What did Coco do?

Let’s forget Karl for just a second and reminisce about the original, insanely intuitive Gabrielle Chanel or if you prefer – Coco Chanel. Now we all understand that this inspirational designer went beyond others of her time, making women’s fashion that radiated femininity opposing against the strong demand of the common uncomfortable attire, a frequent being that of tight corsets. But how did she do this? What were the specific elements that combined to give Gabrielle such a prodigious reputation in fashion?

Using Jersey

This fabric was viewed as the main for men’s underwear and nothing else. Coco decided that jersey would be suitable for her creations due to its low cost compared to alternative substances that had suddenly risen in price after the war. Daringly, Chanel was the first designer to involve jersey in her creations stating that it had a quality finish and an exceptional drapery. In addition, the fabric suited Chanel’s influence of straightforward and convenient menswear making it a perfect match for her ideas.

Inventing the Little Black Dress

Everyone has one, it’s that noted classic yet do you know that Chanel is the women to thank? Previously, black was the dull, unnoticeable shade viewed as a principle look for only funerals and the grief of widows. Gabrielle discovered the hues secretive aspect and came with the ever valued belief of it being a major contribution for fashion. To be honest, I cannot imagine a world without it. Dominant reds, greens and sharp blues were referenced to making Coco “feel ill” later on she quoted “these Women, I’m bloody well going to dress them in black!” Noticed by Vogue, they first introduced Gabrielle’s time-honoured black masterpiece in a 1926 issue spreading word of the commodity to a larger amount of fashion enthusiasts which is still growing today.

Labelling Perfume

Back then, scents were a mixture of completely natural aspects focused on floral aromas unlike the artificial perks involved nowadays. 1921 was the year Coco released her favoured perfume, possibly the most acknowledged of scents today, Chanel No.5 after the instance of it being the 5th perfume tested. Yes, Paul Poiret recently launched his own scent earlier in the year however there was an absence of his name. Gabrielle was of course intelligent enough to be the first of brands to officially have their name placed on the bottle. By doing this, people recognised the scent and knew it was Chanel no.5. Famously a particular lover was Marilyn Monroe repeatedly noting the scent during interviews “I said Chanel No 5 because it’s the truth.”

Releasing Extravagant Jewellery

Chanel is all about the elegance and high-class of the wearers so it is no surprise that Gabrielle was one of the first to produce costume jewellery in her collections. Likewise to before, Paul Poiret was the first nevertheless Coco’s range constituted of flamboyant white pearls placed besides each other, the reason why you have that treasured pearl necklace in your jewellery box. She adored the idea of exaggerated gems contrasting with her minimalistic and sophisticated apparel. Moreover, the combination of speculating both fake and legitimate in one look.

Having Tanned Skin

Surely, Gabrielle wasn’t the original copy of those orange faced stags you see on a night out; she was the opener of healthy, sun-kissed skin. This greatly rebelled against the standard appearance of pale faced complexions resembling porcelain dolls by the adding of bright blusher and rouge lips. She caught hold of the present man’s thoughts of an idealistic women being as alike to paintings as possible. Coincidently, Coco caught a beautiful tan amid her cruise holiday along the French Riviera. After arriving home, her peers exceedingly desired for the same coloured skin furthermore passing the fascination to other members of public enough to make it a trend all around the world as well as an ongoing accessory for years to come.  Even though the expression is generally viewed as being cheap when by the use of fake tan, formerly it gave out a reputation of prosperity and refinement.

Females Wearing Trousers 

Especially amongst the time of war, women working in factories would usually custom that of a pair of trousers for efficiency and health and safety reasons though not prior to Coco did the forms of attire become a general clothing item to females. It was when Gabrielle became anxious about displaying her figure to men precedent to having to wear a swimsuit that she refused and instead astounded people with walking out in a pair of sailors pants, this occurred at the society beach resort in Deauville (been there, just saying). Similar to how those of us in the Alexa Chung fandom attempt (and tremendously fail) to manipulate her style, Gabrielle’s fans did the same. Despite the women’s wearing of the clothing, she ensued to proclaim “I came up with them by modesty. From this usage to it becoming fashion, having 70% of women wearing trousers at evening dinner is quite sad.” I thoroughly disagree with her.

