Death by Handbags: Visiting the Amsterdam Museum of Handbags and Purses

You know that feeling when you have to touch something such as clothes on rails or the fur of an animal. Well the Tassen Museum Hendrikje (Museum of Handbags and Purses) in Amsterdam was exactly that. Being surrounded by exquisite one-of-a-kind hand wear may sound quite a bore but believe me, it was magical. Even one who is not that enthusiastic regarding attire would enjoy this because every single handbag was unique and differed from the rest providing both an historical essence and a feeling of attraction towards the item. Vivienne Westwood, Chanel, Orla Kiely, Bottega Veneta and many more well-known designers ranging from the 1400s to the present day all exhibited in opulent glass shelves.

Placed upon an idealistic Dutch street in Amsterdam, the museum began through an avid handbag collector called Hendrikje Ivo who found her fascination amongst the year of 1820 when she discovered a leather handbag with tortoiseshell capping near Norwich, England, of which she then went on to uncover its history thus did the same for her future handbag purchases. Around 75 years on, the museum currently speculates 4000 handbags that all have compelling disparate origins.

Firstly I came across this beige velvet bag created in 1550-1570 with rose detail that we all know, is still used today. The bag is part of the Rothschild Collection and was used by both women and men which they attached to a belt as there was a lack of pockets during the 1500s. Overall, the hand attire would have been viewed as advanced clothing back then due to its strong iron clasp and variety of hidden locks. Focusing on uses, bags in those days were frequently used for carrying coins, the bible and alternative personal requirements.

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Next is this range of coin purses from the 1700s which obviously conveys the century’s allure with embroidery, mainly being flowers alike to the previous handbag. Personally, I adore the draw string locks as they provide dimension rather than a flat surface. Not only were these pouches used for carrying personal belongings but they also acted as an ostentatious carrier of expensive perfumes called ‘sweet bags. These sweet bags would then be reused as pretty carriers of money that would be given as New Year’s gifts towards royalty; moreover the bags would be placed upon attire to maintain a distinct aroma of perfume which was viewed as a high-class action. Alternatively, pouches were used as gaming bags for chips. These specifically consisted of a flat bottom to aid the purses in standing upright. Decorated at the surface was usually a family coat of arms therefore the players could easily distinguish their own pouch. Almost every Dutch woman tended to wear their bags upon harnesses, chatelaines or belts similar to the 1400s. 

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Amid the 1800s, craftsmanship progressed greatly starting with the use of silk reticule however ending with the popularity of leather fabric attire. This was mainly a root from the French Industrial Revolution meaning that items were made more efficiently thus larger quantities of each product could be made at a quicker rate. As a result the pinpoint of handbags was made: the reticule. The reticule  was a pouch with either a cord or chain (corresponding to the classic Chanel Chain Bag), of which the term ‘reticule’ originated from the Latin word reticulum defining a miniature women’s mesh bag used during the times of the Romans. Another consequence of the French Industrial Revolution was the increase in transport and wealth generating a brand new market of carrying attire decorated with images of individual locations often bought to bring home to friends and family as a souvenir. Bringing the 1800s to a final was the popularity of leather handbags and purses. Quite peculiarly they were attached to a metal ring and worn upon the wrist to carry purses, diaries and train tickets. Above all, I regard the 1800s as being a major pinnacle in handbag and purse development considering that the base of mode, Paris, went through an Industrial Revolution. 

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Forwarding on to the 1900s, this century saw leather handbags change from basic leather to leather with added element using features such as shimmering metallic and textured beads. For example, colours other than beige and black were implemented upon leather. One hand garment at the museum was a sophisticated lilac evening bag with enamelled adornment in gold from France in 1915 conveying the sense that women began to have particular bags for the day and evening, of which day bags were most commonly briefcases and satchels, whereas evening bags involved pouches with a larger amount of decoration rather than one set colour and print. Not only did leather become vastly successful but also glass beads mainly from the Czechoslovakia, Germany, France, Italy and Austria. These beads would be organised to display flowers, landscapes and historical scenes in a theme of art deco and orient. Furthermore, I saw a synthetic lucite bag which resembled that of glass. With a mahogany shade and structured design, it was one of my favourites contained in the exhibition for the reason that despite the formal shade, the gloss of the product made it appealing thus I believe the designer (which was not stated) to have been very intelligent and creative. Moreover, hand garments corresponding to this bag of that age all came together to inspire box bags seen today, for instance the plastic Chanel clutch and the cube shaped handbags Alexa Chung constantly wears. 

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Finally arriving in the 21st century, the time we all know too well. Here was an array of designer names that dominantly made their mark on the external of the handbag. Think the Louis Vuitton ‘LV’ print and Vivienne Westwood’s signature crown jewels logo centring the product in an opulent pre-eminence of gold. Besides these, the one I found most preferable and surprisingly my mum too, was the Chanel Lego Bag in pastel blue. Why do all my posts turn into an advertisement for Chanel? Anyway, this bag is timeless even though it has only been available for at most ten years, the Chanel Lego Bag is the first item I would purchase if I was in possession of 10,000 pounds, it is what I define as perfect. Of course the clutch was shown exactly at the midpoint of its case just to give you that urgent need to grab it and run. Anyway, this bag is and will forever be my uttermost need of handbags. 

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To conclude, the Museum of Handbags and Purses was for me, a once in a lifetime experience. There was no need to travel to various different designer shops just to see their offerings of handbags, everything was grouped into one and I constantly got won over by one handbag and then another and then another. Additionally, it is very surprising that there is so much information and in-depth origin in the field of hand garments as they are such a necessity in everybody’s lives today and provide such an impact to getting around. To be honest, my entire knowledge of fashion was pleading for some extra notes in the bag field and without a doubt these notes are now covered. 

Please pop a comment below of feedback regarding this post and make sure you view the gallery linked to get lost in a multitude of handbags from the early 1400s to the present day all taken at the Amsterdam Museum of Handbags and Purses.

Thank-you for reading,

Poppy ~ Largerfeld Enthusiast x

Make sure that you follow me on Instagram just because I’m fabulous –         http://instagram.com/carmamademedoit

What did Coco do?

