurred evidently is intended for us to focus on quick, stating a matter of the women looking mediocre externally nonetheless being the holder of something substantial internally. Quick causes my feelings to recalibrate into intimidation as if the image is reticently applying an act of coercion. 

Comprehensive of all of Snowdon’s pieces, the most iconic ultimate is the many captured of Princess Margaret, Snowdon’s authoritative wife from 1960 till 1978. For instance, the primed portrait photograph of the princess is shown attiring extravagant and extensive earrings that justify the momentous women’s affluence and fascinating prosperity. On the other hand, what is the most appealing about this photograph is the ceaseless shadow amongst her face that separates in addition to giving dominance to a sentiment of two sides. When it comes to a dark and light colour, this sentiment distinctly represents the concept of good and bad, angel and devil, and yin and yang. Undoubtedly a royal in the spotlight of fashion must demand an element of her life and soul that is private which this idea could be a rumination of.

Overall, my reaction to Snowdon is quite controversial. Although being able to constitute the most awe-provoking photographs, I still do not utterly believe in the entire concept of each after the meticulous depictions I have approximately analysed. Decidedly, every Snowdon photo I have seen so far illustrates a genuine secrecy that other images do not, just showing the notion that everything is not what you see it as and everybody has a concealed enigma corresponding to his 2008 biography’s confession to unconstitutionally fathering a child briefly preceding on from his divorce with the beautiful Princess Margaret.

Paris: The World Capital of Mode

Known internationally for being the fundamental location of the fashion industry, Paris plays host to numerous amounts of trend-setters and style-expertise, Karl Largerfeld and Louis Vuitton to name a few. Despite this conspicuous information, has it ever come into mind the comprehensive reasoning behind Paris’s perspective of being the chief venue for hosting the fascinating affair of mode? Possibly not, as I only came into realisation that the answers are thoroughly desired by the majority of style enthusiasts. Therefore I came to the palpable summation of providing you with this significant interpretation regarding Paris’s considerable association with high-end fashion.

Let us travel to the elegant Haute-Couture establishment of the 18th century, people finally had the tremendous allowance to stride across cities in perfectly fitted clothing as courtiers, alterationists, tailors, whatever your preference of name, began the formulation of assiduously exclusive hand-made clothing that would then be presented amongst the opulence of a runaway show to affluent trend-spotters yet not sold. Being a French form of language, “haute” translates to “high”, whereas “couture” translates to “dressmaking”. Further on in time, ‘haute-couture’ was a favourable term of pieces created in Paris, an example being Charles Frederick Worth, producing unique garments during the mid-19th century. ‘Haute Couture’ has since been a legally protected term of Paris to only be used towards pieces that meet an exact set of luxury standards. Worth was the first tailor to place his name on his own pieces, trying the garments out on beautiful models to have input from not only his creative self, but the differentiating public’s views deciding whether the garment was visually pleasant. Leading on, designers commenced to copy this idea thus building up the aspect of strong dictation in regard to clothing trends. 

 

Considering the occurrence taking place in the exquisite city of Paris, designers assembled the view that ample success in clothing brands was only achievable when situated in the mod area. This basing in Paris came with the involvement of placing either an extravagant fashion house of their own or becoming part of an existing popular fashion house. Subsequently, Paris was the fashion capital, a location of the anchor of aspiring designers, a metropolis of fashion houses were built and fashion fanatics made their way through distant countries and sinuous oceans just to be involved in the nascent frenzy.

Concentrating on designers, although most would expect the demand to be at its greatest for the beloved brand of Coco Chanel, Dior, still being in possession of its French origins, held 1st place in reference to popularity followed by the labels of Yves Saint Laurent as well as other pretentious clothing designers. These incredible fabricators aided in the implementation of holding Paris in its peak.

On the other hand, there comes many other acumen. One example is that of the golden triangle, a district between the monumental Avenue Marceau, the Champs-Elysée and the Avenue Montaigne. Being the prime spot of designer retailers, for instance: Kenzo, Chloe and Versace, this refined space only grants those with the inmost of purses to depart holding a purchase. Not only does the area involve the lavishness of extravagant clothing brands but annually has Haute Couture clothing shows amidst the months of January and July. In the intern, crowds of prominent top-models congregate attiring that of the greatest rarity of apparel upon their slender figures. These stunning catwalks require a boundless fee that only the most prosperous hold.

 

With gratitude to the flourishing designers that compromised Paris’ chic allure, this city is the conclusive source of all fashion enthusiasts aspiring to become a significant affect in attires leadership. Consciously, I peer at those delicately placed macaroons behind the glass window coaxing the idea that it is just another form of fashion that Paris holds proving that every single feature of Paris is dictated by fashion. Although other primary cities will attempt to overrun that of the cities glamorous culture, fashion will always affect Paris’ amicable society and the way that society advances with their composure of life.

Reasoning my Desire for a Parisian Lifestyle via my most Favourable Instagram Accounts

Before you read on, I just want to spare a moment to apologize for missing two blog posts as I aim to post on an agenda of every 2 days. I hope that this has not decreased the reputation of my blog in your own mind and I myself wish to put this occurrence aside, thank you.