The Fashion-Changing Chanel Suit

The Chanel suit was the pinnacle of Coco’s clothing creations; it was the first of its kind. Recommended by major fashion icons consisting of Audrey Hepburn, Jackie Kennedy (worn on the day of her husband’s assassination) and Grace Kelly, the garment was trimmed with braid, had fitted sleeves, no collar and metallic embellished buttons. Additionally, the boxer jacket was combined with a sophisticated slim-line skirt emphasising that typical aristocratic Chanel women.

Warby Parker’s Limited Edition Corner Capsuel Collection makes Contacts a thing of the Past

Now Warby Parker is a brand whose concept, those of us with an average person’s budget can all thank. They saw the growing possibilities of the sunglasses industry and having experienced a college student budget, created Warby Parker. Both sunglasses and optical wear are available in store and they now have concessions in major American locations such as New York, Los Angeles and Atlanta, their success is expanding by the day. Their other focus is charity work, they have partnerships with non-profit organisations, one being Vision-Spring, which assures them that a less fortunate person in need of optical eye wear will receive a free pair of optical glasses for every pair of Warby Parker glasses that are purchased.

Amidst their limited edition Corner Capsuel Collection, there are 5 new styles for both eyeglasses and sunglasses fitting any wearer’s preference. Uncover your inner Hepburn with the seductive leopard print cat-eyes or reminisce about the seventies with some transparent box lens eyeglasses. What’s more, the label has successfully added two contemporary hues, Rhubarb and Quartz. Incorporated with Parker’s professionally polished eye-wear, the distinctive shades provide sparking up of your standard plain pair of glasses.

I myself was immediately won over by the Teddy 285 Topdown Suns. An Emerald Lens rimmed with exotic leopard print upon quite an obscure style. Yet the elements combined together make a peculiar masterpiece, it isn’t like your typical pair of sunglasses where a designer takes them, uses one fixed colour then adds just one differentiating pattern or shade so they can place the word ‘exciting’ throughout its description. Alternatively, this model goes where others fear and I can assuredly affirm that risk as being an ultimate triumph.

Another positive feature is the collection’s reoccurring theme of British styles. To start with, some have that mahogany look; a style one would most commonly associate with a man carrying a satchel in chinos. It’s that business sense, moreover sophistication. You are able to wear these to work without appearing as overdone however they still act as a stylish accessory. Forget those only-child-with-glasses days and finally be satisfied with that identification. Who needs contact lenses when we have Warby Parker? There is no doubt that the attire will be noticed amongst a crowd.

Forwarding on to pairings, cat eyes look great with suits because you’re mixing both the masculinity of a blazer and trousers with the femininity of the all-important point upon the glasses. Never the less, use modernistic colours such as solid blues, blacks, whites and silvers to amplify the contrast between Hollywood vintage and the 21st century, for this look use the Warby Parker Goodney 100 Angel Suns. Secondly, let’s discuss the Hutton Topdowns for men. Appearing as a narrower though protracted form, these are suited for those with oval shaped faces who desire for them to look a meagre amount larger. By the small, square shaped rims, this style will sharpen the eyes whilst elongating the face providing a more muscular presence which is a goal most men strive for.

Alternatively to the Hutton Topdowns, the collection includes a quirky pair called Topper Topdowns. This has a combination of the classic almond brown with sparks of white that emphasise the glass’ tremendous glow. These glasses correspond to that of Ray Ban’s tortoise shell acetate products however they are a lot cheaper, giving out that they look remarkably prodigious over other models without a lack of sensibility.

‘The Corner Collection gets its name from our seasonal preoccupation with silhouettes and angles. This time around, we’re experimenting with traditional shapes; think crisp keyhole bridges, sloping brow lines, sharp temples, and straight-edged brow bars in a handsome mix of horn-inspired acetate and stainless steel.’

The New Corner Capsuel Collection matches Warby Parker’s creation process combining the unique inspiration of global features with hand designed quality pair of glasses. In addition, their material is always the best quality ranging from premium Japanese titanium to custom single-sheet cellulose acetate all manufactured its own family-run factory.

Overall this Corner Capsule Collection bravely explores like no other brand. It captures new trends, combining patterns and shades in a group of exclusive eye-wear that is the answer to all our prayers. Their limited edition collection would make the perfect photo base for Instagram, they are the styles you see on a popular fashion blogger’s feed, and thus they are a clear portrayal of futuristic trends with a touch of the trendy vintage past.