Let’s forget Karl for just a second and reminisce about the original, insanely intuitive Gabrielle Chanel or if you prefer – Coco Chanel. Now we all understand that this inspirational designer went beyond others of her time, making women’s fashion that radiated femininity opposing against the strong demand of the common uncomfortable attire, a frequent being that of tight corsets. But how did she do this? What were the specific elements that combined to give Gabrielle such a prodigious reputation in fashion?

Using Jersey

This fabric was viewed as the main for men’s underwear and nothing else. Coco decided that jersey would be suitable for her creations due to its low cost compared to alternative substances that had suddenly risen in price after the war. Daringly, Chanel was the first designer to involve jersey in her creations stating that it had a quality finish and an exceptional drapery. In addition, the fabric suited Chanel’s influence of straightforward and convenient menswear making it a perfect match for her ideas.

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Inventing the Little Black Dress

Everyone has one, it’s that noted classic yet do you know that Chanel is the women to thank? Previously, black was the dull, unnoticeable shade viewed as a principle look for only funerals and the grief of widows. Gabrielle discovered the hues secretive aspect and came with the ever valued belief of it being a major contribution for fashion. To be honest, I cannot imagine a world without it. Dominant reds, greens and sharp blues were referenced to making Coco “feel ill” later on she quoted “these Women, I’m bloody well going to dress them in black!” Noticed by Vogue, they first introduced Gabrielle’s time-honoured black masterpiece in a 1926 issue spreading word of the commodity to a larger amount of fashion enthusiasts which is still growing today.

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Labelling Perfume

Back then, scents were a mixture of completely natural aspects focused on floral aromas unlike the artificial perks involved nowadays. 1921 was the year Coco released her favoured perfume, possibly the most acknowledged of scents today, Chanel No.5 after the instance of it being the 5th perfume tested. Yes, Paul Poiret recently launched his own scent earlier in the year however there was an absence of his name. Gabrielle was of course intelligent enough to be the first of brands to officially have their name placed on the bottle. By doing this, people recognised the scent and knew it was Chanel no.5. Famously a particular lover was Marilyn Monroe repeatedly noting the scent during interviews “I said Chanel No 5 because it’s the truth.”

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Releasing Extravagant Jewellery

Chanel is all about the elegance and high-class of the wearers so it is no surprise that Gabrielle was one of the first to produce costume jewellery in her collections. Likewise to before, Paul Poiret was the first nevertheless Coco’s range constituted of flamboyant white pearls placed besides each other, the reason why you have that treasured pearl necklace in your jewellery box. She adored the idea of exaggerated gems contrasting with her minimalistic and sophisticated apparel. Moreover, the combination of speculating both fake and legitimate in one look.

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Having Tanned Skin

Surely, Gabrielle wasn’t the original copy of those orange faced stags you see on a night out; she was the opener of healthy, sun-kissed skin. This greatly rebelled against the standard appearance of pale faced complexions resembling porcelain dolls by the adding of bright blusher and rouge lips. She caught hold of the present man’s thoughts of an idealistic women being as alike to paintings as possible. Coincidently, Coco caught a beautiful tan amid her cruise holiday along the French Riviera. After arriving home, her peers exceedingly desired for the same coloured skin furthermore passing the fascination to other members of public enough to make it a trend all around the world as well as an ongoing accessory for years to come.  Even though the expression is generally viewed as being cheap when by the use of fake tan, formerly it gave out a reputation of prosperity and refinement.

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Females Wearing Trousers 

Especially amongst the time of war, women working in factories would usually custom that of a pair of trousers for efficiency and health and safety reasons though not prior to Coco did the forms of attire become a general clothing item to females. It was when Gabrielle became anxious about displaying her figure to men precedent to having to wear a swimsuit that she refused and instead astounded people with walking out in a pair of sailors pants, this occurred at the society beach resort in Deauville (been there, just saying). Similar to how those of us in the Alexa Chung fandom attempt (and tremendously fail) to manipulate her style, Gabrielle’s fans did the same. Despite the women’s wearing of the clothing, she ensued to proclaim “I came up with them by modesty. From this usage to it becoming fashion, having 70% of women wearing trousers at evening dinner is quite sad.” I thoroughly disagree with her.

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The Fashion-Changing Chanel Suit

The Chanel suit was the pinnacle of Coco’s clothing creations; it was the first of its kind. Recommended by major fashion icons consisting of Audrey Hepburn, Jackie Kennedy (worn on the day of her husband’s assassination) and Grace Kelly, the garment was trimmed with braid, had fitted sleeves, no collar and metallic embellished buttons. Additionally, the boxer jacket was combined with a sophisticated slim-line skirt emphasising that typical aristocratic Chanel women.

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Warby Parker’s Limited Edition Corner Capsuel Collection makes Contacts a thing of the Past

Now Warby Parker is a brand whose concept, those of us with an average person’s budget can all thank. They saw the growing possibilities of the sunglasses industry and having experienced a college student budget, created Warby Parker. Both sunglasses and optical wear are available in store and they now have concessions in major American locations such as New York, Los Angeles and Atlanta, their success is expanding by the day. Their other focus is charity work, they have partnerships with non-profit organisations, one being Vision-Spring, which assures them that a less fortunate person in need of optical eye wear will receive a free pair of optical glasses for every pair of Warby Parker glasses that are purchased.

Amidst their limited edition Corner Capsuel Collection, there are 5 new styles for both eyeglasses and sunglasses fitting any wearer’s preference. Uncover your inner Hepburn with the seductive leopard print cat-eyes or reminisce about the seventies with some transparent box lens eyeglasses. What’s more, the label has successfully added two contemporary hues, Rhubarb and Quartz. Incorporated with Parker’s professionally polished eye-wear, the distinctive shades provide sparking up of your standard plain pair of glasses.

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I myself was immediately won over by the Teddy 285 Topdown Suns. An Emerald Lens rimmed with exotic leopard print upon quite an obscure style. Yet the elements combined together make a peculiar masterpiece, it isn’t like your typical pair of sunglasses where a designer takes them, uses one fixed colour then adds just one differentiating pattern or shade so they can place the word ‘exciting’ throughout its description. Alternatively, this model goes where others fear and I can assuredly affirm that risk as being an ultimate triumph.