Since the Instagram mania hit the globe suddenly mostly through the advances in technology, i.e. smart phones and tablets resulting in major breakthroughs to occur in the fashion industry. An example of this is the idea that regular people who have no experience in education regarding photography are able to take images providing both a professional structure in addition to a professional state of quality. After this, they then have the option of uploading this image onto social media generating an entirely new faction of viewers.

Being an Instagram devotee myself, I have often come across a number of accounts in which I can’t resist to check up on at least once a day as well as taking inspiration in order to improve my own profile’s allure.

Kate Rooney is a beauty editor located in London. Having an extensive make-up collection to die for, she regularly posts white bordered images in a variety of formulated arrangements. Despite her competent lifestyle, Kate apprehends comments and undertakes the odd reply unlike most lucrative accounts. Additionally, Kate holds a blog stating that it caters as ”your definitive guide to beauty, health and style”. Regarding this promise, after pondering across the site I found it rather helpful through the differentiating posts that cover everyone’s opinions in the subjects included. Instagram pictures consist of piles of piquant French macaroons to the elegant outline of Kate’s killer shins in shredded Levis.

Instagram – @theglowedit

Twitter – @TheGlowEdit

Blog – http://www.theglowedit.com/

If you’re looking for an extremely minimalistic feed, @imindiarose captures the most immaculate pictures. Focusing on the repercussion of monochrome, India shows modern outfits set mostly on the side-walks in the exquisite city of Paris. Despite outfits we see pictures of her own pedigree canine, the exclusive insights of Parisian interior and the impeccable carcass of a Giorgio Armani model. Regarding myself, I adore the women’s surreal hair being a waterfall of beach waves and a colour of clear mahogany.

Instagram – @imindiarose

Next, saying that she wants to be the reason Londoners turn into Calis, Alice Zielasko has a passion for street style, taking the most intricate pictures in a variety of subjects. In addition to sporting the most highly regarded attire, Alice appears to consume some of the most aesthetically pleasing meals in existence due to her competent approach in food photography. What appealed to me the most was the secluded fact that the sets she displays comprise a scarcity of accessories meaning that a beginner in combining clothing to create a decent outfit finds the vital process less difficult. Not only does Alice’s Instagram profile perplex but her wondrous array of information and photography is presented on ‘Alice Point’, her imposing site.

Instagram – @alicezielasko

Twitter – @alicezielasko

Blog – http://alicepoint.com/

Now I am highly convinced that in the future, I will be strolling along the opulent streets of Paris carrying a cardboard coffee cup of an expensive company and the varnished cover of French Vogue. @meetmeinparee seizes this dream to the maximum rate with the idealistic Parisian lifestyle; appetizing cup-cakes delicately renovated as well as flawless action shots of Nikita herself. Even though Nikita is based in Paris, she is originally half Chinese and half English but comes across as a plausible and emblematic Parisian. In my opinion, Nikita’s quirky character stands out the most, whether its placing designer sunglasses upon pineapples or using the inner-circle of doughnuts to replace a person’s relevant eyes, Nikita has it all covered in her unique and visionary way.

Instagram – @meetmeinparee

Blog – http://www.meetmeinparee.com/

Another competent minimalist profile is that of Angelia Prisca. Shown through her conscientiously planned images of monochrome goods and immaculate spaces (all of which could be placed in an IKEA catalogue). Significantly, Angelia is Indonesian and an art connoisseur implementing the greatest reason behind her remarkable dimension of imagery. To continue, Angelia’s art and lifestyle blog depicts a whole new set of exclusive pictures still proceeding with the same aspect of beautiful photography and tenacious minimalist.

Instagram – @angeliaprsc

Blog – http://beneaththewhitesin.blogspot.co.uk/

Beneath all my most favoured Instagram accounts there comes one particular reason, I want to live their lives and hope to in the future. An artistic lifestyle providing the knowledge of looking exceptional every day in addition to having an equally valuable job that must consist of this main aspect, I enjoy it no matter what task is given.

The Revolution of Vintage Attire

Unsurprisingly, trends have been through the usual recycling process. Besides these numerous fashion manias, there is one tendency that has dominated the world of fashion…vintage clothing. 2014 Zara camis are being taken out by a cherished vest top of Chanel vintage as people become greatly fantasised with the new classic clothing invasion. But what is vintage? any clothing released in 1920 until 20 years previously from this particular day. Any time before this is considered antique which is obviously too ancient for today’s approaches. In my opinion, Alexa Chung turned up looking fearless in her fluorescent lust red dress by Calvin Klein paired with a vintage menswear Burberry satchel in addition to the prevailing vintage diamond necklace that hangs perfectly underneath her collar-bones.

As well as Alexa’s intense triumph of pulling off the vintage attires, Confessions of a Shopaholic star, Krysten RItter was seen wearing a vintage silk floral dress that had roses bursting with Victorian artistry providing enough sense to only add on a sophisticated pair of darkened stilettos, complimented by an appropriately sized bow attached to where the heel end of the foot rests. Despite this lack of quantity to the piece, it was still an impressive set due to the vibrancy of the sui generis buds. 

Regarding myself, I am yet one to own such a momentous sample of clothing as no venture into the vintage market has occurred. Particularly my main fear is the fact that wearing a second hand item or even owning one to that matter does have the reputation of grunge and negative exposure, whereas my inner-vintage fairy has on multiple occasions drawn me a mm away of completing the purchase of that novelty 1940’s jersey top.