Be sure to comment your favourite pair from the collection.

Warby Parker’s Online Store – https://www.warbyparker.com/

Warby Parker on Twitter – https://twitter.com/WarbyParker

Warby Parker on Facebook – https://www.facebook.com/warbyparker

Warby Parker on Instagram – http://instagram.com/warbyparker

What did Coco do?

Let’s forget Karl for just a second and reminisce about the original, insanely intuitive Gabrielle Chanel or if you prefer – Coco Chanel. Now we all understand that this inspirational designer went beyond others of her time, making women’s fashion that radiated femininity opposing against the strong demand of the common uncomfortable attire, a frequent being that of tight corsets. But how did she do this? What were the specific elements that combined to give Gabrielle such a prodigious reputation in fashion?

Using Jersey

This fabric was viewed as the main for men’s underwear and nothing else. Coco decided that jersey would be suitable for her creations due to its low cost compared to alternative substances that had suddenly risen in price after the war. Daringly, Chanel was the first designer to involve jersey in her creations stating that it had a quality finish and an exceptional drapery. In addition, the fabric suited Chanel’s influence of straightforward and convenient menswear making it a perfect match for her ideas.

Inventing the Little Black Dress

Everyone has one, it’s that noted classic yet do you know that Chanel is the women to thank? Previously, black was the dull, unnoticeable shade viewed as a principle look for only funerals and the grief of widows. Gabrielle discovered the hues secretive aspect and came with the ever valued belief of it being a major contribution for fashion. To be honest, I cannot imagine a world without it. Dominant reds, greens and sharp blues were referenced to making Coco “feel ill” later on she quoted “these Women, I’m bloody well going to dress them in black!” Noticed by Vogue, they first introduced Gabrielle’s time-honoured black masterpiece in a 1926 issue spreading word of the commodity to a larger amount of fashion enthusiasts which is still growing today.

Labelling Perfume

Back then, scents were a mixture of completely natural aspects focused on floral aromas unlike the artificial perks involved nowadays. 1921 was the year Coco released her favoured perfume, possibly the most acknowledged of scents today, Chanel No.5 after the instance of it being the 5th perfume tested. Yes, Paul Poiret recently launched his own scent earlier in the year however there was an absence of his name. Gabrielle was of course intelligent enough to be the first of brands to officially have their name placed on the bottle. By doing this, people recognised the scent and knew it was Chanel no.5. Famously a particular lover was Marilyn Monroe repeatedly noting the scent during interviews “I said Chanel No 5 because it’s the truth.”

Releasing Extravagant Jewellery

Chanel is all about the elegance and high-class of the wearers so it is no surprise that Gabrielle was one of the first to produce costume jewellery in her collections. Likewise to before, Paul Poiret was the first nevertheless Coco’s range constituted of flamboyant white pearls placed besides each other, the reason why you have that treasured pearl necklace in your jewellery box. She adored the idea of exaggerated gems contrasting with her minimalistic and sophisticated apparel. Moreover, the combination of speculating both fake and legitimate in one look.

Having Tanned Skin

Surely, Gabrielle wasn’t the original copy of those orange faced stags you see on a night out; she was the opener of healthy, sun-kissed skin. This greatly rebelled against the standard appearance of pale faced complexions resembling porcelain dolls by the adding of bright blusher and rouge lips. She caught hold of the present man’s thoughts of an idealistic women being as alike to paintings as possible. Coincidently, Coco caught a beautiful tan amid her cruise holiday along the French Riviera. After arriving home, her peers exceedingly desired for the same coloured skin furthermore passing the fascination to other members of public enough to make it a trend all around the world as well as an ongoing accessory for years to come.  Even though the expression is generally viewed as being cheap when by the use of fake tan, formerly it gave out a reputation of prosperity and refinement.

Females Wearing Trousers 

Especially amongst the time of war, women working in factories would usually custom that of a pair of trousers for efficiency and health and safety reasons though not prior to Coco did the forms of attire become a general clothing item to females. It was when Gabrielle became anxious about displaying her figure to men precedent to having to wear a swimsuit that she refused and instead astounded people with walking out in a pair of sailors pants, this occurred at the society beach resort in Deauville (been there, just saying). Similar to how those of us in the Alexa Chung fandom attempt (and tremendously fail) to manipulate her style, Gabrielle’s fans did the same. Despite the women’s wearing of the clothing, she ensued to proclaim “I came up with them by modesty. From this usage to it becoming fashion, having 70% of women wearing trousers at evening dinner is quite sad.” I thoroughly disagree with her.