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Another positive feature is the collection’s reoccurring theme of British styles. To start with, some have that mahogany look; a style one would most commonly associate with a man carrying a satchel in chinos. It’s that business sense, moreover sophistication. You are able to wear these to work without appearing as overdone however they still act as a stylish accessory. Forget those only-child-with-glasses days and finally be satisfied with that identification. Who needs contact lenses when we have Warby Parker? There is no doubt that the attire will be noticed amongst a crowd.

Forwarding on to pairings, cat eyes look great with suits because you’re mixing both the masculinity of a blazer and trousers with the femininity of the all-important point upon the glasses. Never the less, use modernistic colours such as solid blues, blacks, whites and silvers to amplify the contrast between Hollywood vintage and the 21st century, for this look use the Warby Parker Goodney 100 Angel Suns. Secondly, let’s discuss the Hutton Topdowns for men. Appearing as a narrower though protracted form, these are suited for those with oval shaped faces who desire for them to look a meagre amount larger. By the small, square shaped rims, this style will sharpen the eyes whilst elongating the face providing a more muscular presence which is a goal most men strive for.

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Alternatively to the Hutton Topdowns, the collection includes a quirky pair called Topper Topdowns. This has a combination of the classic almond brown with sparks of white that emphasise the glass’ tremendous glow. These glasses correspond to that of Ray Ban’s tortoise shell acetate products however they are a lot cheaper, giving out that they look remarkably prodigious over other models without a lack of sensibility.

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‘The Corner Collection gets its name from our seasonal preoccupation with silhouettes and angles. This time around, we’re experimenting with traditional shapes; think crisp keyhole bridges, sloping brow lines, sharp temples, and straight-edged brow bars in a handsome mix of horn-inspired acetate and stainless steel.’

The New Corner Capsuel Collection matches Warby Parker’s creation process combining the unique inspiration of global features with hand designed quality pair of glasses. In addition, their material is always the best quality ranging from premium Japanese titanium to custom single-sheet cellulose acetate all manufactured its own family-run factory.

Overall this Corner Capsule Collection bravely explores like no other brand. It captures new trends, combining patterns and shades in a group of exclusive eye-wear that is the answer to all our prayers. Their limited edition collection would make the perfect photo base for Instagram, they are the styles you see on a popular fashion blogger’s feed, and thus they are a clear portrayal of futuristic trends with a touch of the trendy vintage past.

Be sure to comment your favourite pair from the collection.

Warby Parker’s Online Store – https://www.warbyparker.com/

Warby Parker on Twitter – https://twitter.com/WarbyParker

Warby Parker on Facebook – https://www.facebook.com/warbyparker

Warby Parker on Instagram – http://instagram.com/warbyparker

What did Coco do?

Let’s forget Karl for just a second and reminisce about the original, insanely intuitive Gabrielle Chanel or if you prefer – Coco Chanel. Now we all understand that this inspirational designer went beyond others of her time, making women’s fashion that radiated femininity opposing against the strong demand of the common uncomfortable attire, a frequent being that of tight corsets. But how did she do this? What were the specific elements that combined to give Gabrielle such a prodigious reputation in fashion?

Using Jersey

This fabric was viewed as the main for men’s underwear and nothing else. Coco decided that jersey would be suitable for her creations due to its low cost compared to alternative substances that had suddenly risen in price after the war. Daringly, Chanel was the first designer to involve jersey in her creations stating that it had a quality finish and an exceptional drapery. In addition, the fabric suited Chanel’s influence of straightforward and convenient menswear making it a perfect match for her ideas.

tumblr_md8dqhjJsN1rwl0c9o1_500

Inventing the Little Black Dress

Everyone has one, it’s that noted classic yet do you know that Chanel is the women to thank? Previously, black was the dull, unnoticeable shade viewed as a principle look for only funerals and the grief of widows. Gabrielle discovered the hues secretive aspect and came with the ever valued belief of it being a major contribution for fashion. To be honest, I cannot imagine a world without it. Dominant reds, greens and sharp blues were referenced to making Coco “feel ill” later on she quoted “these Women, I’m bloody well going to dress them in black!” Noticed by Vogue, they first introduced Gabrielle’s time-honoured black masterpiece in a 1926 issue spreading word of the commodity to a larger amount of fashion enthusiasts which is still growing today.

BAT043

Labelling Perfume

Back then, scents were a mixture of completely natural aspects focused on floral aromas unlike the artificial perks involved nowadays. 1921 was the year Coco released her favoured perfume, possibly the most acknowledged of scents today, Chanel No.5 after the instance of it being the 5th perfume tested. Yes, Paul Poiret recently launched his own scent earlier in the year however there was an absence of his name. Gabrielle was of course intelligent enough to be the first of brands to officially have their name placed on the bottle. By doing this, people recognised the scent and knew it was Chanel no.5. Famously a particular lover was Marilyn Monroe repeatedly noting the scent during interviews “I said Chanel No 5 because it’s the truth.”

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Releasing Extravagant Jewellery

Chanel is all about the elegance and high-class of the wearers so it is no surprise that Gabrielle was one of the first to produce costume jewellery in her collections. Likewise to before, Paul Poiret was the first nevertheless Coco’s range constituted of flamboyant white pearls placed besides each other, the reason why you have that treasured pearl necklace in your jewellery box. She adored the idea of exaggerated gems contrasting with her minimalistic and sophisticated apparel. Moreover, the combination of speculating both fake and legitimate in one look.

420-coco-chanel-2-742931 napier-bracelets-advert-i

Having Tanned Skin

Surely, Gabrielle wasn’t the original copy of those orange faced stags you see on a night out; she was the opener of healthy, sun-kissed skin. This greatly rebelled against the standard appearance of pale faced complexions resembling porcelain dolls by the adding of bright blusher and rouge lips. She caught hold of the present man’s thoughts of an idealistic women being as alike to paintings as possible. Coincidently, Coco caught a beautiful tan amid her cruise holiday along the French Riviera. After arriving home, her peers exceedingly desired for the same coloured skin furthermore passing the fascination to other members of public enough to make it a trend all around the world as well as an ongoing accessory for years to come.  Even though the expression is generally viewed as being cheap when by the use of fake tan, formerly it gave out a reputation of prosperity and refinement.

tumblr_ljk5rofkZ61qb5i2v

Females Wearing Trousers 

Especially amongst the time of war, women working in factories would usually custom that of a pair of trousers for efficiency and health and safety reasons though not prior to Coco did the forms of attire become a general clothing item to females. It was when Gabrielle became anxious about displaying her figure to men precedent to having to wear a swimsuit that she refused and instead astounded people with walking out in a pair of sailors pants, this occurred at the society beach resort in Deauville (been there, just saying). Similar to how those of us in the Alexa Chung fandom attempt (and tremendously fail) to manipulate her style, Gabrielle’s fans did the same. Despite the women’s wearing of the clothing, she ensued to proclaim “I came up with them by modesty. From this usage to it becoming fashion, having 70% of women wearing trousers at evening dinner is quite sad.” I thoroughly disagree with her.

Suntan1

Creating the Chanel Suit

The Chanel suit was the pinnacle of Coco’s clothing creations; it was the first of its kind. Recommended by major fashion icons consisting of Audrey Hepburn, Jackie Kennedy (worn on the day of her husband’s assassination) and Grace Kelly, the garment was trimmed with braid, had fitted sleeves, no collar and metallic embellished buttons. Additionally, the boxer jacket was combined with a sophisticated slim-line skirt emphasising that typical aristocratic Chanel women.

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Gown; an essential

Everyone needs that one special gown that was a complete one off, a garment that they hesitantly “umed” and “ahed” about thoroughly previous to finally giving in and handing over the ‘one off’ sum of change. It’s that piece that provides such a depth of satisfaction when you delicately place it on. The apparel that makes you constantly glance over at your reflection whenever a mirror is passed or a shop window is seen. Despite an evening dress’ overwhelming elegance only some designers dare to include it in their collections, particularly during this season it included that of Emilia Wickstead, Oscar De La Renta and Christopher Kane. But of whom ended in a success and of who ended in the idea that it should not be taken any further? Amidst this post, I will pick out my most favoured attempts yet also the ones I greatly oppose.

Alberta Feretti produces quite bohemian style pieces in nature related colour for instance: camel beige, subtle nudes and patent whites. Overall, its gowns are exceedingly angelic and in my opinion, would make the perfect prom dress catalogue. Specifically, I adore her undertaking of lace which being saintly itself is embroidered to create ethereal attire that when developing a-line skirts can sneakily cause a 1 foot increase in any ones height. Throughout presenting lace clothes, the label uses dominantly ginger haired models further emphasising the sense of outdoor environment as well as an indication to religion due to the fact that Eve herself (stated in the bible to be one of the first people God placed on planet earth along with Adam) had red hair. Moreover, we can all continue to note infinite connotations of spirituality but if I did we would be here all day. Anyway, I love the patterns symmetry upon the dress, Victorian style floral mixed with the sudden full block of white located at the bottom hem. Unlike other designers output of the lace material, Alberta Feretti makes sure that the piece isn’t overwhelming (dissimilar to approaches by designers such as Valentino and Roberto Cavalli), instead it can be worn by everyday people without looking out of place.

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On the other hand I am not a fan of Prada’s new collection of gowns exhibited at Milan Fashion Week mainly due to the thorough overuse of pattern and colour. Although the shades involved in each gown tend to be paired with each other often, at this specific occurrence, the concept has clearly not worked. Furthermore, I believe that this point has caused the dresses to appear behind time. Yes, vintage is the new contemporary but this example is grandma vintage which only grandmas can wear. However, if you disagree with my opinion which is possible since everyone has a different taste, you’d best be placing an intensely patterned gown with that of some plain garments. In this case, ditch the socks and wear flat gladiator sandals as well as a sun-hat because it is extremely rare to see one in a single layer during winter.

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Next, as well as discovering a new collection of dresses, I discovered a new designer called Matthew Williamson. Some may be wondering where I’ve been all my life but it turns out that he is a big label. For instance, he has had models such as Kate Moss and Cara Delevigne speculate his creations which include a fascinating group of gowns. In particular, I chose a kind of hallucination style of dress with the dominance of a black rose bunch as a belt. To be honest, I am not completely sure about the material types however I suspect it to be tweed. Tweed is an incredible material due to the versatility as well as the texture it provides to apparel, not only to the fabric but the colours it placed with. As a result, I believe that this dress wouldn’t be as enhancing to the eye without its focus on the material. To pair this piece or something similar comes as a remarkably simple task; just add heels, a clutch and your good to go.

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Another dress I absolutely loved however found 2 years ago and have remembered well was the dress Emma Stone wore to the Met Gala in 2012. Covered infinite, what look to be plastic transparent poppies, this is possibly my favourite red-carpet outfit in history and being honest, I was never a fan of red until this came up on my We Heart It feed. She looks so beautiful and dainty; I would do anything to be in the ownership of that gown. By Lanvin, the dresses opulence came as no surprise also I am in total guilt for staying up till 3am by endlessly browsing the Lanvin web-store. Unfortunately, this dress is so uniquely magnificent that I was unable to find similar high-street attire. Anyway, I am forever dreaming.

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Returning back to my dislikes, the Funlayo Deri Celestine Evening Gown is a definite no-no. Firstly, the placement of the satin ribbon puts me off considering it being under the bust which possibly can disfigure body shapes making them look less appealing than in reality. Secondly, I personally believe that the satin segments of the skirt resemble that of the curtain in your living room and I originally hated thigh cut outs being what this style corresponds to (just replacing the thigh outline with the material). Overall, the gown is tremendously random and clashes greatly. Moreover, it has the capability of highlighting the places most women try to avoid signifying throughout all their attire. I was unable to place a picture of this dress so if you wish to view it here’s the link – https://www.wolfandbadger.com/celestine-evening-gown/?mid=36620&siteID=Hy3bqNL2jtQ-DzJhhvUMgAUlvPJ67ixO9w .