Creating the Chanel Suit

The Chanel suit was the pinnacle of Coco’s clothing creations; it was the first of its kind. Recommended by major fashion icons consisting of Audrey Hepburn, Jackie Kennedy (worn on the day of her husband’s assassination) and Grace Kelly, the garment was trimmed with braid, had fitted sleeves, no collar and metallic embellished buttons. Additionally, the boxer jacket was combined with a sophisticated slim-line skirt emphasising that typical aristocratic Chanel women.

Gown; an essential

Everyone needs that one special gown that was a complete one off, a garment that they hesitantly “umed” and “ahed” about thoroughly previous to finally giving in and handing over the ‘one off’ sum of change. It’s that piece that provides such a depth of satisfaction when you delicately place it on. The apparel that makes you constantly glance over at your reflection whenever a mirror is passed or a shop window is seen. Despite an evening dress’ overwhelming elegance only some designers dare to include it in their collections, particularly during this season it included that of Emilia Wickstead, Oscar De La Renta and Christopher Kane. But of whom ended in a success and of who ended in the idea that it should not be taken any further? Amidst this post, I will pick out my most favoured attempts yet also the ones I greatly oppose.

Alberta Feretti produces quite bohemian style pieces in nature related colour for instance: camel beige, subtle nudes and patent whites. Overall, its gowns are exceedingly angelic and in my opinion, would make the perfect prom dress catalogue. Specifically, I adore her undertaking of lace which being saintly itself is embroidered to create ethereal attire that when developing a-line skirts can sneakily cause a 1 foot increase in any ones height. Throughout presenting lace clothes, the label uses dominantly ginger haired models further emphasising the sense of outdoor environment as well as an indication to religion due to the fact that Eve herself (stated in the bible to be one of the first people God placed on planet earth along with Adam) had red hair. Moreover, we can all continue to note infinite connotations of spirituality but if I did we would be here all day. Anyway, I love the patterns symmetry upon the dress, Victorian style floral mixed with the sudden full block of white located at the bottom hem. Unlike other designers output of the lace material, Alberta Feretti makes sure that the piece isn’t overwhelming (dissimilar to approaches by designers such as Valentino and Roberto Cavalli), instead it can be worn by everyday people without looking out of place.

On the other hand I am not a fan of Prada’s new collection of gowns exhibited at Milan Fashion Week mainly due to the thorough overuse of pattern and colour. Although the shades involved in each gown tend to be paired with each other often, at this specific occurrence, the concept has clearly not worked. Furthermore, I believe that this point has caused the dresses to appear behind time. Yes, vintage is the new contemporary but this example is grandma vintage which only grandmas can wear. However, if you disagree with my opinion which is possible since everyone has a different taste, you’d best be placing an intensely patterned gown with that of some plain garments. In this case, ditch the socks and wear flat gladiator sandals as well as a sun-hat because it is extremely rare to see one in a single layer during winter.

Next, as well as discovering a new collection of dresses, I discovered a new designer called Matthew Williamson. Some may be wondering where I’ve been all my life but it turns out that he is a big label. For instance, he has had models such as Kate Moss and Cara Delevigne speculate his creations which include a fascinating group of gowns. In particular, I chose a kind of hallucination style of dress with the dominance of a black rose bunch as a belt. To be honest, I am not completely sure about the material types however I suspect it to be tweed. Tweed is an incredible material due to the versatility as well as the texture it provides to apparel, not only to the fabric but the colours it placed with. As a result, I believe that this dress wouldn’t be as enhancing to the eye without its focus on the material. To pair this piece or something similar comes as a remarkably simple task; just add heels, a clutch and your good to go.

Another dress I absolutely loved however found 2 years ago and have remembered well was the dress Emma Stone wore to the Met Gala in 2012. Covered infinite, what look to be plastic transparent poppies, this is possibly my favourite red-carpet outfit in history and being honest, I was never a fan of red until this came up on my We Heart It feed. She looks so beautiful and dainty; I would do anything to be in the ownership of that gown. By Lanvin, the dresses opulence came as no surprise also I am in total guilt for staying up till 3am by endlessly browsing the Lanvin web-store. Unfortunately, this dress is so uniquely magnificent that I was unable to find similar high-street attire. Anyway, I am forever dreaming.