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A Review of Chanel’s Spring/Summer 2015 Show – Chanel Boulevard, Grand Palais, Paris

So Karl Largerfeld isn’t a stranger to conveying real life society in his fascinating Chanel catwalks and the recent s/s 15 show was no exception. Take a look at the major feminist protests on the news, now convert the women into models and place a complacent black and white figure in the lead under the name of Karl Otto Largerfeld. Only he could be the designer to take on such a contradictory topic. Fortunately, there was no police involved just the enthusiastic appraise of a style filled crowd including Alexa Chung (yes I always mention her) and Poppy Delevigne.

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Despite the usual chaotic atmosphere of a protest, Chanel consisted of a much greater elegance. Models consisting of Cara Delevigne, Kendall Jenner, Gisele Bundchen, Edie Campbell and Georgia May Jagger partly sauntered along the Chanel Boulevard in the Grand Palais, backs as far back as possible and faces as expressionless as possible, then for the finale, followed Karl along the catwalk carrying cardboard signs reading ‘Make fashion not war’, ‘Sans femmes plus d’hommes’ (Without women more men), ‘Tweed is better than Tweet’, ‘Be your own stylist’, ‘Free freedom’ and ‘Ladies First’ meanwhile Karl had Cara Delevigne and Gisele Bundchen shouting “What do we want? When do we want it” through the most trendy megaphones around (they were quilted underneath the Chanel logo). But let us not forget the advantage of receiving Alexa’s views on feminism after Grazia Magazine raised the question, her response being ‘a no-brainier that every women is a feminist and men should be them too’, she says this whilst two women appear behind looking star struck as hell to see her in reality (forever jealous). Moreover, Karl was also filmed capturing a selfie however the mouth stayed shut and the glasses remained covering the eyes. Not even a French tourist repeating “tout le fait” could give him the slightest bit of remark. 

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Focusing on the important features, the collection started off with vibrant colours including the themes of art deco and floral however the garments turned to the classic Chanel look; monochrome and gold through lace, metallic leather and delicate silk. Each look fit the specific model perfectly as some convincingly strode on in pairs or threes chatting to each other on a street that if real, would be an exceedingly opulent location in the world. Besides the fabrics mentioned, tweed made a continual presence throughout attire from the rim of maxi-coats to the sleeves of crop tops, as well as this, two looks deemed to be very hipster based depicting the finale of protest. One was made up of a khaki shoulder bag with the double Cs placed right in the middle of it, as if the Chanel logo is the new peace sign (I am so for this). Whereas the alternative hipster reference combined a distressed shirt dress with a bag bursting with rouge and rose embroidery yet what was most unique was the handle being leather and resembling that of the random school craft box material segment you use to stick on your collage back in primary school (elementary school). 

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What appealed the most were the accessories. I would die for every single one of them; chunky gold belts, petite bags reading ‘females first’ and those 70’s square glasses only nerds would wear… but in white. And let’s not forget the fact that Chanel can now be associated with maths after presenting a bag reading ‘5 x 5 = *Chanel Logo*. This leads me on to my next point, In the midst of the show there was quite a school vibe (i must say that if Chanel was a school it would get an ‘outstanding’ report from Ofsted as well as be private without a doubt). I believe this because of the white blouses and frilly collars likewise to the school girls in an anime film. Moreover, there was an exceeding amount of stripes both vertically and horizontally also demonstrating a sailor vibe, nonetheless the unimaginably expensive diamond Chanel logos, glossy brogues and childish buttons turned it into a kind of Gabrielle Chanel style mass. 

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Overall, my favourite look was Marie Antoinette pale white dress complimented by a chin cross-body bag, thick gold belt, what looks to be shiny brogues combined with sandals, some gold jewellery but most of all, glittery tights. Now I’m not usually taken by coloured tights, blacks as far as I’ll get but these look beautiful. Similarly futuristic due to their astronomical aesthetic, plus the skin colour of the leg is not completely coloured, there is neither too much nor too little of that sparkle of Chanel. What’s more, you would usually expect gold tights to appear as rather tacky and reasonably cheap though this form doesn’t relate to not either of the two mentioned points, it just has Chanel written all over it.

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Next, a tweed red and blue twin set over a thin polyester pink shirt. What instantly comes to mind is an utterly negative clash, still the wonders of Chanel managed to pull it off as one would expect. An exceptional example of the idea that each model wore the outfit that fit them was through this Scottish attire and tie-dye blouse (complete opposites) considering this already existing clash added to the bleached long hair of a model, this was beyond clashing. Beyond Clashing so much that it worked. This set fits your school P.E teacher (sports teacher) perfectly having a mature, non-movement outfit withal a quirky little silver whistle to justify their occupation. And when you thought that Chanel actually exhibited an outfit without some high-class bling, there was the essential Chanel Logo upon the key-ring of the set’s clutch (but no chain?). 

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 Everything in the show screamed glamour and delicacy which was extraordinarily emphasised by the idealistic street setting. It was corresponding to that of a street style location covered in Chanel. Karl risked some new looks for instance: grunge, school girl preppy and tie-dye (not generally seen on the designer catwalks) while he also stuck with the same standard Chanel sense of sophistication and a major amount of feminist intensity in the manner Gabrielle Chanel did back after World War I when she revolutionised women’s fashion from the influence of men.

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 Thanks for reading,

Poppy x

(Follow me on Instagram, I will be more than happy to follow anyone back who asks – http://instagram.com/carmamademedoit )

Back to the Future as New Reoccurring Trends are being Created

New York, London, Milan and finally PARIS: the city where inhabitants are said to be born with a natural flare for fashion, a place where love is only a foot-step away and a place where the fashion week season is concluded. Being the centre of mode and the anticipated ending, Paris is the location where all the big labels will speculate there Spring/Summer 2015 Collections. Comme des Garcons, Vivienne Westwood, Jean Paul Gaultier and many more; a budding designers biggest opportunity would be for their collection to be showcased at this particular event, forget London, Milan and New York, Paris is the pin-point of fashion success.

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Throughout Paris fashion week, we see the new collections yet there is always a different theme each year. This year that theme was futuristic. Alexandra McQueen had models wearing sleek black sun visors with faux fur garments, a mix of natural and contemporary, it was like having a female ‘men in black’. I believed the show to feel very astronomical due to the supernaturalism of alien resemblances. Just when I thought the show was creepy enough, all the models had closed mouths and a lacking facial expression. Overall ‘back to the future’ would be the perfect title. This idea of time was definitely conveyed through the group of hourglass dresses (faux fur of course) finished with a metallic sword shaped belt, resembling the costume your mum made you for fancy dress parties. Specifically designed by creative director, Sarah Burton, the women who famously curated the scheme of Kate Middleton’s angelic wedding dress, this collection of apparel emphasised the fluffy trend massively, mixing 60’s faux fur with 21st century metallic.

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Another designer that took us above and beyond the current times was Jean Paul Gaultier. The audience witnessed multiple selfies being taken as the models posed at the end holding up IPhones with over enthusiastic faces. Some pretended to call contacts with popular girl gestures as if it was a scene from Clueless just 20 years later. Gaultier was able to create garments that complimented picture taking. Dramatic is what the labels known for, also having stereo-typical wags, eighties Madonnas and even heroic wrestlers. Basically, the show was completely random still it appeared as being complete. To end, Jean Paul came on in a black suit overlaid with a pageant banner for his circus extravaganza.

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Besides the different approaches to futuristic collections, there was one re-occurrence that wasn’t just seen on the catwalk, smart phones, it is impossible to find a show of this season without the infinite rows of smart phones poised high primed and ready to post the latest looks to social media. We are in times when promotion by the brand is not a major need because there are always the wealthy and successful bloggers, journalists and celebrities whom the majority of which have over a hundred thousand followers on their social media accounts. These members of society can have a single photo taken of themselves in a hot pink leather Moschino skirt and instantly, this particular garment becomes the new quilted Chanel chain bag. On the other hand, one of these people could mention how the Dries Van Noten ankle boots were a complete waste of money and in an instant, 50,000 people are put of purchasing the apparel.

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Furthermore, the catwalks are no longer just a place of presenting clothes but IPhone cases too. Moschino gave out his signature unique and quirky collection involving Barbie mirror phone cases, a new addition to its previous ice cream case. Other brands such as Marc by Marc Jacobs and Valentino have released pouches for phones. Valentino in particular offers a red gold-studded case for £190 however there is hope as a Marc by Marc Jacobs Bunny Hop case comes in at £35, well worth it if you regard the considerable amount of times your phone is shown in public daily. My favorite case is doubtlessly that of Moschino’s, being very present-day anyway with the use of a Mcdonald’s fries design, Barbie doll mirror and ice cream, the pouches combined with modern day technology just reflects the contemporary subject greatly.

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Evidently, glossy shades are the standard colour of the future, metallics to be precise. Metallics have hit this season hard, Givenchy has released shoes in dominant metallics for evening wear. Even some consisted of Butterfly prints, not one for me to be honest. Isabel Marant produced the a portable disco with its becka metallic leather tapered pants in gold which following on from the craze for leather pants, would love great with a maxi coat and shoulder bag (placed across the shoulder). Furthermore, the high street has also undertaken this space based look, Topshop triumphs overall providing items from those box shaped bags Alexa Chung always wears to old-school scrunchies (and we all know that scrunchies will never leave fashion).

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Get Wardrobe Ready for Upcoming Trends of Autumn/Winter 2014-15

We are all placed in a frequent situation against the considerably dynamic world of fashion and trends, one minute you’re wearing the finest Chanel parka, next minute, it is a tedious and basic coat at most. In order to provide an extensive amount of aid in this upcoming crisis, I have devised a clear list stating some of the upcoming trends according to this month’s issue of British Vogue with hope that it will decrease the exasperating stress and amount of intermittent occurrences where you’re Louis Vuitton gown is no longer a contemporary piece that the whole party tremendously desires to be in possession of. 

The Adequate Knitted Trouser

Firstly is quite a controversial form of attire… knitted trousers? Especially amidst the duration of bitter and ashen winter days, these complacent bottoms give convenience yet to some may have a reputation of appearing as old-fashioned, not good old vintage, just bad vintage, In other words similar to a piece which has the possibility of lying in your grandma’s wardrobe. Despite this adverse statement, the trousers can be found in various patterns taking away the ancient-aspect. For instance, Roberto Cavalli offers a pair at £447.06 presenting that of a monochrome snake print which in my opinion, is print in which has a lack of difficulty when deciding on a separate garment to go with. One being a knitted jumper in the same dull shade, additionally, if the weather is a fragment lower, maybe add that of a shirt underneath the broad sweater. As well as adding warmth and amenity, we now have a section of texture and dimension to the set.

Roberto Cavalli Knitted Snake-Print Trousers

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The Ebullience of the Geometric Print

Next we have the persistent staple of geometric, seen through Chanel’s paintbrush stroked gown upon British delicacy, Cara Delevigne amidst the craze of Paris Fashion Week; this is definitely arriving once anew. Vibrant primary colours grab necessary attention leading even the most confined of people to depart from there open-ended shells. Extended from the dominance of this statement, the print provides emphasis of appreciable artistry and renowned authenticity. Even if it is as meagre as a diagonal bulging yellow line combined with the contrast of a prussian blue, the piece demands pronounced significance yet discernible innocence. What to pair this obscure form of garment with? Doubtless this should be that of the relief of a plain piece corresponding with one of the colours upon the geometric pattern. Apart from a situation of an existing geometric clothing set, never the differentiating patterns of a geometric and a geometric be united because if so this has a vast possibility of being visualised as negatively disparate and erroneously ambiguous. 

Comme des Garçons Geometric Print Blouse

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The Practicality of the Maxi-Coat

As far as my immediate thoughts are concerned, Maxi-Coats administer reminiscence of the exceptional British countryside. The attire cooperates to give a sense of naturalism into preserving and extravagant urban locations. Unequivocally, this is a compelling reason behind its propriety regarding the drizzly and harsh atmosphere that usually materializes throughout the months of September to February. Mainly popularized by British brand Burberry, it implements an almost exhaustive cover-up yet still places your stylish characteristic idiosyncratic show. Favourably, Audrey Hepburn was seen an exceptionally upscale figure perched upon a window ledge pairing the protracted coat with a substantially chic vintage house-wife approach of an eerie cumulous cream headscarf. If aiming for an immense entrance, pair this comprehensive scheme of garment with leather knee high boots as this attire has the intention to be worn as a thoroughly mysterious however noticeably sophisticated look. Moreover, a movement of horse-rider themed approaches is predicted for this imminent season. For instance: greatly towering knee-high boots, textured tweed and canvas material based clothing and appropriately mature blazers.