Returning back to my dislikes, the Funlayo Deri Celestine Evening Gown is a definite no-no. Firstly, the placement of the satin ribbon puts me off considering it being under the bust which possibly can disfigure body shapes making them look less appealing than in reality. Secondly, I personally believe that the satin segments of the skirt resemble that of the curtain in your living room and I originally hated thigh cut outs being what this style corresponds to (just replacing the thigh outline with the material). Overall, the gown is tremendously random and clashes greatly. Moreover, it has the capability of highlighting the places most women try to avoid signifying throughout all their attire. I was unable to place a picture of this dress so if you wish to view it here’s the link – https://www.wolfandbadger.com/celestine-evening-gown/?mid=36620&siteID=Hy3bqNL2jtQ-DzJhhvUMgAUlvPJ67ixO9w .

5 Trends of the Eighties – The Tragedies and the Successes

Although your reminiscence of the eighties is most possibly not the best considering it involves that of an excess of neon, tremendously obscure hairdos for example the mullet, and the men who wore shorts that were funnily enough, too short, there has been a rise in eighties throwbacks presented amongst this seasons catwalks. Particularly Chanel and Lanvin have shocked in vibrant turtle necks and models wearing prodigious mullets, the designers are certainly emphasising the eighties brights. But what can we pull off without looking like a die-hard raver in-need of a contemporary hair do? Well after some research through various sources of eighties fashion, I hope that I, myself can provide a response.

The Black Leather Jacket

Certainly not the most unappealing of 80’s attire nevertheless it was a sure root from testosterone. After John Travoltra’s appearance in Grease during 1978, the leather jacket was not an estimation of fashion but a guarantee of fashion. Slick and cool, this jacket also featured in 1985’s Back to the Future (everyone loves a bit of Marty McFly) and 1986’s Ferris Bueller’s Day Off (“Bueller… Bueller… Bueller…”). Despite the simplicity of this attire, the 80’s trend setters couldn’t resist adding some intensity to the piece through dominant patterns and loud colours. Personally I love the idea of pairing a leather jacket as part of a Rocker look, skinny jeans with a thick belt of course, and the distressed tank top. As well as this, add gold statement jewellery to increase the rebellion feel.

  

Teased Hair

Not only did Grease predict the leather jacket but also the unnecessarily teased do. Back-combed and permed as much as possible, I admit that this wasn’t the best flash back. In fact, there is probably not a single 80’s film where no teased do is included. The biggest recommendation for achieving this style would be the bigger, the better and I just can’t resist referencing Bueller ok; I believe that Jennifer Grey’s hair was appropriate yet I thoroughly disliked Brooke Shields mainly due to the coiled fringe. All in all, the government should have set a law stating the measures of teasing size then we wouldn’t have to look back and cringe tremendously. Remember that there are limits but a teased style is always satisfactory for night outs because there is no light to see it. However, if you are risking the nest of hair and aiming for a tragic eighties appearance, place some neon leg warmers over a leotard and socks just because you’ll be drunk by the end of it.

 

The Zipped Up Jumpsuit

Subsequent to the aerobics craze and ABBA’s costumes, jump-suits became a must have for not just girls, but boys too. Even though gays were vastly discriminated during this time period, there couldn’t have been any stereo-typical attire for them regarding the fact that straight men wore rompers showing half their chests. Nonetheless, the male jumpsuit isn’t a complete miss for everyone as without it the 90’s shell-suit may not have existed. Yes, I agree that a two piece matching shell is wrong in so many ways but take a look at the jackets. Alike to bombers, shell jackets can add flare to a colourless outfit without being mistaken for a character from the 1984’s Ghost Busters. Regularly wear your bomber jacket with super skinny jeans and if your brave enough, the classic circular Lennon sunglasses producing a hipster mixed with contemporary kind of look.