Burberry Yellow Shearling Maxi-Coat

Valentino Leather Riding Boots

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The Enthusiasm of Sequins

Known for late nights of entertaining celebration and rhapsodic abundance, glitter can have an impact of tremendous shine and an immediate expectation of large prosperity. Principally noted by Marc Jacobs which he then proceeded to present amongst last year’s Autumn/Winter collection through seductive Old Monterey Grey hot-pants to the professionalism of a Peter Pan collared glitz blazer, these garments exhibited the spectacles of traditional dedication and lucubration implanted upon every single delicacy belonging to the association of haute couture clothing items. Exceptionally, glitter tends to be easily combined with other glitter as the result of the sight being associated with populous parties and vibrant festivity. My recommendation would be some notoriously sparkly stilettos and staggeringly lustrous forms of accessories; doing so contributes a lack of ample negligence and grants abounding eagerness and teeming ardour.

Givenchy Sequin-Print Sweatshirt

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In the process of these eventual markedly cordial and somewhat shimmering summer days, remember to never obliterate the aspect of fashion in distinction to your already-combusted mind possibly teeming with the recent hipster enthusiasm or even the lassie floral frenzy. Whereas, it is only an abbreviated amount of time until you will be expected to hide away those conceded crop tops and adolescent denim shorts but instead bring out flaring glittered tops and dimensional knitwear. Overall, my one and exclusive consultation for you in advance of then is to stay cool visually before the briskness of autumn comes where staying cool will have to be taken into consideration both visually and physically. 

 

 

A Diverse Outlook into a Prodigious 30 Years of Marc Jacobs

An iconic 30 years of Marc Jacobs has already passed. Beginning in the minor New York boutique of Charivari at the tender age of 13 to inspiring long-term fashion on an international scale, Marc Jacobs has definitely lived a so far pivotal life. As a result of this crucial designer’s anniversary, I have been given the indication of analysing ten of the most exemplary junctures in Jacob’s life and career so read on to discover the achievements of a man barely into his 50’s.

Number 1 – Marc Jacobs for Diet Coke

It is doubtless that you have come across the articulate decoration of the Marc Jacobs Diet Coke bottle. Covered with a matching colour of patterns and images, the Marc Jacobs version is under a definite appeal that attracts a far greater amount of customers than that of the original Diet Coke design. Becoming the creative director for this year only, Jacobs is aiming to influence his designs by the presentations of Jean Paul Gautier and Karl Largerfeld, quoting that the outputs are supposed to be “stylish and light-hearted”. Jacobs also states that the unique designs will “capture the rise of female empowerment through the Eighties, Nighties and Noughties” conveyed by the exclusive composition and aesthetic of Marc Jacobs.

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Number 2 – Designer of the Year

How could Marc Jacobs miss the situation of owning a triumphant victory of Designer of the Year at least once, well 3 times and that’s only for women’s wear. Having the extraordinary titles of Accessory Designer of the Year in 1998, 1999, 2003 and 2005 in addition to the equally phenomenal address of Menswear Designer of the Year in 2002, there is no apprehension that Jacob’s himself has recognisability of his own achievements and improbable ability in the fashion design industry. After deservedly receiving the award of Designer of the Year in 2002, Jacob’s quoted “any opportunity to adorn one-self is human, and accessories are an easy way to do it.”

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Number 3 – ‘I vote Obama’ T-Shirt

During the re-election of Obama in the January, 2012, numerous fashion designers generated pieces promoting their opposition towards the election of Obama. Reading ‘I vote Obama’ in a circle likewise to the recognizable Pepsi logo, Jacobs chose the colours of the significant American flag: red, blue and white representing the equality and joined unit of the American public. Despite the focus on politics, Jacobs could not resist distributing the text of ‘Marc Jacobs’ in a Parisian written font dominantly beneath the circle. In my opinion the clothing was at a moderate amount selling at a legitimate $45 furthermore providing the total sales to a hefty $40 million once combined with the funds raised by other designer’s pieces including: handbags by $75 Tori Burch and $95 Thackoon Panichgul Scarves. Sounding quite cheap when compared to that of the recommended retail price of £225 for a standard Tori Burch Amanda handbag. 

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Number 4 – Charivari Sweaters are photographed by Bill Cunningham

Getting his first job at the budding age of 13, Jacobs worked at the Charivavi boutique in New York. Further on in his time working there, the first designs of his own mind were born, beautiful sweaters under the name of Charivavi boutique. Whilst attiring a piece of this collection among date of December, 1984 across the boundless streets of New York, Jacobs was photographed by famous New York Times photographer, Bill Cunningham. Due to this instance, Jacobs quoted that he felt it was “sort of the beginning of my career”.

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Number 5 – Polar Bear Outfit

Who says that designers have no character? Marc Jacobs surely does as he attended the 2003 Marc Jacobs annual holiday parting wearing the obscure costume of an extensive polar bear, possibly the most curious episode Jacobs has undertaken. Overall, expect Jacobs to be the most imaginative when the instructions were “think glitter!” “Think 1920’s Hollywood movie musicals!” “Think 1920’s Busby Berkeley!” Clearly stating that he has a lessened expectation of needing the outfit on another occasion, Jacobs told the other guests that he purchased the authentic ensemble online for an extravagant $600.

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Number 6 – Fashion Walk of Fame

Regarding further achievements, Marc Jacobs was given the privilege of having his own plaque placed upon the Fashion Walk of Fame in New York City’s Garment District amid July 2002. Reading ‘a fashion prodigy’ the plaque features a slender hand drawn woman in the classic trench coat and mid-heels. Other plaques among this area include: the buoyant designer of Betsey Johnson, the contentious character of Rudi Gernreich and enticing clothing designer, Ralph Rucci. 

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Number 7 – Jacobs’ Engagement to Lorenzo Martone

A focused fashion industry suddenly halted and became a euphoric group in 2009 when Jacobs confirmed his affectionate engagement to Brazilian boyfriend, Lorenzo Martone. Subsequently, rumours took over the headlines spreading various circumstances of their marriage taking place. Through the beginning of January, various pieces of proof were released such as the couple relaxing in white garments among the exotic coast of St Barths. Not only this but pictures of the two poised besides an imposing wedding cake topped with edible replica figures of themselves. Later on, Martone stated that it was an “intimate ceremony”.

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Number 8 – Marc Jacobs and Louis Vuitton

Along with the unique designs of Louis Vuitton, Jacobs’ pieces are remarkably popularized pending the length of the New York documentary ‘Marc Jacobs and Louis Vuitton’. Released in 2007, the documentary displays the moments of ecstasy moreover the unfavourable consequences that Jacobs faces. Furthermore, the film had a reasonably appropriate rating of 6.9 stars out of 10 by popular movie site ‘IMDb’. Convincingly, the site stated that the movie “with seemingly unlimited access to the workshops and houses, Marc Jacobs is disarmingly pleasant to watch. Having not yet viewed the film, I thoroughly hope to in the future as the reviews cause it to sound intriguing and a major watch for anyone having desires of entering the dynamics of the fashion industry.

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Number 9 – Miley Cyrus for Marc Jacobs

Since the recent controversy about the recent return of Hannah Montana Star, Miley Cyrus, it came as quite a dubious decision when Jacobs announced their collaboration. Giving out a concerned face upon the posters of Jacobs’ spring campaign, Miley is seen attiring a more monumental amount of clothing than usual in a deep violet and strong maroon orchid gown in dull sand. Additionally, another shoot shows the pop-star lay boldly showing off the artistry of her black tattooed arm. As well as wearing an authentic Victorian dress that includes the lace of a gothic corset top. Personally, I believe that the shot demonstrated Miley as having a melancholy attitude emphasizing the eerie style Jacobs accomplished in this collection.

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Number 10 – Opening of First Marc Jacobs’ Beauty Store

Of course implanted in the burgeoning city of Manhattan, New York, Jacobs opened the doors to his assiduously anticipated first beauty store in 2013. Jacobs had been the main culprit beauty obsessive’s satisfaction when he declared and discharged the start of Marc Jacobs’ beauty products midst the year of 2012. Having conceived a quantity of 122 pieces in a year alone, Jacobs submitted the products to Edie Campbell. Campbell then experimented with the thriving assortment. Focusing on the store its self, the floor expands over 500 foot centred with a shadowy granite table depicting the sophistication of the brand. Plus, each shelf is either covered with conditioned make-up or the amorous liquid of Marc Jacobs perfume in opulent glass bottles.

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There is no shadow present when Jacob’s repercussion to fashion is taken into account. Individually, he is a quirky character however does not take the junction of being conveyed as peculiar akin to that of Vivienne Westwood or Irene Luft. Regarding the future, the incident of Jacobs being long forgotten is almost impossible because his affects towards the fashion industry will be taken into consideration forever.

High Street vs Designer

Since the recession has hit bringing a vast number of consequences, one being a 2 million rise of people in the field of unemployment, the public has had no option but to turn to the reliance of retailers that are named as budget shops. ALDI or LIDL may appear upon your mind even though this same retailer arrangement occurs in the worlds clothing businesses. 

In that regular circumstance where your dream Valentino gown is selling for a considerable £3,000, being way out of a middle-class person’s budget, we can always be consoled with the fact that the Primark down the road holds an almost similar piece at the economical price of £20. But does this copy give us the same amount of satisfaction as that of the original piece? Of course not but be assured that with the £2980 there is a colossal saving to place towards further pieces from the high-street. 

Despite this tremendous benefit there still lies the classic saying of “quality over quantity”. Unsurprisingly, we all fully well know the idea that a Valentino gown is going to last longer and provide a larger level of amenity with the fitted shape and durable fabric it offers when compared to the estimated size and hesitant material that of a Primark shirt overtures. As I previously mentioned, it’s still a bargain right? You could purchase over 100 Primark shirts with the expense of payment that of a Valentino gown would require.

Another benefit of attiring the luxury of a Valentino gown is the exclusive reputation you will receive. People will expect a profound purse and extravagant mansion of your own inhabitancy. I’m picturing a husband resembling Luke Brandon, i.e. being in possession of a polished Chrysler in addition to a gold iPhone 5 for contact with his personal assistant. In my opinion, this can’t be the situation where the brand is being worn because of the logo; it has to be a situation where the brand is being worn as part of an acceptable outfit. Every day of my life I witness the scandalous sight of numerous teenagers wearing a CHANEL jersey flap bag (in neon pink may I mention) paired with the ghastly ridicule of a new look top imprinted with growling tigers. It doesn’t match. Furthermore, I class this position as a complete waste of money.

Focusing back onto high-street, an exceptional one of a kind outfit has no difficulty of birth through a mere £50 spent. In other words, someone can make a £50 set be visualized as a million dollar masterpiece. Due to the plentiful as well as diverse range of pieces each high street store offers there is a 0.0000001 chance that someone will have been or ever been attiring an the clone outfit as yourself. On the contrary, what makes the handbags of a designer so iconic is the lack of quantity the range offers, there is a limited choice meaning that owners of each piece will be at a higher percentage than owners of a certain high-street piece.

Undoubtedly, designers are in a much greater remarkable condition when trailed against the alleviation of high-street copies. Pieces can be made to have the same level of effect upon others whether or not the top is by Valentino or Primark. Regarding designers, they cause a feeling of superiority and opulence moreover the fact that they are the genuine piece. On the other hand, high-street clothing saves money, which juxtaposes the expense of designers in addition to sounding as a more favourable concept in the current days of austerity. Above all, the main case that has arrived to me during writing this article up is that you can wear designers, just as long as it is not a form of boasting and on the other hand, a form of making a statement. To conclude, as long as the outfit is competent therefore provides the wearer with a feeling of pleasure, no action is needed in taking into account the name in which the dress label displays.