 

Fish-Net 

Although your first thought after someone mentioning the netted fabric is gothic and emo. Amidst the eighties, these prevalent forms of hand-wear were viewed as Party pieces whilst still being an accessory for the every-day. Popularized by Madonna’s arrival along with the childish headbands and lace-ribbons, fish nets were originally the attachment of a hat piece elegantly worn by fashion icons such as Co Co Chanel and Audrey Hepburn. Generally, the fabric was opulent and higher class until it became a garment indicating rough hen-dos and dishevelled tramps. Please do not go crazy with the material identically to how Kate Moss did when she overlay a turquoise bikini in Marc Jacob’s fish net dress amid her August Ibiza holiday earlier this year. Neither replicate Madonna’s tartan catastrophe from the 2013 Met Gala. Instead, maybe copy that of Miley Cyrus’ look in placing the fabric above a plain maxi dress. Even though Miley has been in the media recently for her antithetical outfits, this is one that I deem applicable.

  

Shoulder Pads

In addition to male taking on female clothing, females on the other hand undertook that of male clothing, an example being shoulder pads. I agree that they create a masculine appearance nevertheless they can be an easy route for providing sophistication to an item of apparel. In contempt of the fact that they look to be supportive and capable, these structures of padding tend to be quite uncomfortable due to their substantial weight for clothing. Thought to have been influenced by Iron Lady, Margaret Thatcher, shoulder-pads were considered as an apparel for people with an element of class. This explains why shoulder pads were most generally worn for formal occasions in the midst of the starting of other figure changing garments such as peplum skirts and batwing sleeves. Alternatively to the shell suits, it is acceptable to wear sholder parts as part of a matching two piece or akin to a found catwalk look; it is good to wear the pads with a considerable amount of layers along with an opaque bottom wear.

  

Back then the main influence of fashion was evidently the film industry. Who doesn’t love the 80’s teen stereo-typical movie? Some of the most well-known and directed films were created in that time: The Breakfast Club, Pretty in Pink, Dirty Dancing, and Star-Wars. Still there is a recognizable link between all these films, they are teen, and young-adult dominated presenting the idea of there being no age limit in those days. Both mums and their teen daughter would wear the classic mum jean, both dads and there teen sons would attire a dapper leather jacket. Further on into the 21st century there still prevails those assuring attire that can be worn no matter what the age.

New York Fashion Week Commences (5th September – 11th September)

 Roll up, roll up as New York’s dominant annual fashion gala has commenced! Expect the considerable contemporariness of budding designers such as Kye as well as the classic favoured brands that continue to influence all designers today, one being that of the preppy old-school attire of Lacoste. Not only the tremendous extent of catwalks but also numerous releasing of New York street style as attendants swarm towards the Bryant Park venue to witness spectacles of garments and the astounding expertise of various professionals in the exceedingly creative fashion industry. Besides the extensive potency of Paris, London, Berlin and Milan, New York fashion week is of compelling significance hosting the presentation of a multitude of Autumn/Winter collections of which have each left an immense number of people in vast anticipation for the best. Not only does this pivotal event showcase fascinating yet surprising forms of fashion trends but it initiates the start of fashion tendencies worn by everyday people likewise to ourselves.

 

Having your own label included in this particular fashion show can open up staggeringly prodigious opportunities considering that perched amongst the spectators are acclaimed names of Anna Wintour from Vogue, Robbie Myers from Elle and Glenda Bailey from Harpeer’s Bazaar, all of which are curious of the next substantial craze. These lucrative journalists can convert your local clothes store into a chain brand phenomenon just from one mention in their immensely prosperous and widely-read magazines. Additionally, New York fashion week is a primary occasion for aspiring models due to the fact that casting sessions raise in demand as a result of the recent plentiful of garments the show accustomed. In particular, the models want to be in the higher-end designers attire, i.e. Marc Jacobs and Chanel so, similar to the incipient designers, they can be perceived more competently establishing more prominent modelling opportunities. T Magazine recently published an article presenting 7 models that of which are expected to become prosperous this upcoming season after walking the New York Fashion Week. The names were: Vanessa Moody (Women Management), Max Esken (Tomorrow is Another Day), Mona Matsuoka (IMG), Luca Stascheit (VNY Model Management), Alewya Demmisse (Women Management), Robbie McKinnon (Fusion) and Clarence Charrondiere (The Lions). 

 

The Spring 2015 Collections will include: NICHOLAS K, CUTECIRCUIT, BCBGMAXAZRIA, RAOUL, RICHARD CHAI, SUPIMA, JAY GODFREY, TADASHI SHOJI, DESIGUAL, TOME, MARISSA WEBB, TODD SNYDER, MESKITA, GRUNGY GENTLEMAN, FASHION LAW INSTITUTE, STELLA NOLASCO, PROJECT RUNWAY, MARK AND ESTEL, ZIMMERMANN, CARMEN MARC VALVO, TRINA TURK, REBECCA MINKOFF, SAUNDER, NICOLE MILLER, MONIQUE LHUILLIER, CHARLOTTE RONSON, AUGUST GETTY, CROWN BY COLIN KING, RUFFIAN, LACOSTE, LIE SANGBONG, SON JUNG WAN, ALON LIVNÉ, MARA HOFFMAN, HERVÉ LÉGER BY MAX AZRIA, LUIS ANTONIO, MALAN BRETON, ACADEMY OF ART UNIVERSITY, ANYA CALIENDO, VENEXIANA, FASHION SHENZHEN, DAVID TLALE, CZAR BY CESAR GALINDO, KATYA ZOL, DKNY, CUSTO BARCELONA, ETXEBERRIA, VIVIENNE TAM, FASHION SHENZHEN EXHIBIT, NANETTE LEPORE, NANETTE LEPORE PRESENTED BY MARIST COLLEGE, PARKCHOONMOO, LELA ROSE, CAROLINA HERRERA, TAORAY WANG, TOMMY HILFIGER, ANGEL SANCHEZ, DENNIS BASSO, FRANCESCA LIBERATORE, GEORGINE, DONNA KARAN NEW YORK, REEM ACRA, LIBERTINE, OUDIFU, TORY BURCH, J.CREW, VIVIENNE HU, BADGLEY MISCHKA, MM6 MAISON MARTIN MARGIELA, NOON BY NOOR, CONCEPT KOREA, DIESEL BLACK GOLD, JENNY PACKHAM, NAEEM KHAN, PEDRO DEL HIERRO MADRID, PAMELLA ROLAND, SKINGRAFT, ZANG TOI, THE ART INSTITUTES, MICHAEL COSTELLO, FALGUNI AND SHANE PEACOCK, BIBHU MOHAPATRA, BOSS, BETSEY JOHNSON, CLOVER CANYON, ANNA SUI, RICARDO SECO, ERIN FETHERSTON, B. MICHAEL AMERICA, RALPH LAUREN, J. MENDEL 

(Taken from – http://newyorkfashionweeklive.com/NYFW-Live/new-york-fashion-week-2015 )

Regarding the audiences outfits, my personal favourite was that of Marie Claire USA’s senior fashion-editor Zanna Roberts Rassi attiring a scarlet Dolce and Gabbana two-piece of a crop top and an a-line skirt featuring a remarkably dainty rose embroidery pattern. Zanna placed this elegant set with the standard black chain cross body bag along with the formidable refinement of some bleach white brogues that thoroughly complimented the silver jewellery of which she wore upon her wrist, fingers and ears. The reason behind my love for this combination was the fact that it is a mix of both a truly present-day style of apparel however there is also quite a vintage aspect placed, this is shown particularly through the white brogues of which brogues tend to be a classical form of attire where as the vacant colour of white is genuinely modern. 

Another guest’s attire that appealed to me was that of Morgan Saylor. Mum style apparel has recently been a prevailing trend and Morgan presented how effective this style can be with a figure-hugging denim skirt paired with a polka dot see-through blouse. Even-though navy upon navy sounds likewise to that of an inordinately disastrous colour clash, the specific pairing of the colour ended greatly and gave me a large reminiscence of the mum style denim skirt era of the 1970s, more emphasis was placed upon this idea with the polka-dot print which, to be honest, I usually despise polka-dot yet I found this combination totally superlative. 

Personally, I am hugely looking forward to an imminent month of new models, new designers and new street style but overall, my prospects are set high for the garments designers of which I already have a passion for are going to wonderingly display. These provocative fashion movements don’t stop after the ending of New York Fashion Week, they continue to venture on into London, Milan, Berlin and Paris as internationally fashion enthusiasts get discovered. This event is certainly one of the highly astonishing pin-points of the fashion industry’s calendar furthermore with its other Fashion Week situation during the month of February. Overall, it is an abundantly prevalent desire of mine to be sat within one of the crowds contained in this impacting week of sui-generis design.